Waste, Industry and Romantic Leisure: Veblen's Theory of Recognition

types: ArticleVeblen’s work contains a neglected, since for the most part implicit, theory of recognition centred on his concepts of waste and workmanship. This article tries to develop this theory in order to shed new light on the theorem of conspicuous leisure and consumption. The legitimacy of violence at the ‘predatory stage’ of culture has been partly superseded by a legitimacy of industrial efficiency, so that the leisure classes need to disguise their conspicuous waste as socially useful productive endeavours. At the same time waste remains a powerful symbol of legitimate status, so that even the industrial classes turn to it in order to assert their social worth and demand social recognition. Waste - which is far more central in Veblen’s theory than is emulation - becomes an ambiguous symbol which can stand for both unproductive privilege and industrial efficiency. The utilitarian urge for efficiency and the meaninglessness of a struggle for recognition through conspicuous waste produce a desire for a romantic escape, also acknowledged by Veblen, but often overlooked in his sharp criticism of consumerism

Pragmatism and Critical Theory

This article discusses Habermas’s project of reformulating Critical Theory through a pragmatic philosophy of communication, while defending post-metaphysical reason and commitment to grounded critique. Habermas’s use of pragmatics is contrasted with Rorty, who argues for a non-foundational pragmatism that eschews the idea of science as the only site of reason and social progress. The argument moves through three stages. First, it outlines Habermas’s project of recovering critical activity with particular attention to his debt to pragmatic philosophy and the departures from earlier Critical Theory that this entailed. Second, it examines his theory of communicative action and identifies some key areas of contestation with sceptical approaches. Finally, it identifies some of the problems and limitations in Habermas’s pragmatic turn, suggesting that his quasi-transcendental critique is developed at the expense of a pragmatic commitment to grounding in embodied agency-in-the-world. It concludes that the spirit of pragmatism, rather than its detail, might help Critical Theory focus on political analysis and resistances to domination