Stylistic analysis of Jean Jacques Lagrenet works and his interpretation of Ovid "metamorposes"

The article is devoted to the works of Jean-Jacques Lagrenet Junior(September 8, 1739, Paris - 13th of February, 1821., Paris), who along with his brother Jean-Louis Francois is considered as a special master of the second half of XVIIIth century. In his work the aesthetic principles of the era were reflected - the reign period of two kings of France - Louis XV and Louis XVI. This is the period of art evolution from rococo to neoclassicism. This era gave rise to such a specific kind of art as a decorative painting. The samples of this type have mainly a decorative function, being mainly not an object of isolated contemplation, but an active element interior. The works of "Ovid Series" painted by Lagrenet Junior bear the characteristic features of the era: they illustrate one of the most popular works of Roman literature, organized accordance with the compositional principles of style, depict not personalities but ornamental types. The creativity of Lagrenet Junior cannot be included in a string of outstanding XVIIIth century painters in France, beginning from A. Vatto and ending with L. David. However, it belongs to the "artistic layer", to those artists whose art is an integral part of the era style. The article may be of interest to specialists studying the art of XVIIIth century held in the collection of Russia. It introduces into the science a quite remarkable series of Lagrenet Junior paintings. The comparative analysis of Lagrenet Junior works with the works of the Russian artist A.P. Losenko, XVIIIth century (1737-1773), i.e. with his work "The Death of Adonis" (1764). In a study conducted A historical and stylistic analysis of four paintings written by Lagrenet Junior, located in a large collection of fine arts, belonging to Mr. A.G. Semin is performed in a study. The authors hope to continue the study of Lagrenet brothers creativity with the Russian art of that time

Aesthetic and semanticaccents of the neo-gothic interpretation in Russia

The relevance of the work is due to the need for a strategy of reconstruction of historic exterior and interior of architectural object located in a ruin condition with very limited factual information. The article considers specific features of the evolution of the neo-Gothic in the late XIX – early XX centuries in Russia. The stylistic unity of the neo-Gothic and the Modern is traced. Special attention is paid to the principles of a reconstruction of the lost elements of architecture and interior design in theneo-Gothic style. The estate in the neo- Gothic style is the harmonious union of separate elements into a unified aesthetic whole. The principle of the unification is the harmony between carefully designed and comfortable environment and its decorative design. Stylistic tolerance in the approach to the creation of a unified subjective and spatial environment that combines aesthetic and semantic components of such styles as Gothic, Renaissance, Baroque, etc. is revealed. The approaches to the interpretation of the neo-Gothic architectural object is defined on the example of creative work of the master P. C. Boytsov (1849-after 1918), specialized in the creation of the estates and their interiors. The proposed guidelines for the reconstruction are given on the example of the proposal of reconstruction of the neo-Gothic interiors of several ensembles of P. S. Boytsov.Keywords: Neo-Gothic, Modern, estate, the Modern architecture, the reconstruction of the historic interior, the interior in the Modern style, interpretatio

Stylistic analysis of Jean Jacques Lagrenet works and his interpretation of Ovid "metamorposes"

The article is devoted to the works of Jean-Jacques Lagrenet Junior(September 8, 1739, Paris - 13th of February, 1821., Paris), who along with his brother Jean-Louis Francois is considered as a special master of the second half of XVIIIth century. In his work the aesthetic principles of the era were reflected - the reign period of two kings of France - Louis XV and Louis XVI. This is the period of art evolution from rococo to neoclassicism. This era gave rise to such a specific kind of art as a decorative painting. The samples of this type have mainly a decorative function, being mainly not an object of isolated contemplation, but an active element interior. The works of "Ovid Series" painted by Lagrenet Junior bear the characteristic features of the era: they illustrate one of the most popular works of Roman literature, organized accordance with the compositional principles of style, depict not personalities but ornamental types. The creativity of Lagrenet Junior cannot be included in a string of outstanding XVIIIth century painters in France, beginning from A. Vatto and ending with L. David. However, it belongs to the "artistic layer", to those artists whose art is an integral part of the era style. The article may be of interest to specialists studying the art of XVIIIth century held in the collection of Russia. It introduces into the science a quite remarkable series of Lagrenet Junior paintings. The comparative analysis of Lagrenet Junior works with the works of the Russian artist A.P. Losenko, XVIIIth century (1737-1773), i.e. with his work "The Death of Adonis" (1764). In a study conducted A historical and stylistic analysis of four paintings written by Lagrenet Junior, located in a large collection of fine arts, belonging to Mr. A.G. Semin is performed in a study. The authors hope to continue the study of Lagrenet brothers creativity with the Russian art of that time

Stylistic analysis of Jean Jacques Lagrenet works and his interpretation of Ovid "metamorposes"

The article is devoted to the works of Jean-Jacques Lagrenet Junior(September 8, 1739, Paris - 13th of February, 1821., Paris), who along with his brother Jean-Louis Francois is considered as a special master of the second half of XVIIIth century. In his work the aesthetic principles of the era were reflected - the reign period of two kings of France - Louis XV and Louis XVI. This is the period of art evolution from rococo to neoclassicism. This era gave rise to such a specific kind of art as a decorative painting. The samples of this type have mainly a decorative function, being mainly not an object of isolated contemplation, but an active element interior. The works of "Ovid Series" painted by Lagrenet Junior bear the characteristic features of the era: they illustrate one of the most popular works of Roman literature, organized accordance with the compositional principles of style, depict not personalities but ornamental types. The creativity of Lagrenet Junior cannot be included in a string of outstanding XVIIIth century painters in France, beginning from A. Vatto and ending with L. David. However, it belongs to the "artistic layer", to those artists whose art is an integral part of the era style. The article may be of interest to specialists studying the art of XVIIIth century held in the collection of Russia. It introduces into the science a quite remarkable series of Lagrenet Junior paintings. The comparative analysis of Lagrenet Junior works with the works of the Russian artist A.P. Losenko, XVIIIth century (1737-1773), i.e. with his work "The Death of Adonis" (1764). In a study conducted A historical and stylistic analysis of four paintings written by Lagrenet Junior, located in a large collection of fine arts, belonging to Mr. A.G. Semin is performed in a study. The authors hope to continue the study of Lagrenet brothers creativity with the Russian art of that time

Stylistic analysis of Jean Jacques Lagrenet works and his interpretation of Ovid "metamorposes"

The article is devoted to the works of Jean-Jacques Lagrenet Junior(September 8, 1739, Paris - 13th of February, 1821., Paris), who along with his brother Jean-Louis Francois is considered as a special master of the second half of XVIIIth century. In his work the aesthetic principles of the era were reflected - the reign period of two kings of France - Louis XV and Louis XVI. This is the period of art evolution from rococo to neoclassicism. This era gave rise to such a specific kind of art as a decorative painting. The samples of this type have mainly a decorative function, being mainly not an object of isolated contemplation, but an active element interior. The works of "Ovid Series" painted by Lagrenet Junior bear the characteristic features of the era: they illustrate one of the most popular works of Roman literature, organized accordance with the compositional principles of style, depict not personalities but ornamental types. The creativity of Lagrenet Junior cannot be included in a string of outstanding XVIIIth century painters in France, beginning from A. Vatto and ending with L. David. However, it belongs to the "artistic layer", to those artists whose art is an integral part of the era style. The article may be of interest to specialists studying the art of XVIIIth century held in the collection of Russia. It introduces into the science a quite remarkable series of Lagrenet Junior paintings. The comparative analysis of Lagrenet Junior works with the works of the Russian artist A.P. Losenko, XVIIIth century (1737-1773), i.e. with his work "The Death of Adonis" (1764). In a study conducted A historical and stylistic analysis of four paintings written by Lagrenet Junior, located in a large collection of fine arts, belonging to Mr. A.G. Semin is performed in a study. The authors hope to continue the study of Lagrenet brothers creativity with the Russian art of that time

Forming Socially Responsible Design for Sustainable Development

The article discusses various aspects of the formation of a socially responsible approach of designing among students which are studying design at Kazan (Volga Region) Federal University in such disciplines as design history and theory, as well as history of art. Mainly the ecological component of the problem of sustainable development is discussed. The issues of history of formation of the social responsibility of the designer, the ecological approach in design, sustainable design are touched upon. The issues of perception of sustainable development by design students are investigated. The importance of an ecological culture that guides and supports the designer is emphasized. The importance of aesthetic understanding of the problem of forming a sensual image of nature, planet and human is emphasized in order to get a response from the public, attracting attention to the problems of sustainable development. Examples of collaboration between science, art, and design are given