Diverse Style of Satire and Humour and Three Voices of Bahawalpur Region

A good mood is created by spreading a smile through satire and humor. Of a bird' eye-view on the evolution of Urdu satire and humor, each time we find better creations than the previous era. Despite the abundance of writers, only a few comedy writers have the quality of pens in this field. The Bahawalpur region has a strong literary consciousness and immense breadth. The names of Shafiq-ur-Rehman, Muhammad Khalid Akhtar, and Ibn Al-Imam Shaftar are credible in terms of satire and humor. These comedians enriched a genre of literature that is somewhat difficult in other genres. From the reading of their texts, it can be inferred that creative abundance does not need a big center or a name. Shafiq-ur-Rehman, Muhammad Khalid Akhtar, and Ibn Al-Imam Shaftar's style based on individuality gives a sense of importance not only in the Bahawalpur region but also in Urdu literatur

SIMILARITIES AND DIFFERENCES IN THE AUTOBIOGRAPHIES OF SHEEN FARRUKH AND HAMRA KHALIQ

SheenFarrukh and Hamra Khaliq are among the prominent women writers of the 21st century. Sheen Farrukh's autobiography "Jeene Ka Juram" and Hamra Khaliq's autobiography "Kahan Kahan Se guzar gay" came to the fore. New thinking and concern can be estimated from the situations and events that happened in the lives of two contemporary women autobiography writers because both of them have the same commitment and also spent their educational period in college together. The important thing in these autobiographies is that both women highlight the ups and downs of life as well as the joys and sorrows of the stanzas. If we examine the two personalities, they saw a lot in their lives. In the autobiography, they presented scenes like partition, migration, and war. Although there is a contradiction in the personality of both, the study of their lives shows that a woman should be liberal (Sheen Farrukh) or domestic (Hamrah Khaliq), she gets a high position and status only after going through difficulties.&nbsp

Mirza Athar Baig’s Ghulam Bagh: A Post-Neo-Colonial Reading

Mirza Athar Baig is known for his unique style in Urdu fiction. In his novel "Ghulam Bagh" Mirza Athar Baig shows the essence of his best philosophy regarding the treatment of life, consciousness, self identity, characterization, psychological conflict and many other aspects. The philosophy of enlightenment is also present in the novel because enlightenment opposes outdated customs and preferences and considers collective human civilization as the ascension of humanity. Apart from power and domination, the philosophy of human relations is also prominent in the novel. The novel reflects the post-colonial era and the present era; therefore, modern technology and terms are widely used in the novel. Mirza Athar Baig has also experimented with several techniques. Cultural phenomena are central to postcolonialism, so it also studies the differences between colonial and colonized cultures. The novel is written in a post-neo-colonial style, which is different from the traditional style

NEW FORMS OF MODERN GHAZAL

Every genre of literature transforms with time by the means of form and content. Ghazal is the most popular and form-based genre of Urdu Literature. Though very confirmed and defined in its structure and form, Ghazal has also changed its structure and form with time. Especially in the twentieth and twenty-first centuries, when new experiments are being performed particularly with the casting of this ancient kind of literature, Ghazal underwent many transformations in the name of modernity. This article encompasses these changes and modernization of Urdu Ghazal in the contemporary era and near past

Mustafa Karim’s as a Fiction Writer: An Overview

Mustafa Karim is an epoch-making fiction writer of Urdu who, while maintaining the tradition of fiction, has also given new freshness to the eastern and western perspective of fiction. His fictions are excellent in terms of technical, artistic and thematic aspects, while the themes are East and West society, World War I and II, partition of India, migration problems, violence in religions, human tolerance, class division and psychology, problems of immigrants. , made the theme of sexual freedom and promiscuity. Most of his fiction depicts the life of immigrants and emigrants. Echoes of the past, consciousness and narrative style have been adopted in these legends. Every Short story is a manifestation of tragedy, sorrow, and suffering. This article gives a brief overview of his short stories

اسفارِ ہند میں تہذیبی و ثقافتی بیانیہ (خطۂ بہاول پور کے تناظر میں)

Travelogue is such a genre of literature, thanks to which one gets to know the culture, history and geography of any region. Travelogues are written in more or less every language of the world for different purposes, motivations and needs. In a good travelogue, the style of society, civilization, ethics, history and geographical boundaries are thoroughly reviewed. Syed Masood Hasan Shahab Dehlavi, Syed Nasiruddin, Syed Anis Shah Jilani, Bushra Rehman, Nazir Naz and Hasan Abbasi are prominent among the travel writers of Bahawalpur region who visited India. In the observations of these travel writers, where there is a comparison between India and Pakistan, the relationship between the two countries has also been made a topic and important and historical buildings have been included in abundance. On the whole, the travel correspondents of this region have presented a rich reflection of the civilization and culture of India on the basis of their powers of observation

مابعد ۱۱/۹ پاکستان کا عصری آشوب اور اردو افسانہ

After 9/11, the west tried to erase Muslim identity. in addition to terrorism and extremism, the lives of people living in Iraq, Afghanistan and Pakistan become a question mark due tothis world war. Pakistan is not only an important country but after 9/11 the better field for world power Afghanistan has been considered neighbouring and friendly country of Pakistan. Urdu short story has always been about social change at the human level. The sad scenes that led to the patrician of India and the after situation of the collapse of Dhaka made the creative experience of Urdu writers after their experiences and observations.at time the marshals that followed were not able to repel these creators even with the atmosphere of repression and freedom of experession. The change in the world after the attacks on the world tradse center and the pentagon did not preserve Urdu short stories at the creation level. In this regard Rasheed Amjad, Mansha Yad, Zahida Hina, Hamid Siraj and many other writers of the country have characterized this current tragedy in term of cultural confrontation, fear,Violence and alienation, which can be traced to the profound influence of 9/11 Urdu short story literature.  </p

خطۂ بہاول پور کے سفر نامہ نگاروں کی مشاہداتی تمثیل

The main purpose of the travelogue is to share your experiences and observations with others. In this regard, not only are different places visited, but it is also important to create interest with people through travel and events. The travelogue is the various modes of expression. It is a genre of literature that introduces the culture, history and geography of any region. Travelogues are written in every language of the world for different purposes, motives and needs. An excellent travelogue thoroughly examines the society, civilization, ethics, history and geographical boundaries. In general, more attention has been paid to the travelogue in the creative prose of the region of Bahawalpur. Enthusiasm is evident in religious travelogues, while other journeys are a beautiful combination of wonder and enthusiasm. In view of the literary significance of these travelogues, an overview of the observational parables of travel correspondents from Pakistan to date has been briefly reviewed.</p

فارس اور وسط ایشیاء میں غالب شناسی

The tradition of Ghalib Shanasi ( Ghalib Cognizance ) is as old ‎as the literary work of Ghalib itself. Ghalib has left behind himself a ‎highly esteemed literary work of Persian poetry and prose. But despite ‎that the tradition of Ghalib Shanasi ( Cognizance of Ghalib ) among the ‎literary scholars of Persia started too late, near about, in 1950. Though ‎Ghalib was appreciated in Persian literary intellectuals but this ‎appreciation is not sufficient as compare to the discernment of Ghalib ‎among the literary craftsmen of Urdu. Therefore, paradoxically, Ghalib ‎felt pride in expressing himself in Persian and he thought himself as the ‎literary figure of that language. Among the Persian literary figures, thesis ‎of Dr. Muhammad Muqaddam Alvi, Dr. Shafei Kadkani, Professor ‎Estelami, Dr. Raza Mustafa and Yahya Taliban regarding Ghalib ‎Shanasi (Cognizance of Ghalib). The research work and criticism of ‎Muhammad Hassan Jairi, Sayed Ghulam Akbar Naqvi and Muhammad ‎Ali Farjaad etc., regarding Ghalib Shanasi ( Ghalib cognizance ) are ‎worthy to be acknowledged. Though they compensate Persian's lack of ‎Ghalib Shanasi (Ghalib Cognizance), yet more is required to be done‏.</p

منٹو کے ادبی و شخصی مضامین: موضوعاتی جائزہ

  Manto's essays in Urdu essay writing are characterized by their unique and legendary style of expression, deep humor and different genres have their own identity with respect to the topics. These essays not only reveal Manto's concept of short story but also express his attitude to words various literary and journalistic figures. These essays are especially helpful in understanding his concept of short story writing