706 research outputs found

    ‘for ye vrangus haldyn of thre bollis of beire fra hyre’: Nominal plurals in south-western Middle Scots

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    This paper presents an analysis of plurality markers in the first extant text from the South-West of Scotland, the Wigtown Burgh Court Book (1512-1534). The inflectional endings for the plural are often included among the Middle Scots diagnostic features so it is quite important to establish what form they had in particular areas. The paper begins with an outline of the Middle Scots dialectal divisions. Next, the geographical position of Galloway is taken into consideration, with special attention paid to the alleged persistence of Gaelic and the possibility of including this region into the map of the sixteenth-century Scots dialects. Then, the presentation concentrates on the Linguistic Profile of Wigtownshire in LALME which was compiled using the same source of textual material as the present paper. The research shows that the profile in the atlas should be revised in terms of the {S}-morpheme markers to acknowledge the prevalence of the Scots marking in <-is/-ys>. The feature <-us>, given by the atlas but non-existent as a morphological marker in the textual material, should be removed from the profile

    Kilka uwag na temat antycznej metrologii oraz ceramiki attyckiej okresu geometrycznego i zasad jej dekoracji

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    The article deals with the ancient metrology and a possible recognition of the rules determining ornamentation observed on Attic geometric pottery. While referring to former studies, the author presents ornamentation of Attic geometric pottery, revealing an exceptional standardisation and repetitiveness of elements, as having two developmental tendencies. One concerns horizontal arrangement of decorative motifs, placed in surrounding belts, while the other decoration is put in vertical panels, focusing. These both tendencies in the course of development of Attic geometric period become one harmonized whole. It is also possible to demonstrate on an example of monumental became from Athens (inv. NM 804), that the vessel was exactly twice as tall as the biggest width of its body, as well as that ornaments covering its whole surface have been made according to an accepted module. The author suggests that such a way of thinking and ordering activities should not be interpreted as proving the beginnings of classical mathematical thinking, which is to develop later. However, metrological analyses of ancient artefacts suggests that such objects as Attic geometric pottery may permit recognition of already existing disposition of its creators for visual representations of experienced reality and for attempts made to generalize these experiences

    Archeologia klasyczna na Uniwersytecie w Poznaniu i konteksty jej powoływania

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    The article presents the history of Classical Archaeology as a research and study area in Poznań, from the perspective of the times in which it was created and developed. The author of the text also outlines scientific achievements of Poznań university centre in the field. The subject was established already in 1919 with the creation of the University of Poznań itself, and it grew steadily in the interwar period, mainly through the efforts of the only specialist -Mieczysława S. Ruxer, PhD. After World War II, Classical Archaeology had been taught at the University since the resumption of its activities in 1945 until 1969, when it was closed. Archaeologists, however, continued both research and teaching in the area -­­ working in the Institute of History and the Institute of History of Art. Moreover, since 1970 Adam Mickiewicz University in Poznań has had its own archaeological mission excavating the ancient legion camp and the city of Novae (present Bulgaria). After the fall of communism and the political transformation in 1989, endeavours were made to reactivate Classical Archaeology in Poznań. As a result, it was re-created in 1999, being a part of the Archaeology subject at the Institute of Prehistory, as a specialisation of Archaeology of the Mediterranean. In 2004 it was renamed and since then there has been the specialisation of Oriental and Ancient Archaeology, developing at the Institute of Prehistory at Adam Mickiewicz University

    Building university strategy

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    W ostatnim czasie koniecznością stało się stawianie pytań o przyszłość uniwersytetu oraz budowanie jego strategii rozwojowej, rozumianej w tekście jako swoisty przewodnik po zaplanowanych działaniach. Bazując na analizie literatury, opublikowanych dokumentach strategicznych publicznych uniwersytetów polskich oraz na doświadczeniu własnym zaproponowano podejście do budowania proaktywnej strategii rozwojowej uczelni. W części pierwszej krótko opisano zarządzanie strategiczne w uczelni oraz sposoby budowania strategii. W części drugiej na schemacie przedstawiono skład strategicznego zespołu oraz opisano propozycję proaktywnej strategii rozwojowej uniwersytetu. Całość kończy podsumowanie. Celem jest przedstawienie koncepcji proaktywnej strategii rozwojowej uniwersytetu i odpowiedź na pytanie: w jaki sposób najlepiej ją budować.The text presents the concept of building a proactive strategy of universities. It was based on the analysis of published literature and strategic documents of Polish public universities and the author’s personal experience. Reflections began with the strategy and strategic management at universities. An approach to formulating development strategies follows, including a proactive strategy. The papers conclusion recommends the formation of a project team, which is dependent upon the size and complexity of the university. The findings of the project team also influences building university strategy. Strategy is understood as a declaration of action and a guide for the planned objectives

    Uwagi o rzeźbie greckiej i nowych kierunkach jej badań

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    In the paper concerning the new approaches in the study of Greek sculptural production at first the author considers the problem of putting the ancient artefacts with the modern works of art on the same level and the need for the new conceptualisation of them. In the next step she outlines historiography of the Greek sculpture with the particular reference to the study on its stylistic development. Further on the author presents selected, new approaches in the study on Greek sculpture, the ones which are breaking the long tradition of research on them, rooted in the Enlightenment and Hegelian thought and historicism. She focusses on the results of these research which shift the interpretative emphasis from the relation between the image/sculpture and its model to that of the image and its viewer

    Strategy of organisational development : a case study of Utrecht University

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    Contemporary universities functioning in the conditions of intensifying globalization and competition are looking for effective methods of increasing their competitive advantages. A clearly defined and consistently implemented SHRM strategy plays an important role in this process. Research aims: the objective of this paper is to identify good practices of European universities in the area of strategic human resources management. The author has tried to acquire answers to the two basic questions: On the basis of published documents, is it possible to identify examples of the execution of specific HRM strategies at European universities? What elements should such strategies comprise so that universities could combine the fulfilment of their fundamental functions with modern management techniques? Methodology: the analysis is based on the results of the author’s study of literature on the subject as well as qualitative research based on a particular case. The research presented in this paper constitutes a part of a wider research programme. Findings: the conducted research has allowed the identification of a specific HRM strategy in the area of organizational development at Utrecht University. The paper discusses the elements and stages of this strategy. In conclusions, the author emphasizes that, in the Polish conditions, such a strategy would require considerable modifications

    Archeologia klasyczna w poszukiwaniu swej tożsamości. Między przeszłością, teraźniejszą a historią sztuki

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    The article defines classical archaeology as one of the first and oldest branches of archaeology practised in Europe by stressing that interests in the relics of ancient civilisations have been deeply embedded in the cultural self-identification of various peoples of Europe. The author aims to recognize how the modern world values contribute to interpretation and conservation of the classical past, especially Greek art and architecture, alongside other ancient objects, and how the Western elites treated them in the past centuries. The issue of common roots of classical archaeology and history of art as well as their long-lasting relationships are also thoroughly discussed. Discrepancies between major research procedures of classical archaeology and art history are scrutinized, especially in terms of an arguable irrelevance of modern concept of art in relation to archaeological evidence. The role of museums in relation to art and antiquities trade is also raised. Furthermore, the author discusses classical archaeology within broader issues of contemporary archaeology. It is recognized that classical archaeology has certainly changed by resigning from the previously dominant connoisseur knowledge approach to artefacts, concentrated solely on the works of art often seen as autonomous entities devoid of the context of their production, meaning and perception. Finally, the author defines contemporary classical archaeology as a rapidly changing discipline, reformulating its research agenda and opening up to cooperation with numerous other disciplines. Nevertheless, this should not mean a wholesale rejection of its great legacy of being a history of ancient art. On the contrary, this traditions ought to be redefined and incorporated into contemporary research agenda of the discipline.The article defines classical archaeology as one of the first and oldest branches of archaeology practised in Europe by stressing that interests in the relics of ancient civilisations have been deeply embedded in the cultural self-identification of various peoples of Europe. The author aims to recognize how the modern world values contribute to interpretation and conservation of the classical past, especially Greek art and architecture, alongside other ancient objects, and how the Western elites treated them in the past centuries. The issue of common roots of classical archaeology and history of art as well as their long-lasting relationships are also thoroughly discussed. Discrepancies between major research procedures of classical archaeology and art history are scrutinized, especially in terms of an arguable irrelevance of modern concept of art in relation to archaeological evidence. The role of museums in relation to art and antiquities trade is also raised. Furthermore, the author discusses classical archaeology within broader issues of contemporary archaeology. It is recognized that classical archaeology has certainly changed by resigning from the previously dominant connoisseur knowledge approach to artefacts, concentrated solely on the works of art often seen as autonomous entities devoid of the context of their production, meaning and perception. Finally, the author defines contemporary classical archaeology as a rapidly changing discipline, reformulating its research agenda and opening up to cooperation with numerous other disciplines. Nevertheless, this should not mean a wholesale rejection of its great legacy of being a history of ancient art. On the contrary, this traditions ought to be redefined and incorporated into contemporary research agenda of the discipline
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