Engaging audiences with difficult pasts: the Voices of ’68 Project at the Ulster Museum, Belfast

Can history museums influence the relationship between divided communities? This paper explores why an initially modest collaboration between the authors and the Ulster Museum on the non‐violent Northern Ireland Civil Rights Movement of 1968/69, eventually had substantial impact beyond the museum’s walls. Having placed the Northern Ireland Civil Rights Movement within the context of both the international protests of 1968 and the specific environment of Northern Ireland, particularly the virtual civil war known as the Troubles, the paper turns to the role of museums in responding to the legacy of this past, and the evolving practice of the Ulster Museum, as background to the project. The latter began as a limited intervention within an existing display, based on oral histories and underpinned by the theory of ‘agonism’, proposing that divided communities must learn to live with difference. It eventually included exhibitions, workshops, school study days, curricular materials and online provision. It has directly influenced the Northern Ireland GCSE History Curriculum and been held up as an example of good practice within the province’s peace process. The paper discusses why the project succeeded – location within a national museum; credibility with protagonists, academics, communities and audiences; starting small; a willingness to take risks and share control; multiple perspectives; and an acceptance that not everyone will be satisfied. With a version of the Voices of 68 exhibition now installed in the Museum’s permanent gallery, the next challenges are longitudinal studies on its impact and assessing the approach’s relevance to other museums working in post‐conflict societies

The State Rajput Identity and Women's Agency in 19th and 20th Century Rajasthan

Drawing on historical and ethnographic material on lower-class Rajput women, this paper evaluates the their impact in transforming gender roles and relationships in rural Rajasthan. It focuses on the individual and collective agency of Rajput women and the role of the state in the promotion of gender-specific identities in Rajasthan, India. Overall, it is noted that the Rajputs have had a tremendous influence on the culture, customs and traditions of the people of the state. In terms of the impact of Rajput women, however, it is suggested that they would be in a stronger position to initiate decisions if the community structures that generate prestige and value were more in their favor. Nevertheless, a change in the prestige structure could result in gender conflict, hence, it is complicated with skepticism and reluctance by both sexes. Although the Women's Development Programme has raised an awareness of women's rights, it still remains constrained by state sponsorship. Moreover, while women's agencies are seen to be enhanced by state-level initiatives, middle- and upper-class Rajput women remain constrained by the nature of state and national politics