LCrowdV: Generating Labeled Videos for Simulation-based Crowd Behavior Learning

We present a novel procedural framework to generate an arbitrary number of labeled crowd videos (LCrowdV). The resulting crowd video datasets are used to design accurate algorithms or training models for crowded scene understanding. Our overall approach is composed of two components: a procedural simulation framework for generating crowd movements and behaviors, and a procedural rendering framework to generate different videos or images. Each video or image is automatically labeled based on the environment, number of pedestrians, density, behavior, flow, lighting conditions, viewpoint, noise, etc. Furthermore, we can increase the realism by combining synthetically-generated behaviors with real-world background videos. We demonstrate the benefits of LCrowdV over prior lableled crowd datasets by improving the accuracy of pedestrian detection and crowd behavior classification algorithms. LCrowdV would be released on the WWW

Real-Time Cleaning and Refinement of Facial Animation Signals

With the increasing demand for real-time animated 3D content in the entertainment industry and beyond, performance-based animation has garnered interest among both academic and industrial communities. While recent solutions for motion-capture animation have achieved impressive results, handmade post-processing is often needed, as the generated animations often contain artifacts. Existing real-time motion capture solutions have opted for standard signal processing methods to strengthen temporal coherence of the resulting animations and remove inaccuracies. While these methods produce smooth results, they inherently filter-out part of the dynamics of facial motion, such as high frequency transient movements. In this work, we propose a real-time animation refining system that preserves -- or even restores -- the natural dynamics of facial motions. To do so, we leverage an off-the-shelf recurrent neural network architecture that learns proper facial dynamics patterns on clean animation data. We parametrize our system using the temporal derivatives of the signal, enabling our network to process animations at any framerate. Qualitative results show that our system is able to retrieve natural motion signals from noisy or degraded input animation.Comment: ICGSP 2020: Proceedings of the 2020 The 4th International Conference on Graphics and Signal Processin

A New Interface for Conceptual Design Based on Object Reconstruction from a Single Freehand Sketch

are troublesome for curvature-based classification, and (b) it has a short execution time that is not dependent on the length of the stroke or the number of sample points acquired (assuming coordinates have been summed while drawing the stroke). The procedure can therefore be used to provide continuous feedback of the interpreted entity during drawing, in real time. However, in spite of this ability, it is evident that geometrical-based classification is inherently limited and a more general, context-sensitive approach must be pursued. A new endpoint clustering scheme has also been presented based on adaptive tolerances at different parts of the sketch. The proposed formulation provides a framework for implementing various criteria for determining local thresholds, such as detail sensitive criteria, dynamic criteria, or other application specific criteria. Again, clustering can be improved using a contextsensitive approach. Acknowledgments This research has been supported in part by the Fund for 4 Pavlidis, T., and Van Wyk, C. J., 1985, "An Automatic Beautifler for Drawings and Illustrations," SIGGRAPH 85, Vol. 19, No. 3, pp. 225-234. 5 Bengi, F., and Ozguc, B., 1990, "Architectural Sketch Recognition," Architectural Science Review, Vol. 33, pp. 3-16. 6 Eggli, L., BrUderlin, B. P., and Elber, G. Introduction Improperly designed engineering products may fail in fatigue causing losses in revenue and personal injury or death. Currently, these failures are avoided by either using expensive design techniques involving extensive modeling and testing or by over designing the part. The expense of testing and modification of the initial design is reduced if the design criterion gives a good initial approximation. Several design approaches have been developed to address the problem of fatigue damage of ductile metals loaded with positive mean and alternating stresses. The Bagci, Gerber, Nichihara, modified Goodman, Quadratic, and Soderberg lines are a few of the techniques that have been proposed to address the problem. This paper presents the modified Findley line for designing parts which experience positive mean stress fatigue loading. The modified Findley line is based on the assumption that the critical shear decreases with an increase in the normal stress acting on the same plane, and is simple and less conservative than the modified Goodman line. The Modified Findley Line Flavenot and Skalli (1984) stated "the mechanism corresponding to the initiation of fatigue cracks is most often the shearing of crystallographic planes. It appears logical then to have a criterion relating the normal stress to alternating shear stress which might be local shear stress in most favorable oriented plane." This assumption was used before by Stanfield (1935), who suggested that both the shear and normal stresses on the fatigue plane should be considered in a fatigue failure criterion and proposed the relation (1) where TN and ON are the shear and normal stresses components on the critical plane; /and k are materials constants. Stulen and Cummings (1954), and Findley et al. (195 6) used similar forms as fatigue criteria to address the problem of absolutely reversing fatigue. Findley (1959) used the linear relationship between shear stress and normal stress on a critical plane to include the effect of mean stress on the fatigue of metals under combined loading. Journal of Mechanical Design MARCH 1997, Vol. 119/135 Copyright © 1997 by ASME where a^^" and <7" are the maximum and alternating fatigue stresses; / and k are experimental constants. Since these constants may vary with the design parameters, including materials, the actual design must be tested to determine the values of / and k. To experimentally find the values of these constants, the life of the part is determined, and at this point the values of / and k are of only academic interest. Thus, if the fatigue criterion presented in Eq. It should be noted that the negative root of Eq. Upon the application of condition (b), Eq. (4) becomes /=A:5",. Equations Substituting Eqs. 5" -[-S" + 4SI + 4(5", -5")(S", -a") ], (10) 2(5",-5") which is called the modified Findley line. Comparison With Actual Experimental Data The modified Findley, Gerber, and modified Goodman lines were compared with the experimentally developed fatigue data found in the literature. Typical data showing the fatigue points of both ferrous and non-ferrous ductile materials are shown in As shown in these figures and comparison done by Wang (1995), the modified Findley line falls between the modified Goodman line and Gerber parabola, which is supported by Conclusion The modified Findley line is based on the assumption that the critical shear decreases with an increase in the normal stress acting on the same plane, then by using ultimate strength and endurance limit as parameters to obtain a good initial approximation. Limited fatigue data is available in the open literature, and more comparison should be made before the modified Findley line is universally adopted. However, form the references found, it appears that the modified Findley line is a strong candidate for .fatigue criterion for parts made of non-ferrous ductile materials, and is conservative for ferrous parts. For a design engineer, the modified Findley line is simple and easy to use, and represents a very promising approach for leading to reasonable starting designs involving positive mean stress fatigue. Reference

Perceiving affect from arm movement

We examined the visual perception of affect from point-light displays of arm movements. Two actors were instructed to perform drinking and knocking movements with ten different affects while the three-dimensional positions of their arms were recorded. Point-light animations of these natural movements and phase-scrambled, upside-down versions of the same knocking movements were shown to participants who were asked to categorize the affect of the display. In both cases the resulting confusion matrices were analyzed using multidimensional scaling. For the natural movements the resulting two-dimensional psychological space was similar to a circumplex with the first dimension appearing as activation and the second dimension as pleasantness. For the scrambled displays the first dimension was similar in structure to that obtained for the natural movements but the second dimension was not. With both natural and scrambled movements Dimension 1 of the psychological space was highly correlated to the kinematics of the movement. These results suggest that the corresponding activation of perceived affect is a formless cue that relates directly to the movement kinematics while the pleasantness of the movement appears to be carried in the phase relations between the different limb segments

The Evolution of an Interface for Choreographers Evolving Design

This paper describes the evolution of the interface to Life Forms, a compositional tool for the creation of dance choreography, and highlights some of the important lessons we have learned during a six year design and implementation period. The lessons learned can be grouped into two categories: 1) Process, and 2) Architecture of the Interface. Our goal in developing a tool for choreography has been to provide computer-based creative design support for the conception and development of dance. The evolution was driven by feedback from the choreographers and users who were members of the development team, combined with our knowledge of current thinking on design and composition. Although the interface evolved in a relatively unconstrained way, the resulting system has many of the features that theoretical discussion in human interface design has projected as necessary. The Life Forms interface has evolved incrementally with one major discontinuity where adoption of a new compositional primitive required a completely new version. The choreography and composition of a dance is a complex synthesis task which has much in common with design. Thus, the lessons learned here are applicable to the development of interfaces to such applications as computer aided design.

Dynamic Analysis of Human Walking

Synthetising realistic animations of human figures should benefit from both a priori biomechanical knowledge on human motion and physically-based simulation techniques, eager to adapt motion to the specific environment in which it takes place. This paper performs a first step towards this goal, by computing and analyzing the internal actuator forces involved when the human figure performs specific walk motions. The computations rely on a robust simulator where forward and inverse dynamics are combined with automatic collision detection and response. The force curves we obtain give interesting information on the respective action of muscles in various styles of walks. Our further plans include parameterizing them and using them to control physically-based simulations of walk motions. 1 Introduction Two main approaches have been used for generating walking motions in Computer Animation. The first one is to capture or to create several human motions and to deform or combine them in order..