De Stijl Architecture- Towards Universal Space

本文以风格派建筑作品为主要研究对象，从造型语言及空间手法等方面总结归纳风格派建筑走向匀质空间的发展过程，并以密斯和SANAA为例探讨风格派之后匀质空间的发展。 风格派自20世纪初兴起就在国际范围得到了广泛关注，而国内对它的研究开始得比较晚且多限于绘画方面，除了施罗德住宅，对风格派建筑的研究更是屈指可数。对匀质空间的研究大多从密斯着手，而风格派仅作为铺垫轻笔带过。风格派的本质是追求普遍价值的乌托邦理想，虽然其主要成就集中在绘画方面，特别是蒙德里安的作品，但改造社会的愿望使艺术家们最终走向了人类可栖息的建筑领域，致力于构建人类的新生活。风格派设想的乌托邦社会奠定了欧洲本土匀质空间发展的基础，对现...This dissertation focuses on the study of De Stijl architecture, summarizing the process of De Stijl architecture moving towards universality from such aspects as modeling language and spatial technique. Then it researches universal space’s continuation after De Stijl movement, taking Mies and SANAA as examples. When De Stijl raised at the early twentieth century, it attracted broad attention in ...学位：建筑学硕士院系专业：建筑与土木工程学院_建筑设计及其理论学号：2522011115170

Finding Stones——The Reorder of Culture Landscape in Xiamen University

历史不仅被书籍、建筑所记录,也被镌刻在石头、雕塑之上。面对渐渐被忽视的厦门大学校园中的石头及其承载的历史,笔者开始了寻找他们并以尝试“让石头发声“的方式展现这些历史的历程。以此为例,探研通过重塑校园内文化景观秩序来重现文化历史的可行性。History is not only recorded in books and architectures,but also engraved on stones and sculptures.The stones in Xiamen University,with the history they contain seem to be neglected gradually.The article tries to let them out and tell the stories happened in the area around,taking it as an example to discover the possibility of showing the culture and history by reorder the culture landscape in the campus

Dismemberment and Representation of Chinese Traditional Gardens

中国传统园林空间层次丰富且富有禅意,但当代对其借鉴多局限于造园手法的模仿和具象元素的复制,而忽略了中国传统园林的精髓是对抽象和意境的追求。本文旨在将古典造园方法纳入现代体系,将传统园林的空间特色应用到现代公共休闲空间中,并尝试用现代语言和现代设计方式重新演绎传统园林的“移步易景“、“以有限面积造无限空间“等,并构建物理空间之外的禅思意境。Chinese traditional garden is thought highly with its spatial hierarchy and the pursue of zen.However, today, the way we represent it is normally to imitate its organizing method and copying its existing element directly, while neglecting the essence of Chinese traditional garden which is creating‘zen’through abstraction.In this paper, we try to put traditional gardening methods in a modern context,using it as a tool to make modern public leisure space.‘scenery change while walking’,‘endlessness space within endness volumn’for instance will be designed using modern vocabulary, ‘zen’ which is out of physical space will emerge at the same time

Preliminary Study of Spatial Design in Zhu-gan-cuo Dwelling in Zhangzhou

“竹竿厝“是一种主要分布在我国东南地区工商业较发达城镇,与商业店铺相结合的民居形式。本文首先对“竹竿厝“的平面布局、结构形式及发展变迁三个方面依次进行介绍,进而从建筑学和城市学的角度分析“竹竿厝“的空间组织特征及城市发展的贡献。最终在漳州固有的红砖文化氛围中探寻独特的“竹竿厝“街巷空间。Zhu-gan-cuo is a type of traditional dwelling that combines with shops and distributes in commercial district of southern cities.The paper first introduces it by analyzing its plan layout, structure form,and development.Then discusses the characteristic of Zhu-gan-cuo’s spatial organization and the significance from the point of architecture and urban.Finally, it comes back to Zhangzhou, a place with Red brick culture to experience the special space of Zhu-gan-cuo area

BRIEF ANALYSIS of Kazuo Shinohara——Certain descriptions on Kazuo Shinohara humanism thoughts

本文首先介绍了日本著名建筑师筱原一男在建筑设计生涯四个风格时期的理论和主要作品,再通过分析其对传统的看法、抽象化操作、对待建筑与城市的关系等几个方面对筱原一男的人文主义思想进行深入解读。Kazuo Shinohara is a famous Japanese architect,whose career on architecture can be divided into four stages with four different styles.This article first introduces the theories and main works in the four styles.Then it analyses his ideas about tradition,the abstractive way to design buildings,and the strategies dealing with the relationship between architecture and urban to have a deeper understanding about Kazuo Shinohara'humanism thought

The analysis of aesthetics in solar energy and building integrated

针对设计师考虑建筑造型时难以与太阳能技术产生有效契合的问题,搜集并归纳了一些优美的太阳能建筑作品,并总结出整体化、装饰化、隐身化三种让太阳能技术在建筑上发挥其美学价值的方法,为类似研究提供了参考。In light of integrity difficulty of building shape and solar enginery technology for designers,the paper collects some excellent solar energy building works,and puts forward integrity,decoration and hidden methods to embody aesthetic value of solar energy in building,which has provided some guidance