KERAJINAN TOPENG SINGOBARONG SARJU DESA CARAT KECAMATAN KAUMAN KABUPATEN PONOROGO

 Topeng masih menjadi bagian tradisi atau ekpresi estetik masyarakat. Kabupaten Ponorogo terkenal dengan budaya daerah yaitu kesenian reyog. Salah satunya karya seni rupa adalah topeng Singobarong yang dibuat oleh Sarju yang berada di Desa Carat Kecamatan Kauman Kabupaten Ponorogo. Bentuk dari topeng Singobarong berupa kepala harimau dan dihiasi dengan bulu merak yang sangat lebar. Dalam pembuatannya, perlu bahan yang berkualitas dan teknik pengerjaan memiliki nilai estetik tinggi. Tujuan dalam penelitian ini adalah mengetahui perjalanan hidup Sarju terkait dengan kerajinan topeng Singobarong dan nilai estetik yang terdapat pada kerajinan topeng Singobarong Sarju. Penelitian ini menggunakan jenis penelitian diskriptif kualitatif. Menggunakan teknik pengumpulan data: observasi, wawancara dan dokumentasi. Analisis data dengan reduksi data, penyajian data dan menarik kesimpulan. Validasi atau keabsahan data menggunakan teknik triangulasi dan informan review. Hasil dari penelitian ini ialah cerita perjalanan Sarju dalam mengembangkan usaha kerajinan topeng Singobarong. Hubungan antara Barongan dan Dhadhak Merak menunjukkan keselarasan dan kecocokan karena keduanya sama-sama memiliki ciri khas bulu dan rambut yang tebal. Kesatuan, kerumitan, dan kesungguhan Barongan dapat dilihat dari setiap bagiannya sehingga menimbulkan produk yang sempurna dan tanpa cacat. Dhadhak Merak yang setiap bagiannya telah menggambarkan keserasian antar bagian sehingga menghasilkan bentuk yang rapi terutama pada susunan bulu-bulu merak.  topeng Singobarong, Sarju, Estetik. Abstract : A mask stil being a tradition or expression estetik of society.Ponorogo famous for local culture that is art reog. One of them mask singobarong Sarju works made in the village of the District Carat Kauman Ponorogo. The shape of the mask singobarong the form of a tiger's head and decorated with peacock feathers are very wide. In manufacturing, the need of quality materials and construction techniques have a high aesthetic value. The purpose of this research is how the journey of life associated with the craft mask Sarju singobarong and how the aesthetic value contained in the mask craft singobarong Sarju. This research uses descriptive qualitative research. Using the techniques of data collection: observation, interviews and documentation in order to obtain the necessary data. Data analysis was performed with data reduction, data presentation and draw conclusions. While the validation or validity of the data using triangulation techniques and informants review. The results obtained in this study is the story traveling Sarju in developing this singobarong mask craft business. The relationship between Barongan and dhadhak Merak has demonstrated alignment and matching if combined because they both have the hallmark of fur and thick hair. Unity, complexity, and seriousness Barongan can be seen from every part occurred harmony resulting in a product that is perfect and flawless. So it is with Merak dhadhak that every part has described harmony between parts so as to produce a neat form, especially in the arrangement of peacock feathers. Keywords: Mask Singobarong, Sarju, Aestheti

KERAJINAN TOPENG SINGOBARONG SARJU DESA CARAT KECAMATAN KAUMAN KABUPATEN PONOROGO

 Topeng masih menjadi bagian tradisi atau ekpresi estetik masyarakat. Kabupaten Ponorogo terkenal dengan budaya daerah yaitu kesenian reyog. Salah satunya karya seni rupa adalah topeng Singobarong yang dibuat oleh Sarju yang berada di Desa Carat Kecamatan Kauman Kabupaten Ponorogo. Bentuk dari topeng Singobarong berupa kepala harimau dan dihiasi dengan bulu merak yang sangat lebar. Dalam pembuatannya, perlu bahan yang berkualitas dan teknik pengerjaan memiliki nilai estetik tinggi. Tujuan dalam penelitian ini adalah mengetahui perjalanan hidup Sarju terkait dengan kerajinan topeng Singobarong dan nilai estetik yang terdapat pada kerajinan topeng Singobarong Sarju. Penelitian ini menggunakan jenis penelitian diskriptif kualitatif. Menggunakan teknik pengumpulan data: observasi, wawancara dan dokumentasi. Analisis data dengan reduksi data, penyajian data dan menarik kesimpulan. Validasi atau keabsahan data menggunakan teknik triangulasi dan informan review. Hasil dari penelitian ini ialah cerita perjalanan Sarju dalam mengembangkan usaha kerajinan topeng Singobarong. Hubungan antara Barongan dan Dhadhak Merak menunjukkan keselarasan dan kecocokan karena keduanya sama-sama memiliki ciri khas bulu dan rambut yang tebal. Kesatuan, kerumitan, dan kesungguhan Barongan dapat dilihat dari setiap bagiannya sehingga menimbulkan produk yang sempurna dan tanpa cacat. Dhadhak Merak yang setiap bagiannya telah menggambarkan keserasian antar bagian sehingga menghasilkan bentuk yang rapi terutama pada susunan bulu-bulu merak.  topeng Singobarong, Sarju, Estetik. Abstract : A mask stil being a tradition or expression estetik of society.Ponorogo famous for local culture that is art reog. One of them mask singobarong Sarju works made in the village of the District Carat Kauman Ponorogo. The shape of the mask singobarong the form of a tiger's head and decorated with peacock feathers are very wide. In manufacturing, the need of quality materials and construction techniques have a high aesthetic value. The purpose of this research is how the journey of life associated with the craft mask Sarju singobarong and how the aesthetic value contained in the mask craft singobarong Sarju. This research uses descriptive qualitative research. Using the techniques of data collection: observation, interviews and documentation in order to obtain the necessary data. Data analysis was performed with data reduction, data presentation and draw conclusions. While the validation or validity of the data using triangulation techniques and informants review. The results obtained in this study is the story traveling Sarju in developing this singobarong mask craft business. The relationship between Barongan and dhadhak Merak has demonstrated alignment and matching if combined because they both have the hallmark of fur and thick hair. Unity, complexity, and seriousness Barongan can be seen from every part occurred harmony resulting in a product that is perfect and flawless. So it is with Merak dhadhak that every part has described harmony between parts so as to produce a neat form, especially in the arrangement of peacock feathers. Keywords: Mask Singobarong, Sarju, Aestheti

The Implementation of Collaborative Urban Governance in City Without Slums Program (Kotaku) in Pasuruan, Indonesia

This paper aims to explain and create a model of Collaborative Urban Governance in the implementation of the City without Slums Program (KOTAKU). This study uses a qualitative research method. This study revealed that the implementation of the City without Slums Program (KOTAKU) has not shown the collaboration between stakeholders. The implementation of the KOTAKU Program was not well implemented. It is indicated by the existence of urban slums which tend to increase. There was no involvement of working groups between (POKJA), who served as program implementers, and the lack of community involvement in the KOTAKU Program. Moreover, the absence of community leaders, program implementers are not flexible to the community, and the lack of communication between stakeholders. Therefore, by using data analysis sourced from interviews and questionnaires, this paper formulates the Collaborative Urban Governance model. The model emphasizes the integration of stakeholders, strengthening norms, local government institutional structures, community awareness, and culture to create a City without Slums

A Chronicle of Indonesia’s Forest Management: A Long Step towards Environmental Sustainability and Community Welfare

Indonesia is the largest archipelagic country in the world, with 17,000 islands of varying sizes and elevations, from lowlands to very high mountains, stretching more than 5000 km eastward from Sabang in Aceh to Merauke in Papua. Although occupying only 1.3% of the world’s land area, Indonesia possesses the third-largest rainforest and the second-highest level of biodiversity, with very high species diversity and endemism. However, during the last two decades, Indonesia has been known as a country with a high level of deforestation, a producer of smoke from burning forests and land, and a producer of carbon emissions. The aim of this paper is to review the environmental history and the long process of Indonesian forest management towards achieving environmental sustainability and community welfare. To do this, we analyze the milestones of Indonesian forest management history, present and future challenges, and provide strategic recommendations toward a viable Sustainable Forest Management (SFM) system. Our review showed that the history of forestry management in Indonesia has evolved through a long process, especially related to contestation over the control of natural resources and supporting policies and regulations. During the process, many efforts have been applied to reduce the deforestation rate, such as a moratorium on permitting primary natural forest and peat land, land rehabilitation and soil conservation, environmental protection, and other significant regulations. Therefore, these efforts should be maintained and improved continuously in the future due to their significant positive impacts on a variety of forest areas toward the achievement of viable SFM. Finally, we conclude that the Indonesian government has struggled to formulate sustainable forest management policies that balance economic, ecological, and social needs, among others, through developing and implementing social forestry instruments, developing and implementing human resource capacity, increasing community literacy, strengthening forest governance by eliminating ambiguity and overlapping regulations, simplification of bureaucracy, revitalization of traditional wisdom, and fair law enforcement

Proceedings of the 3rd International Conference on Community Engagement and Education for Sustainable Development

This proceeding contains articles on the various ideas of the academic community presented at The 3rd International Conference on Community Engagement and Education for Sustainable Development (ICCEESD 2022) organized by the Universitas Gadjah Mada, Indonesia on 7th-8th December 2022.  ICCEESD is a biannual forum for sharing, benchmarking, and discussing HEI’s activities in developing Education for Sustainable Development towards community engagement. Education for Sustainability as a teaching strategy for resolving community challenges through formal, informal, or non-formal education is expected to benefit from various community service best practices by academics, researchers, and students. The 3rd ICCEESD has “Strengthening Education for Sustainability Towards Better Community Engagement” as its theme this year. It is expected that the 3rd ICCEESD will provide a forum for the presenters and participants to exchange best practices, policies, and conceptual implementation of Education for Sustainability towards better community engagement and explore ideas to address community needs.  Conference Title: 3rd International Conference on Community Engagement and Education for Sustainable DevelopmentConference Theme: Strengthening Education for Sustainability Towards Better Community EngagementConference Acronyms: ICCEESD 2022Conference Date: 7th-8th December 2022Conference Location: Grand Rohan Jogja Yogyakarta, IndonesiaConference Organizer: Universitas Gadjah Mada, Indonesi