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    Boston University Symphony Orchestra and Symphonic Chorus, November 22, 2004

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    This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, November 22, 2004 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue. Works performed were "Nachtlied," Op. 108 by Robert Schumann, "Moirologhia" (world premiere) by Theodore Antoniou, 'Wotan's Farewell' and 'Magic Fire Music' from "Die Walküre" by Richard Wagner, and "Francesca da Rimini," Op. 39 by Pyotr Il'yich Tchaikovsky. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Macbeth...The Tragedy of

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    A brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. https://en.wikipedia.org/wiki/Macbethhttps://digitalcommons.otterbein.edu/production_2018-2019/1002/thumbnail.jp

    Boston University Symphony Orchestra and Symphonic Chorus, April 11, 2005

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    This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, April 11, 2005 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue. Works performed were "Quattro pezzi sacri" (Four Sacred Songs) by Giuseppe Verdi and "Le Sacre du printemps" (The Rite of Spring) by Igor Stravinsky. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Senior Day 2023

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    Program for the May 5, 2023 University of Michigan Law School Senior Day

    Thirty-Seventh Annual Commencement Exercises

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    Order of Exercises Processional: Rabbi Herbert C. Dobrinsky, Vice President for University Affairs, Yeshiva University; Herald Presiding: Selma Botman, Provost and Vice President for Academic Affairs, Yeshiva University; Chief Marshal Richard M. Joel, President, Yeshiva University National Anthem: Cantor Ira W. Heller, Class of 2008 Invocation: Rabbi Ozer Glickman Welcome: David P. Samson, Benjamin N. Cardozo School of Law; Class of 1993 Remarks: Matthew Diller, Dean, Benjamin N. Cardozo School of Law Commencement Address: The Honorable Denny Chin, United States Court of Appeals, Second Circuit Alumni Greeting: Alissa D. Makower, Chair, Alumni Association, Benjamin N. Cardozo School of Law; Class of 1992 Student Remarks: Casandra Tolentino, Class of 2015 Student Bar Association Awards: Pablo Omar Madriz, Class of 2015 Awards and Honors: Melanie Leslie, Vice Dean, Benjamin N. Cardozo School of Law, Class of 1991; Head Marshal Special Awards Presentation: Dean Diller Conferring of Master of Laws Degrees: President Joel Dean Diller Conferring of Juris Doctor Degrees: President Joel Dean Diller Hatikvah: Cantor Heller Recessionalhttps://larc.cardozo.yu.edu/pre-19-programs/1035/thumbnail.jp

    2019 Spring Commencement

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    https://digitalcommons.georgiasouthern.edu/commencement-programs/1015/thumbnail.jp

    161st University of Notre Dame Commencement and Mass Program

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    161st Commencement and Mass Program Saturday, May 20, 200

    Boston University Women's Chorale, Concert Choir, and Chamber Chorus, March 31, 2007

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    This is the concert program of the Boston University Women's Chorale, Concert Choir, and Chamber Chorus performance on Saturday, March 31, 2007 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Missa Brevis in D, Op. 63 by Benjamin Britten, Serenity by Charles Ives, Songs of the Lights by Imant Raminsh, If Ye Love Me by Thomas Tallis, Almighty and Everlasting Gog by Orlando Gibbons, Festival Te Deum and Hymn to St. Peter by Benjamin Britten, Magnificant in G by Sir Charles Villiers Stanford, Rejoice in the Lamb by Benjamin Britten, Fire Salmer by Edvard Grieg, and Hark, I Hear the Harps Eternal, My God Is a Rock, and Shout On arranged by Parker/Shaw. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund
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