246 research outputs found
B-CoC: A Blockchain-Based Chain of Custody for Evidences Management in Digital Forensics
One of the main issues in digital forensics is the management of evidences. From the time of evidence collection until the time of their exploitation in a legal court, evidences may be accessed by multiple parties involved in the investigation that take temporary their ownership. This process, called Chain of Custody (CoC), must ensure that evidences are not altered during the investigation, despite multiple entities owned them, in order to be admissible in a legal court. Currently digital evidences CoC is managed entirely manually with entities involved in the chain required to fill in documents accompanying the evidence. In this paper, we propose a Blockchain-based Chain of Custody (B-CoC) to dematerialize the CoC process guaranteeing auditable integrity of the collected evidences and traceability of owners. We developed a prototype of B-CoC based on Ethereum and we evaluated its performance
Phantasmata of Dance : Time and Memory within Choreographic Constraints
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Beyond the Neuro-Realism Fallacy : From John R. Mallardās Hand-painted MRI Image of a Mouse to BioArt Scenarios
This publication was made possible thanks to the generous support of the Carnegie Trust (Research Incentive Grants).Peer reviewedPostprin
That Obscure Object of Desire : Some Notes for a Slow Art-Science
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A Missed Encounter between Species : The Interplay of Scientific Realism and Aesthetics in PainlevĆ©ās Cinematographic Experiments on the Octopus
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The Aesthetics of Magnetic Resonance Imaging (MRI): from the Scientific Laboratory to an Artwork
Peer reviewedPublisher PD
Guided by Images: From Jean-Luc Godard to Brain Scans
This article seeks to critically engage with Elkinsā urging that āvisual studies as a discipline needs to find ways to be guided by pictures rather than ways of explaining picturesā (2013: 29). It considers two cases of images that resist interpretation by means of written words. The first case is Je vous salue, Sarajevo, a short video from Jean-Luc Godardās experimental cinema; the second is a brain scan coming from the biomedical field. What kind of theoretical and practical strategies can be put at work to recognize the capacity of these images to act as arguments, rather than taking them as inert objects to be looked at? The article engages with Godardās āanti-montageā and morphology as two ways that visual studies scholars have at their disposal to challenge the relationship between images and theory
Visibilizing the Patientās Body through Anticipation. : A Matter of Care
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Sick and Injured Bodies : Medical Imagery and Media Practices of Care
Peer reviewedPublisher PD
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