The Influence Of Neuroticism On Stress Perception And Its Resultant Negative Affect

There is contemporary literature reporting the role of the neuroticism (N) personality type in the stress process. People with elevated neuroticism experience more interpersonal stressors, perceive daily events as more negative, and use maladaptive ways to combat stressors. This thesis explores the influence of neuroticism on stress perception and the associated negative affect. In the current study, mood and stress perception of pre-screened college students who scored high and low on the neuroticism subscale were manipulated, with a laboratory psycho-social stressor, after their moods were initially neutralized to their respective base levels. Later, their mood and stress perception were manipulated again through exposure to positive stimuli. The results indicated that the participants in the high neuroticism group had significantly higher base levels of stress and negative affect, as compared to the participants in the low neuroticism group. After the participants were exposed to positive stimuli, the mean stress and negative affect scores of the high neuroticism group were equivalent to its base level mean stress and negative affect scores. However, both groups showed similar increases in their stress perception and negative affect scores during the stress task. Implications and limitations of the study are discussed

Flash Fiction: A Unique Writer-Reader Partnership

The proliferation of an unconventional miniature story, in the digital age, is a testament to its rising popularity. In response to the expanding demand for very short stories, writers have delivered the briefest possible stories falling under the short-short fiction umbrella. Short-short fiction is identified with various labels; however, flash fiction is more commonly used in America. The term ‘flash fiction’ was initially used for short-short stories of up to 750 words. However, since then, stories ranging from 50 words to 1,500 words have also been included in the classification of the flash fiction genre. Flash fiction is a hybrid style that mixes verse with narrative to form a story that captures a ‘moment’ of a larger narrative sequence akin to a series of still photographs taken from a movie. Flash Fiction is not plot driven and precisely includes only essential information in a compressed manner. Flash fiction writers deliberately sketch scenes with strokes of ambiguity to keep readers fully attuned to each word. They also withhold details regarding the story’s characters, events, scenes, and atmosphere that watchful readers try to compensate with an active imagination. Apparently, the readers also are inclined towards making sense of each word based on their individual experiences and perceptions. Typically ending with an ironic twist, flash fiction’s ending surprises the readers and leaves them stimulated that encourages multiple re-readings for closure. This paper argues that flash fiction uniquely draws the reader into a partnership with the writer and it is with their combined contribution that the story is completed and remains memorable

Merging of the Short-Story Genres

Story writing craft evolved through the centuries before rising as a separate genre. Unity is an essential element of short story through which it exhibits singularity of effect, unity of impression, and the totality of interest. After the success of the short story, writers further shortened their narratives and eventually short fiction arose as a sub-category of short story. Short fiction further differentiated into a sub-category called the “sudden fiction” that referred to all shortened forms of short fiction. Having mastered artistic brevity, writers began writing even more condensed narratives, and the sudden fiction differentiated into two types: the new sudden fiction and the flash fiction. The new sudden fiction was akin to the traditional story comprising of up to 1500 words; whereas, the flash fiction was similar to the Hemingway’s classic The Very Short Story consisting of up to 750 words. However, the flash fiction later reconfigured to include all short-short stories comprising of 50-1500 words. This paper briefly overviews the evolution of the short story genre and reviews the delicate merger of the short story with the contemporary short-short story

Phenotypic Diversity among Fennel (Foeniculum Vulgare) Germplasm of Pakistan

Fennel is facing continuous challenge with reference to biotic and abiotic stresses that can be solved with the knowledge of available germplasm of fennel in the country or worldwide. Selection of fennel genotype on the basis of research interest can never been accomplished without gene pool. The aim of the present study was to explore the phenotypic diversity among selective fennel accession and identify lines having high yielding potential. In the present study thirty fennel accessions were sown in PGRI, NARC. Irrigation practice was carried out during the growing period. Data was recorded during different growth stages and after harvesting. Nine morphological parameters under study include plant height, number of umbels/plant, umbel diameter, rays produced/umbel, fruits produced/umble, fruit color and fruit shape. Statistical analysis was performed using ANOVA, Tukey Honest Significance Test and Multivariate cluster Analysis using Minitab Software version 20.0. High diversity was observed among the quantitative traits of thirty accessions. Qualitative traits of accessions from similar region had considerable resemblance. Fennel germplasm collected from Punjab gives outstanding performance with reference to phenotypic traits. Accessions were identified as potential sources including: 21293 (maximum plant height, Punjab, Jhang, Chiniot), 21209 ( great height, Punjab, Faisalabad), 21737 (short height, Punjab, Layyah, Karore Chak-84) 21699 (maximum number of rays/umbel, Punjab, Pakpattan) and 21722 (maximum number of umbels , Punjab, Narowal, Talwandi Bhandran in short 21722 due to high yield was identified as potential sources to be included in future breeding programs for the improvement of fennel varieties

Chemical composition and pharmacological bio-efficacy of Parrotiopsis jacquemontiana (Decne) Rehder for anticancer activity

Consistent STAT3 (Single transducer and activator of transcription 3) activation is observed in many tumors and promotes malignant cell transformation. In the present investigation, we evaluated the anticancer effects of Parrotiopsis jacquemontiana methanol fraction (PJM) on STAT3 inhibition in HCCLM3 and MDA-MB 231 cells. PJM suppressed the activation of upstream kinases i.e. JAK-1/2 (Janus kinase-1/2), and c-Src (Proto-oncogene tyrosine-protein kinase c-Src), and upregulated the expression levels of PIAS-1/3 (Protein Inhibitor of Activated STATs-1/3), SHP-1/2 (Src-homology region 2 domain-containing phosphatase-1/2), and PTP-1β (Protein tyrosine phosphatase 1 β) which negatively regulate STAT3 signaling pathway. PJM also decreased the levels of protein products conferring to various oncogenes, which in turn repressed the proliferation, migration, invasion, and induced apoptosis in cancer cell lines. The growth inhibitory effects of PJM on cell-cycle and metastasis were correlated with decreased expression levels of CyclinD1, CyclinE, MMP-2 (Matrix metalloproteinases-2), and MMP-9 (Matrix metalloproteinases-9). Induction of apoptosis was indicated by the cleavage and subsequent activation of Caspases (Cysteine-dependent Aspartate-directed Proteases) i.e. caspase-3, 7, 8, 9, and PARP (Poly (ADP-ribose) polymerase) as well as through the down-regulation of anti-apoptotic proteins. These apoptotic effects of PJM were preceded by inhibition of STAT3 cell-signaling pathway. STAT3 was needed for PJM-induced apoptosis, and inhibition of STAT3 via pharmacological inhibitor (Stattic; SC-203282) abolished the apoptotic effects. Conclusively, our results demonstrate the capability of PJM to inhibit cancer cell-proliferation and induce apoptosis by suppressing STAT3 via upregulation of STAT3 inhibitors and pro-apoptotic proteins whereas the down-regulation of upstream kinases and anti-apoptotic protein expression. In future, one-step advance studies of PHM regarding its role in metastatic inhibition, immune response modulation for reducing tumor, and inducing apoptosis in suitable animal models would be an interesting and promising research area

Twitter Fiction: A New Creative Literary Landscape

Twitter, synonymous with social networking, has become a successful social platform for the exchange of ideas, news, and information. It has also emerged as an experimental platform through which users explore creative realms of poetic and narrative content, albeit in 140 characters. The real-time tweets are fundamentally unique and increasingly sophisticated. The attention deficit generation of the fast-paced contemporary world has little time on its hands for extended discourse. Brief stories have been told throughout human history, however, the popularity of short stories skyrocketed with the advent of digital story telling. Twitter has now become a frontier medium that allows a unique mode of digital storytelling that facilitates creative literary experimentation. Twitter offers a unique freedom to writers insofar as a tweet can be an entire bite-sized story or even a snapshot of a story that requires readers’ active imagination to complete. Twitter fiction signifies stylistic word economy, compactness, symbolic structure, and implied narrative. Fragmentariness of the story is a marker of Twitter fiction. The proponents of Twitter fiction enjoy the originality, freedom, and diversity of perspectives offered by the Twitter fiction. Critics, however, argue that the mandated 140 character limitation stunts story development and strangulates creativity. This paper examines Twitter fiction and proposes that limited characters stories are the evolutionary answer to the reduced attention span of the tech-savvy generation.Keywords: twitterature, fiction, brevity, literary ar

Twitter Fiction: A New Creative Literary Landscape

Twitter, synonymous with social networking, has become a successful social platform for the exchange of ideas, news, and information. It has also emerged as an experimental platform through which users explore creative realms of poetic and narrative content, albeit in 140 characters. The real-time tweets are fundamentally unique and increasingly sophisticated. The attention deficit generation of the fast-paced contemporary world has little time on its hands for extended discourse. Brief stories have been told throughout human history, however, the popularity of short stories skyrocketed with the advent of digital story telling. Twitter has now become a frontier medium that allows a unique mode of digital storytelling that facilitates creative literary experimentation. Twitter offers a unique freedom to writers insofar as a tweet can be an entire bite-sized story or even a snapshot of a story that requires readers’ active imagination to complete. Twitter fiction signifies stylistic word economy, compactness, symbolic structure, and implied narrative. Fragmentariness of the story is a marker of Twitter fiction. The proponents of Twitter fiction enjoy the originality, freedom, and diversity of perspectives offered by the Twitter fiction. Critics, however, argue that the mandated 140 character limitation stunts story development and strangulates creativity. This paper examines Twitter fiction and proposes that limited characters stories are the evolutionary answer to the reduced attention span of the tech-savvy generation.Keywords: twitterature, fiction, brevity, literary ar

Literary Censorship: The Changing Standards

Censorship is a double-edged sword that has bred legal, political, and moral wrangling across the globe. The basic controversy, which harkens back to ancient times, stems from the motivation and intention of the censoring authority. The censoring authority controls literary and informational contents, based on the promulgated political, moral, religious, and cultural values of the land. Historically, the politicians, judiciary, clergymen, powerful groups, and the public at large were involved in guarding public morals and rooting out obscenity. The obscenity laws outlawed the selling, purchasing, printing, importing, and mailing of obscene items. However, in today's day and age, the Internet has made it difficult to control the circulation of what was once considered obscene. Censorship has evolved to monitor and control online content to keep abreast with the changing times; nevertheless, it does not always effectively control the questionable content. Moreover, in the past, cultural values and demography played a vital role in deciding what needed to be censored. Internet, as an electronic global village, has redefined demography; therefore, the global as well as indigenous standards upon which literature were once analyzed for censorship is now blurred. The promise of free speech has given power to the people that live in mature democracies. However, there should be a self-imposed code of conduct so that the right of free speech does not infringe on others' right of existence. This paper reviews censorship, tracing its historical path and evolution over the years, its changing standards, and its pros and cons. Lastly, the paper discusses the need to conjoin freedom of speech with the responsibility to protect the diverse cultures, religions, races, sects, genders, and especially the young generation.

Literary Censorship: The Changing Standards

Censorship is a double-edged sword that has bred legal, political, and moral wrangling across the globe. The basic controversy, which harkens back to ancient times, stems from the motivation and intention of the censoring authority. The censoring authority controls literary and informational contents, based on the promulgated political, moral, religious, and cultural values of the land. Historically, the politicians, judiciary, clergymen, powerful groups, and the public at large were involved in guarding public morals and rooting out obscenity. The obscenity laws outlawed the selling, purchasing, printing, importing, and mailing of obscene items. However, in today's day and age, the Internet has made it difficult to control the circulation of what was once considered obscene. Censorship has evolved to monitor and control online content to keep abreast with the changing times; nevertheless, it does not always effectively control the questionable content. Moreover, in the past, cultural values and demography played a vital role in deciding what needed to be censored. Internet, as an electronic global village, has redefined demography; therefore, the global as well as indigenous standards upon which literature were once analyzed for censorship is now blurred. The promise of free speech has given power to the people that live in mature democracies. However, there should be a self-imposed code of conduct so that the right of free speech does not infringe on others' right of existence. This paper reviews censorship, tracing its historical path and evolution over the years, its changing standards, and its pros and cons. Lastly, the paper discusses the need to conjoin freedom of speech with the responsibility to protect the diverse cultures, religions, races, sects, genders, and especially the young generation.