Using the folklore and poetry by Sergei Yesenin in Russian as a foreign language lessons: an online class

Object of the article: Russian as a foreign language classes. Subject of the article: the method of creating an artificial language environment in classes with students from Asia and Africa who study Russian as a foreign language. Material of the article: an online experiment on the use of materials of Russian folklore and the artistic heritage of the poet of the early XX century Sergei Esenin in classes with foreign students. The purpose of the article is to identify the national axiology in Russian poetry. The purpose of the article is to show the features of the online lesson of Russian as a foreign language. Methodology: holistic hermeneutic analysis of the song on the poet's verses "Above the window the moon" with the involvement of biographical commentary and historical-literary context. The results of the study consist in the development of a methodology for analyzing the text with foreign students, aimed at a holistic perception and understanding of the poetic text

National axiology of A. M. Zhemchuzhnikov’s poetry

Each national image of the world has its own constants, codes. In the Russian space of culture, one of such cultural units is a tree that embodies the idea of a world axis. In this article, we turn to the poetic work of A. M. Zhemchuzhnikov, in whose poetics the tree code is endowed with intense semantics and special functions. We analyze in detail the cycle "Rural Impressions and Pictures ", which is literary material for ontohermeneutical analysis. The purpose of the article is to identify the national axiology, namely the tree code in Russian poetry. The object of the research is the national topic. The subject is the principles of the manifestation of the tree code in the works of the poet of the 19th century. The research methodology is reduced to a holistic onto-hermeneutic analysis aimed at highlighting the folklore, ethnographic paradigm of this poetry cycle. Much attention is paid to a path-road mythologeme. Parallels are drawn with the Russian fairy tale, which is characterized by an otherworldly paradigm, the search for “another kingdom”. The research results are to identify the cultural potential of the poetry cycle for the further study of the national topic, national existence and otherness, apophatics as a phenomenon of Russian culture associated with the phenomenon of death. The results of the work can also be used in teaching courses in Russian literature, cultural studies, philosophy

Towards Phraseologism Formation and Terminologization in Scientific and Technical Texts

The given research deals with the problem of phraseologism formation and further terminologization of such word-combinations as: Dutch slice-hip roof, Dymaxion House, Inhoff tank, dragon summer, cyclopean concrete, dragon tie, horse shoe curve, double Roman tile, etc. It is noted that object categorization takes place in man’s consciousness. Once being used as a fixed word-combination in professional text, the lexical unit may preserve the formed holistic meaning and can be transferred to the category “phraseologism”. The three obligatory identification requirements for word-combination to be transferred to the category “phraseologism” have been defined. The phraseologism functions in the scientific and technical text have been determined

Apophatics of artistic culture: raising the issue. Disease, death and sleep ethoses in Alexander Grin’s story “Struggle with Death”

Object of the article: apophatics as a cultural phenomenon. Subject of the article: a method of creating an apophatic reality in a literary work, the apophatic side of the phenomenon of sleep is studied. Material of the article: an early little-known story by Alexander Grin “Struggle with Death” (1918). Research methodology: a holistic analysis of a literary text, which is achieved through the ontohermeneutic method using the semantic research method. Research results: analysis of Grin’s early story, identification of its ontological meaning, ethos of illness, death, sleep allows raising an issue of apophatics of a literary work. The appeal to anthroposophical reflections on the axiological status of sleep by the German philosopher Rudolf Steiner, whose ideas were shared by the representatives of the Silver Age, especially Maximilian Voloshin, Grin’s closest friend, is also productive, since the anthroposophist highlights the apophatic side of sleep associated with day and night human consciousness. The ethos in the article is understood within the framework of Heidegger’s research, which makes it possible to deepen the cultural-philosophical ideas about the phenomenon of death, disease and sleep in the global art culture