Synesthesia, transformation and synthesis : toward a multi-sensory pedagogy of the image

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Ecrire dans la langue de l'autre

Il volume raccoglie una serie di contributi che hanno come tema la \u201clingua dell\u2019altro\u201d, e dunque una lingua diversa da quella materna o da quella abitualmente parlata da un autore, scelta talora per necessit\ue0, talora per un\u2019inclinazione culturale. I saggi affrontano l\u2019argomento con angolazioni differenti, dalla lingua scritta da un singolo (come nel caso di Raimbaut de Vaqueiras, Montaigne, della lingua ignota di Ildegarda di Bingen, di Gabriele D\u2019Annunzio), alla lingua scritta per almeno due secoli da un\u2019ampia comunit\ue0 di persone, come nel caso del franco-veneto. Indice: Premessa; M. Zink, \u201cOuverture\u201d; D. Heller-Roazen, \u201cL\u2019Ignota lingua di Ildegarda di Bingen\u201d; M. Zink, \u201cRaimbaut de Vaqueiras. La po\ue9sie comme langue de l\u2019autre\u201d; A. M. Babbi, \u201cScrivere in francese in Italia nel XIII secolo\u201d; A. Compagnon, \u201cLa parole est moiti\ue9 de celui qui parle, moiti\ue9 \ue0 celui qui l\u2019\ue9coute\u201d; C. Galderisi, \u201cFaute contre nature? D\u2019une langue \ue0 l\u2019autre ou D\u2019Annunzio le collectionneur\u201d; T. Zanon, \u201cParodia e reticenza. Su alcuni esempi europei di \u2018italiano all\u2019Opera\u2019 tra Otto e Novecento\u201d; Indice dei nomi

Beyond the conflict between “Touch” and “Feel” in robotics

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The animal face of early modern England

This article is both a work of historical reconstruction and a theoretical intervention. It looks at some influential contemporary accounts of human-animal relations and outlines a body of ideas from the 17th century that challenges what is presented as representative of the past in posthumanist thinking. Indeed, this article argues that this alternative past is much more in keeping with the shifts that posthumanist ideas mark in their departure from humanism. Taking a journey through ways of thinking that will, perhaps, be unfamiliar, the revised vision of human-animal relations outlined here emerges not from a history of philosophy but from an archival study of people’s relationships with and understandings of their livestock in early modern England. At stake are conceptions of who we are and who we might have been, and the relation between those two, and the livestock on 17th-century smallholdings are our guides

What Have They Done to My Song? : Recycled Language in Monika Fagerholm's The American Girl

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