29 research outputs found

    Kebudayaan Indis; Dari zaman Kompeni sampai Revolusi

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    Jakarta; Sejarah 400 tahun

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    Utusan damai di kemelut perang; Peran zending dalam Perang Toba

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    Mengabadikan estetika Fotografi dalam promosi pariwisata kolonial di Hindia-Belanda

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    When the first technology of photography came to the Netherlands-Indies in the nineteenth century, it was only used for government purposes and was not yet meant for public consumption. On the other hand, the rise of colonial tourism in the Netherlands-Indies in the early twentieth century required a medium for promotion. Photographs were the right choice because, as the saying goes, pictures could tell more than words. Photographs for colonial tourism promotions were produced in various forms such as postcards, illustrations in magazines and guide books, and were published by the colonial government as well as by private publishers. This article discusses the role of photography in colonial tourism in the Netherlands-Indies and its influence in the process to ‘find Indonesia’. The sources used are taken from published postcard collections, magazines, guide books, and also published government archives

    Kabar dari Koloni: Pandangan dan Pemberitaan Surat Kabar Belanda tentang turisme di Hindia Belanda (1909-1940)

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    This paper discusses the views regarding tourism, especially the role of Vereeniging Toeristenverkeer (VTV)-Association of tourism- in the Netherlands Indies from the newspapers published in the Netherlands. The newspapers are Het Vaderland (HV), Nieuwe Rotterdamsche Courant (NRC), Algemeen Handelsblad (AH) during the period of 1909 to 1940. From the three newspapers, the articles about promotion of tourism in the Netherlands Indies, are found to be dominant. They provide also an overview of criticism and suggestion about tourism in the Netherlands Indies, which can be understood because the three newspapers were the liberal newspapers.Keywords: the views of the Netherlands newspapers, colonial tourism, the Dutch East Indie
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