Urban policymakers need to reconsider the role of arts districts in cities’ economic development

Recent decades have seen the growth of arts districts in many large U.S. cities. These areas are often seen by city authorities as amenities that can be used to attract tourists and the creative class. In new research, Carl Grodach argues that city policymakers may be overlooking the role of the arts as industries and in encouraging economic development. Using a survey of nearly 90 percent of U.S. arts employment, he finds that arts districts tend to cluster in urban ‘innovation districts’, suggesting that they can play a larger role in economic development. He writes that with this in mind, new approaches for arts-based urban development policy may now be needed in order to harness this economic potential

Arts industries do not cause gentrification- they tend to chase it.

Gentrification has been long thought to be sparked by artists and artistic businesses that move into poorer areas. But new research from Carl Grodach, Nicole Foster, and James Murdoch finds that we need to rewrite the story of arts-led gentrification. In a study of the 30 largest US metros, they find that art industries generally do not cause gentrification and the associated displacement of poorer residents. In fact, gentrified places tend to attract the arts, the reverse of the traditionally assumed relationship

The importance of neighborhood context in arts-led development

This article contributes to the creative city–community development arts policy debate by examining the association of arts organizations to various neighborhood contexts in New York City. Results from multivariate regression analyses show that arts organizations regardless of type are positioned to serve the creative class rather than play a community development role. Notably, only a small subset of locally focused organizations and organizations with smaller expenditures locate in disadvantaged and immigrant neighborhoods where they might play a direct role in community development. Instead, most arts organizations tend to locate in the most highly urbanized, amenities-rich areas with young working singles and creative industries. These findings raise important questions for incorporating the arts into neighborhood planning efforts

Art spaces, art places: Examining neighborhood preferences of New York arts organizations

This report builds on and extends a diverse literature that examines the location patterns of the arts and creative industries through analysis of a database of arts nonprofit organizations from the New York State Cultural Data Project. We confirm the link between arts organizations and the urban core and creative economy, but challenge the assumption that arts tend to locate in ethnic and disadvantaged neighborhoods. By identifying key neighborhood attributes associated with distinct types of arts organizations, we can better identify potential sites conducive to nurturing additional artistic activity and inform strategies to engage organizations in neighborhoods that are underserved in the arts

Regulating Sustainable Production

Zoning that supports urban manufacturing may offer new opportunities to promote sustainability benefits ranging from improved job accessibility to reduced waste and resource use. However, industrial uses in urban areas face displacement from competing and conflicting uses. While the process of industrial gentrification is well documented, little work has examined how planning strategies and regulations affect urban manufacturing and its potential contribution to sustainable economic development. Drawing on a review of planning documents and interviews with food and beverage manufacturers, we examine how planning regulates the sustainability potential of manufacturing enterprises in Melbourne, Australia. In doing so, we contribute a deeper understanding of the ways that zoning affects urban manufacturing and the obstacles, tensions, and trade-offs urban planners face in creating a more sustainable local manufacturing base

Can our cities\u27 thriving creative precincts be saved from \u27renewal\u27?

Governments are busily rezoning our cities for high-rise apartments. The New South Wales government, for example, plans to rezone a 20-kilometre corridor in Sydney, from Sydenham to Bankstown, for urban density, in concert with a new metro rail line. Residents and community groups have reacted vociferously to the prospects of high-rise buildings in previously low-density suburbs. But there is another, overlooked dimension to the redevelopment. Much of it is on industrial land: pockets of old factories and workshops, portrayed as decrepit and in need of renewal. Our new project documents enterprises that actually use urban industrial lands. It\u27s a story of surprising and largely hidden vibrancy at the interface between creative industries and small manufacturing. Planners and economic developers tend to assume manufacturing has left central cities and that manufacturing enterprises can simply locate to city-fringe greenfield sites. In reality, manufacturing is changing form, and often depends on - and benefits from - urban industrial lands. Despite the scale of renewal plans, no detailed knowledge exists of what will be lost, or of existing enterprises\u27 needs

Museums as urban catalysts : the role of urban design in flagship cultural development

A long-held urban redevelopment strategy has been the investment in flagship cultural projects—large-scale, iconic museums and arts centres that are intended to enhance the city image while catalyzing private sector investment and attracting tourists to the surrounding area. This paper concentrates on an aspect of the flagship cultural strategy that has received surprisingly little focused attention—the role that urban design and context play in realizing project outcomes. The analysis concentrates on two established flagship museums in Los Angeles and San Jose, California. The research demonstrates that certain urban design characteristics can negatively affect the ability of a project to attract visitors and generate commercial activity. However, at the same time, factors beyond the local context may be an overriding factor in project outcomes thus calling into question the concept of cultural catalyst

Art spaces in community and economic development: connections to neighborhoods, artists, and the cultural economy

There is growing interest in the arts in community and economic development, yet little research examines the dynamics of community-based arts institutions to inform urban planning and policy. Drawing on interviews with participants and organizers of small and midsized art spaces, the study explores the factors that influence their involvement in neighborhood revitalization and outreach, support for artistic communities, and efforts to build bridges to commercial cultural sectors. Art spaces function as a conduit for building social networks that contribute to both community revitalization and artistic development. But issues pertaining to the location, organization, and management of art spaces may limit their community and economic development potential. The article concludes with proposals to craft stronger arts-based community and economic development programs

Displaying and celebrating the "other": A study of the mission, scope, and roles of ethnic museums in Los Angeles

In the last thirty years, ethnic museums have mushroomed in American cities. Although this is certainly a national phenomenon, it has been particularly evident in Los Angeles. In this paper we examine the genesis and evolution of these emerging institutions. We survey the mission, scope, and role of ethnic museums in Los Angeles, and we contrast them with the stated mission and scope of “mainstream” museums in the city. We further present case studies of three Los Angeles ethnic museums. The museums vary considerably in the ways they perceive their role in the community, the city, and the nation and in the preservation and display of ethnic culture. At their best, ethnic museums serve to make new art and histories more accessible and visible and provide a forum in which to debate contemporary issues of politics and identity. The paper highlights some of the tensions faced by ethnic museums as they seek to define their audience and role(s) in multi-ethnic, twenty-first century Los Angeles