Portfolio Vol. II N 1

Browne, Phil. The Approach to Fraternity Row . Picture. 2. Simmons, Fate. The Sand House . Prose. 3. The College Catbird, Groucho. Ode to my Fellow Students . Poem. 6. Varney, Chester. The Tramp . Prose. 7. Browne, Phil. Shell Shock . Prose. 9. West, Bill C. Mr. Freud... . Poem. 10. West, Bill C. Bacchanal . Poem. 10. De Chavannes, Pierre Puvis de. Summer . Poem. 10. Pierce, Ames. A Student Looks at Europe . Prose. 11. Timrud, David. Though you Knew it Not . Poem. 13. Timrud, David. Le Joi De Vivre . Poem. 13. Timrud, David. The Ghostly Loom . Poem. 13. Dohanos, Stephen. West Quoddy Light, Maine . Picture. 13. Millet, Jean Francois. Peasants Going to Work . Picture. 14. Kent, Rockwell. Maine Coast . Picture. 14. Beier, Dean. Review of New Recordings . Prose. 15. Beier, Dean. Advice on Band Booking . Prose. 15. Millay, Edna St. Vincent. From \u27Conversation at Midnight\u27 . Prose. 16. Black, James. Playing Around . Prose. 17. Saunders, Paul. Review of New Books .Prose. 17. Salietti, Alberto. A country Woman . Picture. 18. Eschman, Barbara. Color Scheme . Poem. 18. Whitehead, Richard. A Tribute . Picture. 19. Beckham, Adela. Gethsemane . Poem. 20. Beckham, Adela. Blues Singer . Poem. 20. Flory, Doris. Revelation . Poem. 20. Flory, Doris. Fervor . Poem. 20. Hanna, Stanley. Men of Fortune . Poem. 20. Sweitzer, Harry J. Denison and Education . Prose. 21. Hopkins, Kate. Twillight . Prose. 23. Hopkins, Kate. Afterward . Prose. 23

St. Genevieve Watches Over the Sleeping City of Paris

The painting depicts a standing and draped figure looking over a cityscape from a balcony

[Paris ville lumière aux génies qui font sa gloire]

b.g. : Waltner 1897 sc. ; b.d. : P.Puvis de Chavannes/ 1894/ Waltnergravur

[Allégorie]

b.g. : P. Puvis de Chavannesgravur

Boston Public Library

North façade, frontal view, the west end; The other style of national importance to emerge from Boston in the 1880s was a resurgent neo-classicism led by McKim, Mead & White. Their most influential building, the imposing Boston Public Library, drew on Italian Renaissance, Roman and contemporary French sources. Throughout the building sculpture and mural painting were incorporated in rooms panelled with rare marbles, creating what the Library Trustees called a 'Place for the People'. The murals include those of 1895-1896 (by Pierre Puvis de Chavannes) and 1894 (by Edwin Austin Abbey and John Singer Sargent) and with bronze bas-relief doors by Daniel Chester French. Source: Grove Art Online; http://www.groveart.com/ (accessed 12/2/2007

Boston Public Library

General view of the court, from the southeast; The other style of national importance to emerge from Boston in the 1880s was a resurgent neo-classicism led by McKim, Mead & White. Their most influential building, the imposing Boston Public Library, drew on Italian Renaissance, Roman and contemporary French sources. Throughout the building sculpture and mural painting were incorporated in rooms panelled with rare marbles, creating what the Library Trustees called a 'Place for the People'. The murals include those of 1895-1896 (by Pierre Puvis de Chavannes) and 1894 (by Edwin Austin Abbey and John Singer Sargent) and with bronze bas-relief doors by Daniel Chester French. Source: Grove Art Online; http://www.groveart.com/ (accessed 12/2/2007

Boston Public Library

Court, frontal view of the west façade, from the second floor stairs; The other style of national importance to emerge from Boston in the 1880s was a resurgent neo-classicism led by McKim, Mead & White. Their most influential building, the imposing Boston Public Library, drew on Italian Renaissance, Roman and contemporary French sources. Throughout the building sculpture and mural painting were incorporated in rooms panelled with rare marbles, creating what the Library Trustees called a 'Place for the People'. The murals include those of 1895-1896 (by Pierre Puvis de Chavannes) and 1894 (by Edwin Austin Abbey and John Singer Sargent) and with bronze bas-relief doors by Daniel Chester French. Source: Grove Art Online; http://www.groveart.com/ (accessed 12/2/2007

Boston Public Library

Grand Staircase, looking up at the loggia over the stair, from the landing; The other style of national importance to emerge from Boston in the 1880s was a resurgent neo-classicism led by McKim, Mead & White. Their most influential building, the imposing Boston Public Library, drew on Italian Renaissance, Roman and contemporary French sources. Throughout the building sculpture and mural painting were incorporated in rooms panelled with rare marbles, creating what the Library Trustees called a 'Place for the People'. The murals include those of 1895-1896 (by Pierre Puvis de Chavannes) and 1894 (by Edwin Austin Abbey and John Singer Sargent) and with bronze bas-relief doors by Daniel Chester French. Source: Grove Art Online; http://www.groveart.com/ (accessed 12/2/2007