Affinity spaces on Facebook: a quantitative discourse analysis towards intercultural dialogue

info:eu-repo/semantics/publishe

L'espace théâtral immersif: entre intégration, immersion et indistinction

info:eu-repo/semantics/publishe

Quand le numérique s’invite au château: les serious games comme outil de médiation du patrimoine

Dans cet article, nous examinons comment quatorze lieux de patrimoine ont recours à des serious games comme outil de médiation culturelle. Notre modèle d’analyse en trois temps (données, processus, aboutissement) se penche sur les types de contenus dispensés, sur les caractéristiques des jeux ainsi que sur leurs objectifs cognitifs, affectifs et communicatifs.In this article, we examine the way in which fourteen heritage sites use serious games as a tool for cultural education. Our three-step analysis model (input, process and outcome) addresses the types of content offered, the characteristics of the games and their cognitive, emotional and communicative aims

Identity, otherness and the virtual double

Interactive media arts offer us new approaches to the role of theatrical representation. Nowadays, digital technology allows us to explore self-representation in systems that cross over between installation art, theatre and performance. By confronting the subject with his or her own image, these devices question the mechanisms of identification and denegation. Both the theatrical creations and the interactive forms that are examined here invite the spectator to explore the relationship between identification and denegation. All the artistic productions that are studied in this article call for a virtual double that the immersant meets: Liquid Views (1992) and Rigid Waves ([1993] 2008) by Monika Fleischmann and Wolfgang Strauss, Telematic Dreaming ([1992] 2007) by Paul Sermon and Eux (2008) by the Crew company and Sensorama (2009) by the Andwhatbeside(s)death company. In all of these artworks, the participant is encouraged to give less importance to his or her cognitive senses in order to allow his or her sensations to create a representation of himself or herself. The overlap between identity and otherness is therefore to be found at the very heart of the sensitive body.info:eu-repo/semantics/publishe