Realistic multi-microphone data simulation for distant speech recognition

The availability of realistic simulated corpora is of key importance for the future progress of distant speech recognition technology. The reliability, flexibility and low computational cost of a data simulation process may ultimately allow researchers to train, tune and test different techniques in a variety of acoustic scenarios, avoiding the laborious effort of directly recording real data from the targeted environment. In the last decade, several simulated corpora have been released to the research community, including the data-sets distributed in the context of projects and international challenges, such as CHiME and REVERB. These efforts were extremely useful to derive baselines and common evaluation frameworks for comparison purposes. At the same time, in many cases they highlighted the need of a better coherence between real and simulated conditions. In this paper, we examine this issue and we describe our approach to the generation of realistic corpora in a domestic context. Experimental validation, conducted in a multi-microphone scenario, shows that a comparable performance trend can be observed with both real and simulated data across different recognition frameworks, acoustic models, as well as multi-microphone processing techniques.Comment: Proc. of Interspeech 201

Structured Sparsity Models for Multiparty Speech Recovery from Reverberant Recordings

We tackle the multi-party speech recovery problem through modeling the acoustic of the reverberant chambers. Our approach exploits structured sparsity models to perform room modeling and speech recovery. We propose a scheme for characterizing the room acoustic from the unknown competing speech sources relying on localization of the early images of the speakers by sparse approximation of the spatial spectra of the virtual sources in a free-space model. The images are then clustered exploiting the low-rank structure of the spectro-temporal components belonging to each source. This enables us to identify the early support of the room impulse response function and its unique map to the room geometry. To further tackle the ambiguity of the reflection ratios, we propose a novel formulation of the reverberation model and estimate the absorption coefficients through a convex optimization exploiting joint sparsity model formulated upon spatio-spectral sparsity of concurrent speech representation. The acoustic parameters are then incorporated for separating individual speech signals through either structured sparse recovery or inverse filtering the acoustic channels. The experiments conducted on real data recordings demonstrate the effectiveness of the proposed approach for multi-party speech recovery and recognition.Comment: 31 page

Speaker Localization and Detection in Videoconferencing Environments Using a Modified SRP-PHAT Algorithm

[EN] The Steered Response Power - Phase Transform (SRP-PHAT) algorithm has been shown to be one of the most robust sound source localization approaches operating in noisy and reverberant environments. However, its practical implementation is usually based on a costly fine grid-search procedure, making the computational cost of the method a real issue. In this paper, we introduce an effective strategy which performs a full exploration of the sampled space rather than computing the SRP at discrete spatial positions, increasing its robustness and allowing for a coarser spatial grid that reduces the computational cost required in a practical implementation. The modified SRP-PHAT functional has been successfully implemented in a real time speaker localization system for multiparticipant videoconferencing environments. Moreover, a localization-based speech-non speech frame discriminator is presented.This work was supported by the Ministry of Education and Science under the project TEC2009-14414-C03-01.Martí Guerola, A.; Cobos Serrano, M.; Aguilera Martí, E.; López Monfort, JJ. (2011). Speaker Localization and Detection in Videoconferencing Environments Using a Modified SRP-PHAT Algorithm. Waves. 3:40-47. http://hdl.handle.net/10251/57648S4047

Auralization as an Architectural Design Tool

Auralization provides a valuable tool that allows architects, building owners, and other decision-makers to directly experi-ence the aural implications of design decisions and allows them to make more informed choices. Standard numerical metrics are difficult to relate to aural phenomena without significant practice and frequently fail to capture acoustical issues that are essential to the basic functionality of spaces. Consultants at Acentech have been using auralizations of full soundscapes including many independent sources as design and communication tools for a variety of projects including atria, lecture halls, theaters, and performance spaces. These auralizations have included natural speech and electro-acoustic reinforcement, crowd activity, inter-actions between PA systems and room acoustics, HVAC noise, wall and window transmission, and the subjective effects of sound masking. In general, clients find the experience of listen-ing to their as-yet unbuilt spaces to be exciting and useful. Though most are not trained listeners, they typically move quick-ly past the “wow” stage and into critical listening and candid discussion of the different acoustical treatments presented and of the overall sound of the space. This helps architects and project owners to feel connected to the acoustical aspect of the design, and it helps the team to agree on design decisions that may have significant implications regarding cost and aesthetics. This paper presents several case studies of projects where auralization was an integral part of the design process. Addition-ally, it describes a rapid auralization design and development process using a MaxMSP-based real-time ambisonic convolution platform

Mathematical modelling ano optimization strategies for acoustic source localization in reverberant environments

La presente Tesis se centra en el uso de técnicas modernas de optimización y de procesamiento de audio para la localización precisa y robusta de personas dentro de un entorno reverberante dotado con agrupaciones (arrays) de micrófonos. En esta tesis se han estudiado diversos aspectos de la localización sonora, incluyendo el modelado, la algoritmia, así como el calibrado previo que permite usar los algoritmos de localización incluso cuando la geometría de los sensores (micrófonos) es desconocida a priori. Las técnicas existentes hasta ahora requerían de un número elevado de micrófonos para obtener una alta precisión en la localización. Sin embargo, durante esta tesis se ha desarrollado un nuevo método que permite una mejora de más del 30\% en la precisión de la localización con un número reducido de micrófonos. La reducción en el número de micrófonos es importante ya que se traduce directamente en una disminución drástica del coste y en un aumento de la versatilidad del sistema final. Adicionalmente, se ha realizado un estudio exhaustivo de los fenómenos que afectan al sistema de adquisición y procesado de la señal, con el objetivo de mejorar el modelo propuesto anteriormente. Dicho estudio profundiza en el conocimiento y modelado del filtrado PHAT (ampliamente utilizado en localización acústica) y de los aspectos que lo hacen especialmente adecuado para localización. Fruto del anterior estudio, y en colaboración con investigadores del instituto IDIAP (Suiza), se ha desarrollado un sistema de auto-calibración de las posiciones de los micrófonos a partir del ruido difuso presente en una sala en silencio. Esta aportación relacionada con los métodos previos basados en la coherencia. Sin embargo es capaz de reducir el ruido atendiendo a parámetros físicos previamente conocidos (distancia máxima entre los micrófonos). Gracias a ello se consigue una mejor precisión utilizando un menor tiempo de cómputo. El conocimiento de los efectos del filtro PHAT ha permitido crear un nuevo modelo que permite la representación 'sparse' del típico escenario de localización. Este tipo de representación se ha demostrado ser muy conveniente para localización, permitiendo un enfoque sencillo del caso en el que existen múltiples fuentes simultáneas. La última aportación de esta tesis, es el de la caracterización de las Matrices TDOA (Time difference of arrival -Diferencia de tiempos de llegada, en castellano-). Este tipo de matrices son especialmente útiles en audio pero no están limitadas a él. Además, este estudio transciende a la localización con sonido ya que propone métodos de reducción de ruido de las medias TDOA basados en una representación matricial 'low-rank', siendo útil, además de en localización, en técnicas tales como el beamforming o el autocalibrado

Study of speaker localization with binaural microphone array incorporating auditory filters and lateral angle estimation

Speaker localization for binaural microphone arrays has been widely studied for applications such as speech communication, video conferencing, and robot audition. Many methods developed for this task, including the direct path dominance (DPD) test, share common stages in their processing, which include transformation using the short-time Fourier transform (STFT), and a direction of arrival (DOA) search that is based on the head related transfer function (HRTF) set. In this paper, alternatives to these processing stages, motivated by human hearing, are proposed. These include incorporating an auditory filter bank to replace the STFT, and a new DOA search based on transformed HRTF as steering vectors. A simulation study and an experimental study are conducted to validate the proposed alternatives, and both are applied to two binaural DOA estimation methods; the results show that the proposed method compares favorably with current methods

Surround by Sound: A Review of Spatial Audio Recording and Reproduction

In this article, a systematic overview of various recording and reproduction techniques for spatial audio is presented. While binaural recording and rendering is designed to resemble the human two-ear auditory system and reproduce sounds specifically for a listener’s two ears, soundfield recording and reproduction using a large number of microphones and loudspeakers replicate an acoustic scene within a region. These two fundamentally different types of techniques are discussed in the paper. A recent popular area, multi-zone reproduction, is also briefly reviewed in the paper. The paper is concluded with a discussion of the current state of the field and open problemsThe authors acknowledge National Natural Science Foundation of China (NSFC) No. 61671380 and Australian Research Council Discovery Scheme DE 150100363