THE SUBJECTS OF FATİH AKIN\u27S MELODRAMAS: A GENEALOGICAL READING THROUGH THE FILMS OF R.W. FASSBINDER, YILMAZ GÜNEY AND ATIF YILMAZ

Fatih Akın\u27s feature films Head-On (2004) and The Edge of Heaven (2007) resonated strongly with Turkish, German and Turkish German communities, albeit for diverse reasons, opening spaces for debate with regard to subjectivites that foreground their alterity and redefine readings of national identity. This dissertation addresses ways in which the melodramatic modality of Akın\u27s films partake in such debates by presenting a dialogic genealogy of melodramas from Turkish, German and Turkish German contexts. An analysis of Fontane\u27s novel Effi Briest and of R.W Fassbinder\u27s Fontane Effi Briest and Ali: Fear Eats the Soul; Atıf Yılmaz\u27s O Beautiful Istanbul; and Yılmaz Güney\u27s The Herd suggests ways in which these texts and films inscribe different aspects of alterity, situating the subjects of these narratives in disruptive relationships with national and transnational identitarian discourses. I examine these melodramatic narratives and the impasses they constructfor their subjects together with the relationship of the films\u27 uses of mise-en-scène to further complicate notions of ethnic and other modes of belonging. Divergent modes of distanciation and identification from different filmic traditions in Turkey and in Germany constitute a multivalent nexus through which I approach Akın\u27s films. The ambivalence of the protagonists\u27 affective states sets up another point of critical inquiry from which I utilize notions of performativity to critique interiorized and exteriorized readings of affect. I trace articulations of the realistic registers in these works, seeking the fissures where the melodramatic modality reveals itself to allow the directors to leave open the subjects\u27 alterity. Finally, I link certain plot-lines to the stranded objects of Turkish and German national histories, including histories pertaining to the Nazi past in Germany, the erasure of the Ottoman cosmopolitan cultural nexus and the nomadic modes of existence of the Kurdish population in Turkey. I then posit ways in which these objects come to interact with transnationally determined subjectivities in the films of Akın. The dialogic genealogy I propose intervenes in current critical debates on melodrama as a trans-generic mode and on transnationality in cinema that look beyond paradigms of nationalism(s) towards a diverse articulation of subjectivities that resist reification by dominant identitarian discourses

Je li je bosanska kraljica Katarina bila franjevačka trećoredica? (Sažetak)

Article discussing the membership of Bosnian Queen Catherine in the Third Order of St. Francis

Izvori za historiju srednjovjekovne Bosne (Ispisi iz knjiga zaduženja Državnog arhiva u Dubrovniku 1365-1521), prir. Esad Kurtović, Akademija nauka i umjetnosti Bosne i Hercegovine, Građa, knj. XXXI, Centar za balkanološka ispitivanja, knj. 2, Sarajevo 2017., 969 str.

Prikaz izdanja izvora za srednjovjekovnu bosansku povijest

Nada Klaić i njezin znanstveni i nastavni doprinos razvoju historiografije, Zbornik radova sa znanstvenoga skupa s međunarodnim sudjelovanjem održanog u Zagrebu 29.-30. studenog 2013. godine, ur. Tomislav Galović – Damir Agičić, FF Press, Zagreb 2014, 639 str.

Prikaz zbornika

Izvori za historiju srednjovjekovne Bosne (Ispisi iz knjiga zaduženja Državnog arhiva u Dubrovniku 1365-1521), prir. Esad Kurtović, Akademija nauka i umjetnosti Bosne i Hercegovine, Građa, knj. XXXI, Centar za balkanološka ispitivanja, knj. 2, Sarajevo 2017., 969 str.

Prikaz izdanja izvora za srednjovjekovnu bosansku povijest