Text-based Editing of Talking-head Video

Editing talking-head video to change the speech content or to remove filler words is challenging. We propose a novel method to edit talking-head video based on its transcript to produce a realistic output video in which the dialogue of the speaker has been modified, while maintaining a seamless audio-visual flow (i.e. no jump cuts). Our method automatically annotates an input talking-head video with phonemes, visemes, 3D face pose and geometry, reflectance, expression and scene illumination per frame. To edit a video, the user has to only edit the transcript, and an optimization strategy then chooses segments of the input corpus as base material. The annotated parameters corresponding to the selected segments are seamlessly stitched together and used to produce an intermediate video representation in which the lower half of the face is rendered with a parametric face model. Finally, a recurrent video generation network transforms this representation to a photorealistic video that matches the edited transcript. We demonstrate a large variety of edits, such as the addition, removal, and alteration of words, as well as convincing language translation and full sentence synthesis

Synthesising visual speech using dynamic visemes and deep learning architectures

This paper proposes and compares a range of methods to improve the naturalness of visual speech synthesis. A feedforward deep neural network (DNN) and many-to-one and many-to-many recurrent neural networks (RNNs) using long short-term memory (LSTM) are considered. Rather than using acoustically derived units of speech, such as phonemes, viseme representations are considered and we propose using dynamic visemes together with a deep learning framework. The input feature representation to the models is also investigated and we determine that including wide phoneme and viseme contexts is crucial for predicting realistic lip motions that are sufficiently smooth but not under-articulated. A detailed objective evaluation across a range of system configurations shows that a combined dynamic viseme-phoneme speech unit combined with a many-to-many encoder-decoder architecture models visual co-articulations effectively. Subjective preference tests reveal there to be no significant difference between animations produced using this system and using ground truth facial motion taken from the original video. Furthermore, the dynamic viseme system also outperforms significantly conventional phoneme-driven speech animation systems

Alternative visual units for an optimized phoneme-based lipreading system

Lipreading is understanding speech from observed lip movements. An observed series of lip motions is an ordered sequence of visual lip gestures. These gestures are commonly known, but as yet are not formally defined, as `visemes’. In this article, we describe a structured approach which allows us to create speaker-dependent visemes with a fixed number of visemes within each set. We create sets of visemes for sizes two to 45. Each set of visemes is based upon clustering phonemes, thus each set has a unique phoneme-to-viseme mapping. We first present an experiment using these maps and the Resource Management Audio-Visual (RMAV) dataset which shows the effect of changing the viseme map size in speaker-dependent machine lipreading and demonstrate that word recognition with phoneme classifiers is possible. Furthermore, we show that there are intermediate units between visemes and phonemes which are better still. Second, we present a novel two-pass training scheme for phoneme classifiers. This approach uses our new intermediary visual units from our first experiment in the first pass as classifiers; before using the phoneme-to-viseme maps, we retrain these into phoneme classifiers. This method significantly improves on previous lipreading results with RMAV speakers

Visual speech synthesis using dynamic visemes, contextual features and DNNs

This paper examines methods to improve visual speech synthesis from a text input using a deep neural network (DNN). Two representations of the input text are considered, namely into phoneme sequences or dynamic viseme sequences. From these sequences, contextual features are extracted that include information at varying linguistic levels, from frame level down to the utterance level. These are extracted from a broad sliding window that captures context and produces features that are input into the DNN to estimate visual features. Experiments first compare the accuracy of these visual features against an HMM baseline method which establishes that both the phoneme and dynamic viseme systems perform better with best performance obtained by a combined phoneme-dynamic viseme system. An investigation into the features then reveals the importance of the frame level information which is able to avoid discontinuities in the visual feature sequence and produces a smooth and realistic output

Hidden Markov Models for Visual Speech Synthesis in Limited Data

This work presents a new approach for estimating control points (facial locations that control movement) to allow the artificial generation of video with apparent mouth movement (visual speech) time-synced with recorded audio. First, Hidden Markov Models (HMMs) are estimated for each visual speech category (viseme) present in stored video data, where a category is defined as the mouth movement corresponding to a given sound and where the visemes are further categorized as trisemes (a viseme in the context of previous and following visemes). Next, a decision tree is used to cluster and relate states in the HMMs that are similar in a contextual and statistical sense. The tree is also used to estimate HMMs that generate sequences of visual speech control points for trisemes not occurring in the stored data. An experiment is described that evaluates the effect of several algorithm variables, and a statistical analysis is presented that establishes appropriate levels for each variable by minimizing the error between the desired and estimated control points. The analysis indicates that the error is lowest when the process is conducted with three-state left-to right no skip HMMs trained using short-duration dynamic features, a high log-likelihood threshold, and a low outlier threshold. Also, comparisons of mouth shapes generated from the artificial control points and the true control points (estimated from video not used to train the HMMs) indicate that the process provides accurate estimates for most trisemes tested in this work. The research presented here thus establishes a useful method for synthesizing realistic audio-synchronized video facial features