Learning to Reconstruct People in Clothing from a Single RGB Camera

We present a learning-based model to infer the personalized 3D shape of people from a few frames (1-8) of a monocular video in which the person is moving, in less than 10 seconds with a reconstruction accuracy of 5mm. Our model learns to predict the parameters of a statistical body model and instance displacements that add clothing and hair to the shape. The model achieves fast and accurate predictions based on two key design choices. First, by predicting shape in a canonical T-pose space, the network learns to encode the images of the person into pose-invariant latent codes, where the information is fused. Second, based on the observation that feed-forward predictions are fast but do not always align with the input images, we predict using both, bottom-up and top-down streams (one per view) allowing information to flow in both directions. Learning relies only on synthetic 3D data. Once learned, the model can take a variable number of frames as input, and is able to reconstruct shapes even from a single image with an accuracy of 6mm. Results on 3 different datasets demonstrate the efficacy and accuracy of our approach

Unsupervised 3D Pose Estimation with Geometric Self-Supervision

We present an unsupervised learning approach to recover 3D human pose from 2D skeletal joints extracted from a single image. Our method does not require any multi-view image data, 3D skeletons, correspondences between 2D-3D points, or use previously learned 3D priors during training. A lifting network accepts 2D landmarks as inputs and generates a corresponding 3D skeleton estimate. During training, the recovered 3D skeleton is reprojected on random camera viewpoints to generate new "synthetic" 2D poses. By lifting the synthetic 2D poses back to 3D and re-projecting them in the original camera view, we can define self-consistency loss both in 3D and in 2D. The training can thus be self supervised by exploiting the geometric self-consistency of the lift-reproject-lift process. We show that self-consistency alone is not sufficient to generate realistic skeletons, however adding a 2D pose discriminator enables the lifter to output valid 3D poses. Additionally, to learn from 2D poses "in the wild", we train an unsupervised 2D domain adapter network to allow for an expansion of 2D data. This improves results and demonstrates the usefulness of 2D pose data for unsupervised 3D lifting. Results on Human3.6M dataset for 3D human pose estimation demonstrate that our approach improves upon the previous unsupervised methods by 30% and outperforms many weakly supervised approaches that explicitly use 3D data

Vision for Social Robots: Human Perception and Pose Estimation

In order to extract the underlying meaning from a scene captured from the surrounding world in a single still image, social robots will need to learn the human ability to detect different objects, understand their arrangement and relationships relative both to their own parts and to each other, and infer the dynamics under which they are evolving. Furthermore, they will need to develop and hold a notion of context to allow assigning different meanings (semantics) to the same visual configuration (syntax) of a scene. The underlying thread of this Thesis is the investigation of new ways for enabling interactions between social robots and humans, by advancing the visual perception capabilities of robots when they process images and videos in which humans are the main focus of attention. First, we analyze the general problem of scene understanding, as social robots moving through the world need to be able to interpret scenes without having been assigned a specific preset goal. Throughout this line of research, i) we observe that human actions and interactions which can be visually discriminated from an image follow a very heavy-tailed distribution; ii) we develop an algorithm that can obtain a spatial understanding of a scene by only using cues arising from the effect of perspective on a picture of a person’s face; and iii) we define a novel taxonomy of errors for the task of estimating the 2D body pose of people in images to better explain the behavior of algorithms and highlight their underlying causes of error. Second, we focus on the specific task of 3D human pose and motion estimation from monocular 2D images using weakly supervised training data, as accurately predicting human pose will open up the possibility of richer interactions between humans and social robots. We show that when 3D ground-truth data is only available in small quantities, or not at all, it is possible to leverage knowledge about the physical properties of the human body, along with additional constraints related to alternative types of supervisory signals, to learn models that can regress the full 3D pose of the human body and predict its motions from monocular 2D images. Taken in its entirety, the intent of this Thesis is to highlight the importance of, and provide novel methodologies for, social robots' ability to interpret their surrounding environment, learn in a way that is robust to low data availability, and generalize previously observed behaviors to unknown situations in a similar way to humans.</p

GANerated Hands for Real-time 3D Hand Tracking from Monocular RGB

We address the highly challenging problem of real-time 3D hand tracking based on a monocular RGB-only sequence. Our tracking method combines a convolutional neural network with a kinematic 3D hand model, such that it generalizes well to unseen data, is robust to occlusions and varying camera viewpoints, and leads to anatomically plausible as well as temporally smooth hand motions. For training our CNN we propose a novel approach for the synthetic generation of training data that is based on a geometrically consistent image-to-image translation network. To be more specific, we use a neural network that translates synthetic images to "real" images, such that the so-generated images follow the same statistical distribution as real-world hand images. For training this translation network we combine an adversarial loss and a cycle-consistency loss with a geometric consistency loss in order to preserve geometric properties (such as hand pose) during translation. We demonstrate that our hand tracking system outperforms the current state-of-the-art on challenging RGB-only footage

A very simple framework for 3D human poses estimation using a single 2D image: Comparison of geometric moments descriptors.

In this paper, we propose a framework in order to automatically extract the 3D pose of an individual from a single silhouette image obtained with a classical low-cost camera without any depth information. By pose, we mean the configuration of human bones in order to reconstruct a 3D skeleton representing the 3D posture of the detected human. Our approach combines prior learned correspondences between silhouettes and skeletons extracted from simulated 3D human models publicly available on the internet. The main advantages of such approach are that silhouettes can be very easily extracted from video, and 3D human models can be animated using motion capture data in order to quickly build any movement training data. In order to match detected silhouettes with simulated silhouettes, we compared geometrics invariants moments. According to our results, we show that the proposed method provides very promising results with a very low time processing

Advances in Monocular Exemplar-based Human Body Pose Analysis: Modeling, Detection and Tracking

Esta tesis contribuye en el análisis de la postura del cuerpo humano a partir de secuencias de imágenes adquiridas con una sola cámara. Esta temática presenta un amplio rango de potenciales aplicaciones en video-vigilancia, video-juegos o aplicaciones biomédicas. Las técnicas basadas en patrones han tenido éxito, sin embargo, su precisión depende de la similitud del punto de vista de la cámara y de las propiedades de la escena entre las imágenes de entrenamiento y las de prueba. Teniendo en cuenta un conjunto de datos de entrenamiento capturado mediante un número reducido de cámaras fijas, paralelas al suelo, se han identificado y analizado tres escenarios posibles con creciente nivel de dificultad: 1) una cámara estática paralela al suelo, 2) una cámara de vigilancia fija con un ángulo de visión considerablemente diferente, y 3) una secuencia de video capturada con una cámara en movimiento o simplemente una sola imagen estática