Historia naturale [Texto impreso]

Copia digital : Biblioteca Valenciana, 2011Marca tip. en portPort. a dos tintasSign.: *8, 2*8, 3*3, []1, A-Z8, 2A-2Z8, 3A-3M8, 3N4, A-D4,E

Quaestiones Camaldulenses Christophori Landini Florentini ad Federicum Urbinatum Principem

Quaestionum Camaldulensiu[m] De vita actiua & contemplatiua liber primus ; Quaestionum Camaldulensiu[m] De summo bono liber secundus ; Camaldulensium disputationum Christophori Landini In P. Virgilii Maronis allegorias liber tertius ; Camaldulensium disputationum Christophori Landini In P. Virgilii Maronis allegorias liber quartu

Christophori Landrini, publici apud Aureliam Lectoris, tractatus de Republica, ad illustrissimum Principem Carolum, Galliarum Regis filium, Aurelianorum Ducem, Maecenatem suum.

Numérisation effectuée à partir d'un document original.Philiberti de la Mar

Memòria Digital de Catalunya

Aquesta ed. només conté dues il·lustracions, no en conté cap precedint el canto 3, com esmenta Goff. Segons ICCU: "Le prime due ill. sono state tirate sullo stesso foglio di stampa del testo (c. a1r, b1v) le seguenti su fogli a parte, ritagliate e incollate successivamente all'impressione tipografica.- Var. B: la vignetta del secondo canto e stata stampata erroneamente anche all'incipit del terzo (c. c1v)""Engravings attributed to Baccio Baldini after designs by Botticelli"--COPACPeu d'impr. obtingut del colofóLes p. [1]-[2], [27]-[30], [337]-[338], [741]-[744] en blancSignatures: ·8, [ ]6, a10, b8, c-e10, f8, g10, h-i8, l10, m-n8, o-r10, s6, aa-gg10, hh12, ll-mm10, oo6, A8, B-H10, I6, L12. En els quaderns que comencen amb un f. en blanc (·, a i aa) la numeració de les sign. comença al 2n f. Els f. sign. A1 i A2 estan signats aaa1 i aaa2Alguns quaderns duen reclam a la fiGravats calcogràfics a f. a1 i b1v. i espais en blanc per a les caplletres i per a enganxar-hi els gravats"As indicated by a blank space or by an engraving preceding the cantos, a complete series of illustrations must have originally been planned for this edition. Engravings are known only for the first nineteen cantos of the Inferno. Of these, only those for the first three cantos are found impressed on the pages of text (in some instances, the third being a repetition of the second). The remaining engravings, if any or all appear, are found on separate slips of paper pasted in at their respective places."--Gof

Disputationes Camaldulenses.

First printed ca. 1480 with title: Disputationum Camaldulensium libri IV.Excripsit Florentiae Petrus Cenninus atqz ad archetipum emendavit anno salutis M CCCC LXXIIII declinante vere.Photocopy of MS.Plut.53, Cod.28 in the Biblioteca mediceo-laurenziana, Florence,Mode of access: Internet

Opera Ioannis Pici Mirandule Comitis concordie littera[rum] principis novissime accurate revisa (addito generali sup[er] om[n]ibus memoratu dignis regesto) quarũcunque facultatũ professoribus tam iucunda quam proficua

Beiträger: Bapstista Mantuanus, Ermolao Barbaro, Filippo Beroaldo, Antonio Cittadini, Alexander Cortesius, Girolamo Donati, Hieronymus Emser, Marsilius Ficinus, Bartolomeo Fonte, Battista Guarino, Christoforo Landino, Iunianus Maius, Giovanni Francesco Pico della Mirandola, Angelo Poliziano, Robertus Salviatus, Bartolommeo Ugolino, Jakob WimphelingBogensignaturen: [ ]⁶, aa⁶, A-Z⁶, a-n⁶Aus dem Besitz Huldrych Zwinglis. Mit Annotationen von seiner Hand