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    Spartan Daily, September 18, 1981

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    Volume 77, Issue 13https://scholarworks.sjsu.edu/spartandaily/6788/thumbnail.jp

    Spartan Daily, March 11, 1958

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    Volume 45, Issue 87https://scholarworks.sjsu.edu/spartandaily/12579/thumbnail.jp

    Boston University Choral Ensembles

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    This is the concert program of the Boston University Choral Ensembles performance on Saturday, October 16, 1999 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Veni Domine, Op. 39 No. 1 by Felix Mendelssohn, Gesange fur Frauenstimme by Robert Schumann, Folk Songs of the Four Seasons, III. Autumn by Ralph Vaughan Williams, Psalm 42, Wie der Hirsch Schreit nach frischem Wasser by Felix Mendelssohn, Four Motets by Francis Poulenc, From a Pioneer Songbook by Charles Fussell, The Bluebird by Charles Villiers Stanford, My love dwelt in a Northern land by Edward Elgar, The Turtledove by Ralph Vaughan Williams, and Hallelujah from "The Mount of Olives," Op. 85 by Ludwig van Beethoven. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    The Dignity and Humanity of Bruce Springsteen\u27s Criminals

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    In this essay, I discuss Springsteen\u27s criminals by focusing on two albums, Nebraska and The Ghost of Tom Joad, and Springsteen\u27s title song to the movie soundtrack Dead Man Walking. These are classic albums about criminals and prisoners, and Dead Man Walkin’ may be one of the best songs ever written about being on death row. Before getting into the music, I first note the historical context - Springsteen\u27s career has taken place during a particularly hostile time for lawbreakers - and offer a brief biographical sketch of Springsteen

    Maintaining the Image

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    Spartan Daily, October 4, 1979

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    Volume 73, Issue 22https://scholarworks.sjsu.edu/spartandaily/6520/thumbnail.jp

    Volume 4, Number 8, April 1927

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