48,023 research outputs found

    The ‘problem’ with Scottish dance music : two paradigms

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    Developing a Sufficient Knowledge Base for Faces: Implicit Recognition Memory for Distinctive versus Typical Female Faces

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    Research on adults' face recognition abilities provides evidence for a distinctiveness effect such that distinctive faces are remembered better and more easily than typical faces. Research on this effect in the developmental literature is limited. In the current study, two experiments tested recognition memory for evidence of the distinctiveness effect. Study 1 tested infants (9- and 10-month olds) using a novelty preference paradigm. Infants were tested for immediate and delayed memory. Results indicated memory for only the most distinctive faces. Study 2 tested preschool children (3- and 4-year-olds) using an interactive story. Children were tested with an implicit (i.e. surprise) memory test. Results indicated a memory advantage for distinctive faces by three-year-old girls and four-year-old boys and girls. Contrary to traditional theories of changes in children's processing strategies, experience is also a critical factor in the development of face recognition abilities

    The fiddle and the dance in Fife : the legacy of ‘Fiddley’ Adamson, father and son

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    Constructing grief : an analysis of young people's talk following the unexpected death of a peer : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Psychology at Massey University

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    This research explores how young people talk about grief following the sudden and unexpected death of one of their peers. The study investigates the construction of grief by analysing the everyday language young people use when talking about grief. Ten bereaved young people were interviewed and their interviews transcribed to produce texts of grief talk. These texts were then analysed using the Potter & Wetherell (1992) approach to discourse analysis. The study identifies the discourse of control as an important part of the construction of grief in young people. The just world discourse that participants draw upon to construct their experience of grief as life changing and profound is also identified. Grief is constructed through talk as an external behavioural response as opposed to an internal emotion. Analysis of the talk also reveals that the participants construct grief as a collective undertaking. The embodiment of grief is identified as a way in which the participants combat the loss of ontological security caused by the death of their peer. The dominant youth culture discourse of un-emotionality is drawn upon frequently in the participants' constructions of grief. These findings offers a valuable new insight into the way in which young people construct grief differently to older adults following the sudden and unexpected death of a peer, and indicates the significance of the social and cultural context in which the study of grief occurs

    Chosen Multiplication Algorithms and the Ability to Learn New Methods

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    Waratah theft in Brisbane Water National Park - an analysis of the blue paint poaching reduction program

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    The flowers of Waratahs, Telopea speciosissima (family Proteaceae) are regularly harvested illegally from natural bushland, particularly close to urban areas such as the New South Wales Central Coast. The removal of Waratah blooms from the wild may have implications for the long-term survival of local populations because of the interaction between wildfire events, subsequent flowering and limited seedling recruitment opportunities. To reduce the incidence of theft, blue acrylic paint was applied to blooms to reduce their commercial value. The painting of blooms in 2004 did not significantly reduce the incidence of wildflower theft when compared to unpainted blooms, but overall losses were lower (27%) than in 2003 (33%). However, painting of blooms had a deleterious affect on fruit production on plants with multiple heads with painted blooms having significantly reduced fruit set compared to unpainted blooms. Painting of blooms had no significant effect on seed quality (seed production per fruit, seed germination or seedling vigour) when compared to unpainted blooms. The painting of Waratah blooms to reduce theft was relatively ineffective and decreased fruit production. Alternative strategies should be considered to reduce wildflower theft in the area
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