Réorganisation audiotactile suite à un entraînement multisensoriel ou à une privation auditive congénitale

Des études suggèrent que certaines capacités sensorielles peuvent être augmentées chez l’humain, soit i) à la suite d’un entraînement ou ii) à la suite de privation sensorielle précoce. Des études suggèrent qu’une telle altération sensorielle peut être retrouvée chez les personnes ayant subi un entraînement musical. L’interaction entre ce qui est entendu et ressenti est spécialement importante lorsqu’un individu joue d’un instrument de musique. L’entraînement musical est reconnu comme étant une forme d’entraînement multisensoriel incluant des interactions entre des composantes auditives, visuelles et tactiles. Celui-ci peut mener à des réorganisations anatomiques et structurelles dans les régions corticales associées à ces modalités sensorielles. Plusieurs études comportementales ont révélé des habiletés de détection tactile améliorées chez les musiciens. Il est toujours incertain que ces améliorations puissent être retrouvées lors de processus plus complexes tels que la reconnaissance des émotions. Une autre population d’étude pourrait aussi révéler une altération des capacités tactiles, soit les personnes sourdes de naissance. Des études en imagerie ont révélé que les stimuli vibrotactiles activaient les régions auditives chez les personnes sourdes, suggérant ainsi une importante réorganisation tactile chez ces individus. Pourtant, au niveau comportemental, les capacités de détection tactile semblent similaires aux contrôles. Récemment, il a été suggéré que des processus tactiles plus complexes pourraient permettre de révéler des différences comportementales entre les personnes sourdes et entendantes. Malheureusement, tout comme chez les musiciens, ces processus n’ont toujours pas été évalués à ce jour. L’objectif principal de cette thèse est donc d’évaluer i) la perception unisensorielle tactile, auditive ainsi que multisensorielle chez les musiciens et ii) la perception unisensorielle tactile chez les sourds à l’aide de tâches non-musicales et musicales. Chez les musiciens, les résultats de cette thèse suggèrent des capacités de discrimination fréquentielle auditive, tactile et audiotactile améliorées (étude 1) ainsi que des améliorations de la perception d’émotions musicales complexes auditive et tactile (étude 2). Ces études supportent l’hypothèse qu’une formation musicale à long terme : i) entraîne une amélioration des capacités unisensorielles auditives et tactiles, mais surtout que celle-ci s’étend à des processus tactiles complexes, ii) a un impact à tous les niveaux hiérarchiques du traitement sensoriel et cognitif. Chez les individus sourds, les résultats ont révélé un plus haut taux d’erreurs lors de la tâche de détection d’ordre temporel tactile (étude 3). Ce résultat suggère que la cartographie spatiale du toucher est altérée chez les individus sourds. De plus, l’étude ayant mesuré la perception des émotions tactiles a révélé que ceux-ci sont capables d’identifier des émotions via la modalité tactile seule et ont même une capacité améliorée à identifier la joie (étude 4). Cette capacité accrue à percevoir la joie dans une mélodie via la modalité tactile illustre que des habiletés tactiles complexes peuvent être améliorées suite à une privation auditive de longue date. Ces deux études mises en commun illustrent que des capacités tactiles complexes non-musicales et musicales sont altérées chez l’individu sourd, ce qui supporte les études suggérant une réorganisation corticale des aires auditives et tactiles chez les individus sourds.Studies suggest that some sensory abilities may be increased in humans, either i) following training or ii) following early sensory deprivation. Studies suggest that such sensory alteration can be found in people who have undergone musical training. The interaction between what is heard and felt is especially important when an individual is playing a musical instrument. Musical training is well-known as a form of multisensory training that includes interactions between auditory, visual and tactile modalities. This can lead to anatomical and structural reorganizations in the cortical regions associated with these sensory systems. Several behavioral studies have revealed improved tactile perception skills in musicians. It is still unclear whether these improvements can be found for more complex processes, such as recognition of emotions. Similar alteration of tactile abilities may also be found in another population, namely early-deaf individuals. Imaging studies have shown that vibrotactile stimuli activate auditory regions following deafness, suggesting a significant tactile reorganization of their cortex. Yet, from a behavioral point of view, tactile perception in deaf seems similar to controls. Recently, it has been suggested that more complex tactile processes may reveal behavioral differences between deaf and normal-hearing individuals. Unfortunately, similarly to musicians, these processes have not been investigated to date. The main objective of this thesis is therefore to evaluate via non-musical and musical tasks i) tactile, auditory and multisensory perception of music among musicians and ii) tactile perception of music among deaf individuals. For musicians, results of this thesis suggest enhanced auditory, tactile and audio-tactile frequency discrimination capabilities (Study 1). Also, results suggest an increase perception of emotions in music, which suggests improvements for complex auditory and tactile abilities (Study 2). These studies support the hypothesis that long-term musical training: i) leads to improved auditory and tactile perception, but especially that it extends to complex tactile processes, ii) has an impact at all hierarchical levels of sensory and cognitive processing For deaf individuals, results revealed a higher error rate during the tactile temporal order detection task (Study 3). This result suggests that spatial mapping of touch is impaired in deaf individuals. In addition, the study measuring tactile perception of emotion in music revealed that they are able to identify emotions via tactile modality solely. Also, improvements were found for the identification of happy emotion via tactile modality solely (Study 4). This increased ability to perceive happiness in a melody via the tactile modality illustrates that complex tactile skills can be improved following longstanding hearing deprivation. These two studies together suggest that complex non-musical and musical tactile abilities are altered in the deaf individual, which supports studies suggesting a cortical reorganization of auditory and tactile areas following long-term auditory deprivation

Auditory Event-Related Potentials Associated With Music Perception in Cochlear Implant Users

A short review of the literature on auditory event-related potentials and mismatch negativities (MMN) in cochlear implant users engaged in music-related auditory perception tasks is presented. Behavioral studies that have measured the fundamental aspects of music perception in CI users have found that they usually experience poor perception of melody, pitch, harmony as well as timbre (Limb and Roy, 2014). This is thought to occur not only because of the technological and acoustic limitations of the device, but also because of the biological alterations that usually accompany deafness. In order to improve music perception and appreciation in individuals with cochlear implants, it is essential to better understand how they perceive music. As suggested by recent studies, several different electrophysiological paradigms can be used to reliably and objectively measure normal-hearing individuals' perception of fundamental musical features. These techniques, when used with individuals with cochlear implants, might contribute to determine how their peripheral and central auditory systems analyze musical excerpts. The investigation of these cortical activations can moreover give important information on other aspects related to music appreciation, such as pleasantness and emotional perception. The studies reviewed suggest that cochlear implantation alters most fundamental musical features, including pitch, timbre, melody perception, complex rhythm, and duration (e.g., Koelsch et al., 2004b; Timm et al., 2012, 2014; Zhang et al., 2013a,b; Limb and Roy, 2014). A better understanding of how individuals with cochlear implants perform on these tasks not only makes it possible to compare their performance to that of their normal-hearing peers, but can also lead to better clinical intervention and rehabilitation

Vers des câbles sous-marins « intelligents ». Pourquoi la Nouvelle-Calédonie est-elle concernée ?

Ce texte rappelle l’ensemble des questions posées par les connexions numériques par câbles sous-marins et les grands enjeux qui émergent dans le Pacifique Sud. Il développe les défis posés par la cybersécurité avant d’ouvrir les perspectives offertes par l’utilisation double de ces connexions maritimes à des fins de connaissance mais aussi d’alerte, de suivi, de sécurité en mer. Le texte développe alors les solutions que ces connexions autorisent sous deux formes. Celle potentielle en matière de « Smart Cables » autorisant la surveillance opérationnelle de paramètres environnementaux par grands fonds, comme les alertes précoces relatives à des catastrophes naturelles (tremblement de terre, tsunamis…). Celle, désormais opérationnelle, de la connexion d’observatoires sous-marins câblés autorisant, par petits ou grands fonds, les suivis environnementaux mais aussi ceux de faunes spécifiques marines. Les perspectives relatives au cas de la Nouvelle-Calédonie sont alors discutées

Deaf participant’s individual characteristics.

<p>Deaf participant’s individual characteristics.</p

Proportion of right-hand first answers across different SOA.

<p>—SOA represent left presented first and + SOA represent right presented first. Individual scores are the gray lines and the group mean is the black line. A) Hearing control group in the uncrossed posture. B) Hearing control group in the crossed-arm posture. C) Deaf group in the uncrossed posture. D) Deaf group in the crossed-arm posture.</p

Communication during the COVID-19 pandemic: the hearing-impaired perspective

To understand the communicational and psychosocial effects of COVID-19 protective measures in real-life everyday communication settings. An online survey consisting of close-set and open-ended questions aimed to describe the communication difficulties experienced in different communication activities (in-person and telecommunication) during the COVID-19 pandemic. 172 individuals with hearing loss and 130 who reported not having a hearing loss completed the study. They were recruited through social media, private audiology clinics, hospitals and monthly newsletters sent by the non-profit organisation “Audition Quebec.” Face masks were the most problematic protective measure for communication in 75–90% of participants. For all in-person communication activities, participants with hearing loss reported significantly more impact on communication than participants with normal hearing. They also exhibited more activity limitations and negative emotions associated with communication difficulties. These results suggest that, in times of pandemic, individuals with hearing loss are more likely to exhibit communication breakdowns in their everyday activities. This may lead to social isolation and have a deleterious effect on their mental health. When interacting with individuals with hearing loss, communication strategies to optimise speech understanding should be used.</p