6 research outputs found

    Comment: Copywrongs Will Not Make Copyright

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    Nonconventional Musical Analysis and Disguised Infringement: Clever Musical Tricks to Divide the Wealth of Tin Pan Alley

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    This article argues that disguised infringement is oxymoronic and demagogic, and that the nonconventional musical analytical techniques employed to diagnose it are misguided. If an expert cannot tell that two pieces of music are similar by traditional methods, that is probably because they are not similar. Part II of this article chronicles the role of the musical expert as it has been carved out over time. Part III exposes the expert\u27s traditional methods for comparing musical compositions. Part IV explores nonconventional analytical techniques, explains why they are misapplied when employed to detect disguised plagiarism and illustrates why Judge Frank would certainly retract his opinion if he heard of such sophistry. Part V therefore concludes that lending authenticity to nonconventional analytical methods and disguised infringement claims would make professional songwriters more vulnerable than they already are

    Comment: Copywrongs Will Not Make Copyright

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    Nonconventional Musical Analysis and Disguised Infringement: Clever Musical Tricks to Divide the Wealth of Tin Pan Alley

    No full text
    This article argues that disguised infringement is oxymoronic and demagogic, and that the nonconventional musical analytical techniques employed to diagnose it are misguided. If an expert cannot tell that two pieces of music are similar by traditional methods, that is probably because they are not similar. Part II of this article chronicles the role of the musical expert as it has been carved out over time. Part III exposes the expert\u27s traditional methods for comparing musical compositions. Part IV explores nonconventional analytical techniques, explains why they are misapplied when employed to detect disguised plagiarism and illustrates why Judge Frank would certainly retract his opinion if he heard of such sophistry. Part V therefore concludes that lending authenticity to nonconventional analytical methods and disguised infringement claims would make professional songwriters more vulnerable than they already are

    Entertainment and Sports Law Association Symposium

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    Panel 1: Owning and Operating a Sports Business. Panel 2: From Development to Production: How to Make a Film. (sponsored by the Greater Cleveland Film Commission). Starts at 01:16 Panel 3: Protecting and Monitoring the Publicity Rights of Athletes and Entertainers (sponsored by Britton Gallagher). Starts at 02:29:5
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