18 research outputs found

    ๋…ธ๋™์ˆ˜์š”์™€ ๋ถˆ๋ฒ•์ด๋ฏผ: 1980-2012 ๋ฏธ๊ตญ์˜ ์‚ฌ๋ก€์—ฐ๊ตฌ

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    ํ•™์œ„๋…ผ๋ฌธ (์„์‚ฌ)-- ์„œ์šธ๋Œ€ํ•™๊ต ๊ตญ์ œ๋Œ€ํ•™์› : ๊ตญ์ œํ•™๊ณผ, 2014. 8. ๊น€์ข…์„ญ.This paper attempts to verify the main drivers of unauthorized immigration from Mexico to the U.S. from 1980 to 2012 and draw policy implications for U.S. immigration reform. To this end, it starts by establishing a theoretical framework for analysis drawing on basic tenets of two theories of international migrationโ€“ segmented labor market theory and neoclassical economic theory. It then engages in empirical analysis using annual data from 1980 to 2012 and determines factors with statistical significance. It employs data representing real wages in the two countries, immigration enforcement level in the U.S., and the demand for labor in the U.S. It also includes dummy variables signaling key developments in U.S. immigration policy during the research period. It then infers policy implications based on the empirical results and concludes by making remarks on the pending immigration reform. This paper finds that the demand for labor in the U.S. is a strong magnet for unauthorized migration from Mexico. It concludes that a viable immigration policy must include a flexible admission system that responds to changing labor demands and a balanced enforcement system which regulates the border as well as the employers of unauthorized immigrants.Abstract i Table of Contents iii List of Tables and Figures v I. Introduction 1 II. Literature Review and Theoretical Framework 4 III. Empirical Analysis 8 1. Data 8 2. Expected Results 15 3. Empirical Results 18 IV. Policy Implications 24 1. Legal Admission 24 2. Enforcement 28 V. Conclusion 31 VI. References 33 Appendix 38 ๊ตญ๋ฌธ์ดˆ๋ก 41Maste

    ใ€Šํ‰์ƒ๋„(ๅนณ็”Ÿๅœ–)ใ€‹์˜ ์ œ์ž‘ ๊ฒฝํ–ฅ๊ณผ ๋ณ€ํ™” ์–‘์ƒ: ๋„์ƒ๊ณผ ํ™”ํ’์˜ ์ „์Šน๊ณผ ๋ณ€์šฉ์˜ ๊ด€์ ์—์„œ

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    Pyeongsaeng-do (ๅนณ็”Ÿๅœ–), the Painting of a Personโ€™s Life, is a series of paintings depicting the ideal life of a yangban aristocrat who enjoyed a successful career as a high official. The painting emerged in the second half of the 18th century when the expression of family awareness and ancestral worship was extraordinarily enhanced among the powerful bureaucratic clans in Hanyang. Most of the paintings are eight- or ten- panel folding screens, which depict rituals taking place throughout life such as the first birthday, marriage, and the 60th birthday, the 60th wedding anniversary as well as public life of a government official from starting for a new post to promoting to higher official positions. In addition daily life and custom of literati including studying at a village school, sitting in the civil service examination, enjoying leisurely life after retirement are often depicted. With the vivid illustration of the exemplary life of the upper class, various scenes delivering daily life, rituals, and festivities of yangban noblemen, Pyeongsaeng-do is considered commemorative and documentary painting as well as genre painting of scholars. The complicated nature of the painting and its socio-political significance has drawn great scholarly attention in its iconography, production, and its stylistic development. Despite its importance as the visual material to uncover the changes of the late Joseon society, little is known about the paintingโ€™s history, authorship, and iconographic origins. Previous scholarship suggests that the development of this genre was indebted to Kim Hongdo, the eminent court painter in the 18th century and Hong Isang and Hong Gyehui, the protagonists of the paintings, played a specific role in their production. But the questions remain; how the names of Hong Isang and Hong Gyehui were attached to the screens painted in the 19th century, how we can explain the discrepancies between the real life of the protagonists and the depicted scenes on the screen, whatโ€™s the role of Kim Hongdoโ€™s style in the spread of this genre, how this genre was evolved in the late nineteenth and early twentieth centuries, and what these changes tell about the visual culture of the transitional period of Joseon dynasty. To delve into the above questions I conduct iconographic research to identify the various scenes of surviving works and then provide an approximate date of the Painting of Modang Hong Isangโ€™s Life through formal analysis. Painting of Modang Hong Isangโ€™s Life is reminiscent of Kim Hongdoโ€™s genre painting but the double outlines to applied clothes, shading to columns, roof tiles, and temporary tents reflect the style of the first half of the 19th century, By investigating the rise of powerful Pungsang Hong Family by the strong support of King Jeongjo(r. 1776-1800), I find that the reverence of Hong Isang, a legendary restorer of Hong Family, lead to commemorative projects including the compilation of chronological biography, anthology, and genealogical record, along with the commission of a painting of the personโ€™s life, Pyeongsaeng-do. A close look at the socio-political geography in the late 18th century sheds light on the understanding of the nuanced relationship between the Painting of Modang Hong Isangโ€™s Life and Hong Isang. The final chapter is dedicated to the last stage of Pyeongsaeng-do, which takes place in the late 19th and early 20th centuries. While paintings illustrating more personalized life were produced for military officials or gentry outside the capital, a lithograph version of the Pyeongsaeng-do was circulated as a commodity in the early 20th century. The style and iconography have been transmitted over the various media for ages but their functions, symbolic meanings, and patterns of consumption have been drastically changed

    ์Šน์ง„์‹ฌ์‚ฌ๋ฐฉ๋ฒ•์˜ ๊ฐœ์„ ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ : ํ™˜๊ฒฝ๋ถ€์˜ ๋Šฅ๋ ฅ๊ฒ€์ฆ์‹œํ—˜์ œ๋„ ๋„์ž…์„ ์ค‘์‹ฌ์œผ๋กœ

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    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ)--์„œ์šธ๋Œ€ํ•™๊ต ํ–‰์ •๋Œ€ํ•™์› :ํ–‰์ •ํ•™๊ณผ ํ–‰์ •ํ•™์ „๊ณต,2006.Maste

    (The)Paintings of Tongsinsa(Korean Envoys) and it`s artistic interchange in 1764

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    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ)--์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :๊ณ ๊ณ ๋ฏธ์ˆ ์‚ฌํ•™๊ณผ ๋ฏธ์ˆ ์‚ฌ์ „๊ณต,2005.Maste

    ์ถฉ๋‚จ ์‹œ๊ตฐ ๋†์ดŒ์ง€๋„์‚ฌ์—… ๋ฐœ์ „์„ ์œ„ํ•œ ์ •์ฑ… ๋ฐฉํ–ฅ ๋ฐ ์ •์ฑ…๊ณผ์ œ ๋„์ถœ-ํ™์„ฑ๊ตฐ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ

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    1. ์—ฐ๊ตฌ๋ฐฐ๊ฒฝ ๋ฐ ๋ชฉ์  ๊ธ‰๊ฒฉํ•˜๊ฒŒ ๋ณ€ํ™”ํ•˜๋Š” ํ™˜๊ฒฝ์†์—์„œ ๋†์—…๊ณผ ๋†์ดŒ ๋ฐœ์ „์— ์ ๊ทน์ ์ธ ์—ญํ•  ์ˆ˜ํ–‰์„ ํ•  ์ˆ˜ ์žˆ๋„๋ก ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์˜ ์—ญํ•  ์ •๋ฆฝ์ด ํ•„์š”ํ•ด ์ง€๊ณ  ์žˆ๋‹ค. ์ง€๊ธˆ๊นŒ์ง€์˜ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์˜ ์ฃผ์š”์—ญํ• ์€ ๋†์—…์ธ ๊ต์œก, ํ›„๊ณ„๋†์—…์ธ๋ ฅ ์œก์„ฑ, ๋†์—…๊ธฐ์ˆ ๋ณด๊ธ‰, ์ง€์—ญ๋†์—…ํŠน์„ฑํ™”์‚ฌ์—… ์œก์„ฑ, ๋†์ดŒ์ฃผ๋ฏผ ์‚ถ์˜์งˆ ๊ฐœ์„ ๋“ฑ์ด ์žˆ์–ด ์™”๋‹ค. ํ•˜์ง€๋งŒ ๋†์—… ๋น„์ค‘ ์•…ํ™”, ๋†์—…๋ถ€๋ฌธ์˜ ์ทจ์—…์ž ์ˆ˜ ๊ฐ์†Œ, ๋†๊ฐ€์ˆ˜์˜ ๊ฐ์†Œ๋กœ ๋†์—…๊ธฐ๋ฐ˜์ด ์˜ˆ์ „๊ณผ ๋‹ฌ๋ผ์ง€๊ณ  ์žˆ์–ด, ์ด์— ๋”ฐ๋ผ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์˜ ๋ฏธ์…˜๊ณผ ์—ญํ• ๋„ ์žฌ๊ฒ€ํ†  ๋˜์–ด์•ผ ํ•  ์‹œ์ ์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ํŠนํžˆ, ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์˜ ์ง€๋„๊ธฐ๋Šฅ์€ ์ง€์—ญ๋†์—…์ธ๊ณผ ๋ฐ€์ฐฉ๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์—, ์„ผํ„ฐ์˜ ์ •์ฑ…๋ฐฉํ–ฅ ๋ฐ ์ง€๋„ ์—ญ๋Ÿ‰์€ ์ง€์—ญ ๋†์—…์˜ ์—ญ๋Ÿ‰์œผ๋กœ ๊ท€๊ฒฐ๋˜๊ณ  ์žˆ๋‹ค. ํ•œํŽธ์—์„œ๋Š” ๋†์—…์ธ ๋ฐ ๋†์ดŒ๋งˆ์„์„ ์ง€์›ํ•˜๋ ค๋Š” ์ค‘๊ฐ„์ง€์›์กฐ์ง๋„ ์ง€์†์ ์œผ๋กœ ๊ตฌ์ถ•๋˜๊ณ  ์žˆ๊ธฐ๋„ ํ•˜๋‹ค. ์ด๋Š” ๊ธฐ์กด์˜ ํ–‰์ •๊ณผ ์ง€๋„๋งŒ์œผ๋กœ๋Š” ๋†์—…์ธ ์—ญ๋Ÿ‰๊ฐ•ํ™”์™€ ๋†์ดŒ์ง€์—ญ์˜ ํ™œ์„ฑํ™”์— ํ•œ๊ณ„๊ฐ€ ์žˆ๋‹ค๋Š” ํŒ๋‹จ์ด๊ธฐ๋„ ํ•˜๋‹ค. ๋˜ํ•œ ์ „ํ†ต์ ์ธ ๋†์—…์ธ ์ด์™ธ์—๋„ ์ƒˆ๋กœ์šด ์ทจ๋†์ธ, ๊ท€๋†๊ท€ ์ดŒ์ธ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ง€์—ญ์†Œ์ƒ๊ณต์ธ๊ณผ์˜ ์—ฐ๊ณ„ ๋“ฑ ๊ทธ ๋Œ€์ƒ๋ฒ”์œ„๋„ ํ™•๋Œ€๋˜๊ณ  ์žˆ๊ธฐ๋„ ํ•˜๋‹ค. ์ด ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ธฐ์กด์˜ ๋†์—…๊ณผ ๋†์ดŒ์„ ํ•˜๋‚˜์˜ ๋‚™ํ›„๋œ ์ž์›๊ณผ ์ง€์—ญ์œผ๋กœ ๋ณด๋Š” ๊ด€์ ์—์„œ ์ƒˆ๋กœ์šด ๊ฐ€์น˜๋ฅผ ๋ฐœ๊ฒฌํ•˜๊ณ  ๊ฐœ๋ฐœํ•  ์ˆ˜ ์žˆ๋Š” ์ž์›์œผ๋กœ์˜ ์ธ์‹ ์ „ํ™˜์ด ์ด๋ฃจ์–ด์ง์— ๋”ฐ๋ผ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์˜ ์—ญํ• ๋ฒ”์œ„๋Š” ํ™•๋Œ€๋˜๊ณ  ํƒ€ ๊ธฐ๊ด€๊ณผ์˜ ์—ฐ๊ณ„๋Š” ํ•„์ˆ˜์ ์ด ๋˜์–ด๊ฐ€๊ณ  ์žˆ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ฆ‰, ๋†์—…๋†์ดŒ์„ ๋‘˜๋Ÿฌ์‹ผ ์‚ฌํšŒ๊ฒฝ์ œ, ๊ธฐ์ˆ ๋ฌธํ™”์  ํ™˜๊ฒฝ์ด ๊ธ‰๊ฒฉํ•˜๊ฒŒ ๋ณ€ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์ด์— ๋”ฐ๋ฅธ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์˜ ๋†์ดŒ์ง€๋„์‚ฌ์—…๋„ ๋ณ€ํ™”๋˜์–ด์•ผํ•  ํ•„์š”๊ฐ€ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค. - ์ดํ›„ ์ƒ๋žต์ œ1์žฅ ์„œ ๋ก  1. ์—ฐ๊ตฌ๋ฐฐ๊ฒฝ ๋ฐ ๋ชฉ์  1) ์—ฐ๊ตฌ๋ฐฐ๊ฒฝ๊ณผ ํ•„์š”์„ฑ 2) ์—ฐ๊ตฌ ๋ชฉ์  2. ์—ฐ๊ตฌ ๋‚ด์šฉ ๋ฐ ์—ฐ๊ตฌ๋ฐฉ๋ฒ• ์ œ2์žฅ ๋†์ดŒ์ง€๋„์‚ฌ์—… ์—ฌ๊ฑด ๋ถ„์„ 1. ๋†์ดŒ์ง€๋„์‚ฌ์—… ๊ฐœ๋… ๋ฐ ๋ณ€ํ™” 1) ๋†์ดŒ์ง€๋„์‚ฌ์—…์˜ ๊ฐœ๋… 2) ๋†์ดŒ์ง€๋„์‚ฌ์—…์˜ ๋ณ€ํ™” ๊ณผ์ • 3) ๋†์ดŒ์ง€๋„์กฐ์ง ํ˜„ํ™ฉ 4) ๋†์ดŒ์ง€๋„์กฐ์ง์˜ ์ฃผ์š” ์ด์Šˆ 5) ๋†์ • ํŒจ๋ผ๋‹ค์ž„์˜ ๋ณ€ํ™” 2. ๊ตญ๋‚ด ๋†์—… ์™ธ๋ถ€ํ™˜๊ฒฝ ๋ถ„์„ 1) ์ •์น˜์  ํ™˜๊ฒฝ : Political 2) ๊ฒฝ์ œ์  ํ™˜๊ฒฝ : Economic 3) ์‚ฌํšŒ์  ํ™˜๊ฒฝ : Social 4) ๊ธฐ์ˆ ์  ํ™˜๊ฒฝ : Technological 5) ์™ธ๋ถ€ ํ™˜๊ฒฝ๋ถ„์„(PEST)์— ๊ด€ํ•œ ์‹œ์‚ฌ์  ๋„์ถœ 3. ๊ตญ๋‚ด ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ๋ฐ ์ง€์›๊ธฐ๊ด€ ์šฐ์ˆ˜ ์‚ฌ๋ก€ ๊ฒ€ํ†  1) ๋ฌธ๊ฒฝ์‹œ ๋†์‹ํ’ˆํŠน์„ฑํ™”์„ผํ„ฐ ์šด์˜(๋†์‹ํ’ˆ ํŠน์„ฑํ™” ์‚ฌ์—…) 2) ์™„์ฃผ๊ตฐ ๋†์ •ํ˜์‹ ์„ ํ†ตํ•œ ๋กœ์ปฌํ‘ธ๋“œ ํ™œ์„ฑํ™” ์‚ฌ๋ก€ 4. ํ•ด์™ธ ๋†์ดŒ์ง€๋„ ์‚ฌ์—…์˜ ์‚ฌ๋ก€ 1) ๋ฏธ๊ตญ์˜ ๋†์ดŒ์ง€๋„ ์‚ฌ์—… 2) ์ผ๋ณธ์˜ ๋†์ดŒ์ง€๋„ ์‚ฌ์—… 3) ๋„ค๋œ๋ž€๋“œ์˜ ๋†์ดŒ์ง€๋„ ์‚ฌ์—… 4) ํ•ด์™ธ ์‚ฌ๋ก€๋ถ„์„์„ ํ†ตํ•œ ์‹œ์‚ฌ์  ์ œ3์žฅ ๋†์ดŒ์ง€๋„์‚ฌ์—… ๋ฐœ์ „์„ ์œ„ํ•œ ๊ณผ์ œ 1. ๋†์ดŒ์ง€๋„์‚ฌ์—… ๋ฐœ์ „์„ ์œ„ํ•œ ๋น„์ „ ๋ฐ ๋ชฉํ‘œ ์ˆ˜๋ฆฝ 2. ์ค‘๊ฐ„์ง€์›์กฐ์ง ์œก์„ฑ ๋ฐ ์—ญ๋Ÿ‰๊ฐ•ํ™” 1) ์ค‘๊ฐ„์ง€์›์กฐ์ง ๊ฐœ๋… ๋ฐ ์œ ํ˜• 2) ์ค‘๊ฐ„์ง€์›์กฐ์ง ์šด์˜์˜ ํ•„์š”์„ฑ ๋ฐ ์—ญํ•  3) ์ค‘๊ฐ„์ง€์›์กฐ์ง ์ฃผ์š” ์ด์Šˆ 3. ์ฐฝ์—…์ง€์› ๊ด€๋ จ ๊ธฐ๊ด€๊ณผ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ํ˜‘์—… 1) ์ฐฝ์—…์ง€์› ๊ด€๋ จ ๊ธฐ๊ด€๊ณผ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์™€์˜ ํ˜‘์—… ํ•„์š”์„ฑ 2) ์ฐฝ์กฐ๊ฒฝ์ œํ˜์‹ ์„ผํ„ฐ์™€ ์ง€์—ญ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ์™€์˜ ํ˜‘์—… 4. ์ „๋žต์  ๋†์—…์ •์ฑ…๋†์ดŒ์ง€๋„์ •์ฑ… ์—ฐ๊ณ„ ์‹œ์Šคํ…œ ๊ตฌ์ถ• 1) ์ง€์—ญ๋‚ด ํ–‰์ •๊ณผ ์ง€๋„์‚ฌ์—…์˜ ์—ฐ๊ณ„ 2) ๊ตญ๊ฐ€๋†์ •๊ณผ ์ง€์—ญ๋†์ •์˜ ํ•ฉ๋ฆฌ์  ์—ฐ๊ณ„ ์ œ4์žฅ ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ๋ฅผ ์‚ฌ๋ก€๋กœ ๋ฐœ์ „๋ฐฉํ–ฅ ์ œ์‹œ 1. ํ™์„ฑ๊ตฐ ๋†์—…๋†์ดŒ ํ˜„ํ™ฉ 1) ํ™์„ฑ๊ตฐ ์ธ๊ตฌํ˜„ํ™ฉ 2) ํ™์„ฑ๊ตฐ ๋†์—…ํ˜„ํ™ฉ 2. ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ์šด์˜ ํ˜„ํ™ฉ 1) ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ์—ญํ•  ๋ฒ”์œ„์— ๋Œ€ํ•œ ๋ฒ•๊ทœ์น™ 2) ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ๋†์ดŒ์ง€๋„์‚ฌ์—… ์ฃผ์š” ํ™œ๋™ 3. ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ๋ฏธ๋ž˜์ „๋žต ๊ณผ์ œ ๋„์ถœ 1) ํ™์„ฑ๊ตฐ ๋†์—…๋†์ดŒ ๋ฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ํ˜„ํ™ฉ ๊ฒ€ํ†  2) ๊ณผ์ œ ๋„์ถœ 4. ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ๋ฏธ๋ž˜์ „๋žต ์ œ์‹œ 1. ์ง€์—ญํŠนํ™”์ž‘๋ชฉ ์œก์„ฑ 1) ์ง€์—ญํŠนํ™”์ž‘๋ชฉ ์œก์„ฑ ๊ฐœ์š” 2) ์ง€์—ญํŠนํ™”์ž‘๋ชฉ ์œก์„ฑ ์‚ฌ๋ก€ 3) ํ™์„ฑ๊ตฐ ํŠนํ™”์ž‘๋ชฉ ๋Œ€์ƒ ๊ฒ€ํ†  4) ํ™์„ฑ๊ตฐ ํŠนํ™”์ž‘๋ชฉ ์œก์„ฑ์ „๋žต 5. ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ๋ฏธ๋ž˜์ „๋žต 2- ๋†์—…์ธ ์ปค๋ฎค๋‹ˆํ‹ฐ ์กฐ์ง ๊ตฌ์ถ• 1) ๋†์—…์ธ ์ปค๋ฎค๋‹ˆํ‹ฐ์กฐ์ง์˜ ๊ฐœ๋… ๋ฐ ํ•„์š”์„ฑ 2) ๋†์—…์ธ ์ปค๋ฎค๋‹ˆํ‹ฐ ์กฐ์ง ๊ด€๋ จ ์‚ฌ๋ก€ 3) ๋†์—…์ธ ๋†์—…์ธ ์ปค๋ฎค๋‹ˆํ‹ฐ ์กฐ์ง ์œก์„ฑ ๊ณ„ํš 4) ๋†์—…์ธ ์ปค๋ฎค๋‹ˆํ‹ฐ์กฐ์ง ํ™œ์šฉ๋ฐฉ์•ˆ 6 ํ™์„ฑ๊ตฐ ๋†์—…๊ธฐ์ˆ ์„ผํ„ฐ ๋ฏธ๋ž˜์ „๋žต 3- ๋†์—…๋†์ดŒ ์„œ๋น„์Šค ํ”Œ๋žซํผ ์—ญํ•  ๊ฐ•ํ™” 1) ๋†์—…๋†์ดŒ ์„œ๋น„์Šค ํ”Œ๋žซํผ์˜ ๊ฐœ๋… ๋ฐ ์ œ๊ณต ์„œ๋น„์Šค 2) ๋†์—…์„œ๋น„์Šค ํ”Œ๋žซํผ ์‚ฌ๋ก€ 3) ๋†์—…์„œ๋น„์Šค ํ”Œ๋žซํผ ์šด์˜ ๊ณ„ํš ์ œ5์žฅ ๊ฒฐ๋ก  ๋ฐ ์‹œ์‚ฌ์  1. ์š”์•ฝ ๋ฐ ์‹œ์‚ฌ์  2. ์—ฐ๊ตฌ์˜ ํ•œ๊ณ„์™€ ํ–ฅํ›„ ์—ฐ๊ตฌ๊ณผ

    A Study on the Advancement of Accreditation Systems and Surveyors Expertise for Long-term Care Facilities: Focusing on Overseas Cases

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    Purpose: This study aimed to suggest strategies for advancing local-government-based accreditation systems and surveyor training in long-term care facilities in Korea. Methods: A comprehensive review of the literature including research papers and official reports issued by governments from the United States, Australia, and Japan was conducted to explore domestic and international policies related to long-term care facility certification and accreditation systems. Results: The USA has two types of care quality assurance systems including mandatory certification (5-star rating system) by the Centers for Medicare and Medicaid Services and voluntary accreditation by the Joint Commission on Accreditation of Healthcare Organizations. Australia operates a government-based mandatory accreditation system for all long-term care facilities through the Australian Aged Care Quality Agency. Japan, particularly the Tokyo district, operates a third-party evaluation system that involves the voluntary participation of long-term care facilities. Conclusion: This study provides several strategies to enhance accreditation processes and surveyorsexpertise. For instance, motivating facilities to voluntarily participate in accreditation is necessary by 1) providing sufficient and continuous consultations and feedback about how to improve care quality, 2) differentiating accreditation domains and indicators from the national health insurance certification system, and 3) actively utilizing accreditation results and providing incentives
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