Trialing project-based learning in a new EAP ESP course: A collaborative reflective practice of three college English teachers

Currently in many Chinese universities, the traditional College English course is facing the risk of being ‘marginalized’, replaced or even removed, and many hours previously allocated to the course are now being taken by EAP or ESP. At X University in northern China, a curriculum reform as such is taking place, as a result of which a new course has been created called ‘xue ke’ English. Despite the fact that ‘xue ke’ means subject literally, the course designer has made it clear that subject content is not the target, nor is the course the same as EAP or ESP. This curriculum initiative, while possibly having been justified with a rationale of some kind (e.g. to meet with changing social and/or academic needs of students and/or institutions), this is posing a great challenge for, as well as considerable pressure on, a number of College English teachers who have taught this single course for almost their entire teaching career. In such a context, three teachers formed a peer support group in Semester One this year, to work collaboratively co-tackling the challenge, and they chose Project-Based Learning (PBL) for the new course. This presentation will report on the implementation of this project, including the overall designing, operational procedure, and the teachers’ reflections. Based on discussion, pre-agreement was reached on the purpose and manner of collaboration as offering peer support for more effective teaching and learning and fulfilling and pleasant professional development. A WeChat group was set up as the chief platform for messaging, idea-sharing, and resource-exchanging. Physical meetings were supplementary, with sound agenda but flexible time, and venues. Mosoteach cloud class (lan mo yun ban ke) was established as a tool for virtual learning, employed both in and after class. Discussions were held at the beginning of the semester which determined only brief outlines for PBL implementation and allowed space for everyone to autonomously explore in their own way. Constant further discussions followed, which generated a great deal of opportunities for peer learning and lesson plan modifications. A reflective journal, in a greater or lesser detailed manner, was also kept by each teacher to record the journey of the collaboration. At the end of the semester, it was commonly recognized that, although challenges existed, the collaboration was overall a success and they were all willing to continue with it and endeavor to refine it to be a more professional and productive approach

Metacognition and the teaching of writing

This thesis has examined the relationship between the two areas of metacognition and the teaching of writing. The implementation of the study was with BEd students following a teacher education course and the associated teaching and data collection for this study was within the first two years of that (four year) course. The study examines the potential for determining the links between metacognition and the teaching of writing in the context of preparing student teachers to teaching writing in the primary school classroom. Five specific research questions were identified. The first examined the measurement of metacognitive thinking in relation to writing as there appeared to be very little documented information about how this might be addressed. The second question focussed on how the model of metacognition proposed by Nelson and Narens (1990) might be used in teaching about metacognitive regulation and the third question similarly addressed the use of the Hayes (1996) model of writing in the context of teaching student teachers about the theory of writing. This study gave particular (but not exclusive) attention to selected models of metacognition and of writing in the associated teaching and data collected sessions. The fourth question studied the development of student teachers' understanding of a metacognitive approach to their own writing as it might influence their understanding of teaching writing in the classroom. The final question set out to derive a possible composite theoretical model of metacognition and writing, with the expectation that this might be an additional support for future teaching in this area. Experimental and control samples were established with the teaching about metacognition and writing being given to only the experimental sample. The nature of the teaching (covering theoretical concepts in a relatively new area of study, to students at the beginning of 4 year BEd course) suggested a structure which comprised several stages, generally alternating between teaching and data collection, and spread over a two year period. The focus of these stages was progressively from promoting student teachers' understanding of metacognition in relation to their own writing to identifying links with teaching writing in the classroom and finally to an enhancement of their teaching writing in the classroom. This resulted in a different format of presentation of the implementation, data collection, results analysis and discussion of findings than might customarily be found in higher degree work of this nature. Here, the key findings and discussion and are presented as they occurred throughout the study rather than as separate chapters following the description of the implementation of all the stages. New features which were developed in this study were data collection material to measure metacognition in relation to teaching writing and the means of deriving a writer profile. The findings from the study indicated that the measures of metacognition and the writer profile had produced relevant and functional information. These suggested that the students' metacognitive knowledge had improved by the end of the study as had their awareness of metacognitive regulation. Additionally, it was shown that students held different metacognitive models of writing for themselves and for their pupils and that the model for their pupils changed over the two years of the study whereas that for themselves had remained unchanged. These findings were linked with the students developing awareness of models of expert and novice writers. The potential for further development of metacognitive models of writing is recognised

Pedagogical Design Promoting Writing Productivity on the Doctoral Level – a Case Study from Finland

Publication productivity constitutes a key measure of institutional and researcher performance, determining success in university rankings and academic career development. To promote such productivity, Aalto University launched the Writing Doctoral Research course for engineers. To build a domain-specific course for doctoral candidates, their needs were examined quantitatively (n=325) and qualitatively (n=74). The aim was to identify pedagogy for raising the quality of publications and expediting doctoral degree completion. These investigations showed that 1) in the absence of sufficient supervision, engineers require more support in writing-related mental processes, 2) the mechanics of writing needs to promote argumentativity, 3) researchers lack precision when describing their research aims, 4) articulation of causality in data commentary requires more accuracy, and 5) instruments must be provided for writer self-correction.Instead of taking the lexicogrammar approach, the course was designed in a way that aligned with the principles of enculturation, assisting researchers in scientific positioning and socialization into their fields. Such an approach emphasizes reporting and structural conventions in engineering and the field-specific academic style.

La estructura retórica del resumen (abstract) en las disciplinas arte y diseño : un estudio descriptivo

Maestría en Inglés con Orientación en Lingüística AplicadaAs an effective means of representing the research article, the abstract has increasingly become an essential part of this genre. For that reason, understanding the rhetorical conventions that govern abstract writing in their respective fields may help students and novice researchers acquire reading and writing skills in their fields of specialization. Recent research on the rhetorical features of abstracts has revealed broad patterns of regularity as well as disciplinary variation. Although several investigations have focused their analysis on a variety of disciplines, no study appears to have explored the rhetorical structure of abstracts in the fields of Art and Design. The present research, therefore, examines the rhetorical moves and main linguistic features of Art and Design abstracts, and proposes a schema for the abstract genre in each of these disciplinary domains. To conduct the study, a corpus of 30 abstracts from four high-impact journals was compiled, and subjected to a move analysis (Swales, 1981, 1990) using the analytical framework proposed by Pho (2008), and the methodology suggested by Dudley-Evans (1994) and Holmes (1997). The results reveal that although Art and Design abstracts bear some similarities, they also show some differences that result in distinct emerging patterns. Based on these findings, two models are proposed of the rhetorical elements that are constitutive of each discipline. The outcome of this research has pedagogical implications for students, novice researchers and teachers within ESP (English for Specific Purposes) contexts.Fil: Caturegli, Alicia. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina

An Analysis of Undergraduate Creative Writing Students\u27Writing Processes: Gauging the Workshop Models\u27 Effectiveness Through the Lens of Genre Theories

Current approaches to teaching creative writers the ways to success in creative writing courses consist largely of workshop style classes. While workshops often vary from class to class in style, generally a workshop will consist of a group of writers, led by a mentor/instructor, who exchange drafts and provide reader and writer focused feedback to the author. Yet because the workshop approach has not been the subject of close empirical study, it is unclear whether it is an effective pedagogy. This thesis serves two purposes. First, it presents an argument for new research into creative writing pedagogy and creative writers\u27 processes and suggests that any future research should take an empirical turn. However, because creative writing has developed few theories or methods useful for the empirical study of creative writing, I suggest adopting theories and methods from the field of rhetoric and composition. The second part of this thesis is an empirical study of three creative writing undergraduate students in an introductory creative writing course over one semester. This study uses qualitative methods: semi-structured retrospective interviews, close textual analysis, and in-class observations to understand how creative writers are enculturated into the creative writing community using Christine Tardy\u27s theories of acquiring genre expertise as a framework for analysis. Based on this research this study concludes that while creative writers enculturate in different ways, based on several factors, all creative writers develop greater awareness of genre complexity, authorial identity, and intermodal influences on their writing. Furthermore, this study recommends further case studies into creative writers writing processes and the effectiveness of various workshop models on student enculturation.

Concept Maps as Sites of Rhetorical Invention: Teaching the Creative Act of Synthesis as a Cognitive Process

Synthesis is one of the most cognitively demanding practices novice writers must undertake, and research demonstrates that first-year students’ synthesis writing practices result in more knowledge telling rather than knowledge creation and transforming. Pedagogies used to teach synthesis often focus on developing text-building strategies but lack explicit instruction on the more cognitively demanding conceptualizing behavior. To explore alternative pedagogies and heuristics, this study looks beyond composition scholarship to incorporate studies in neuroeducation and rhetoric to define synthesis as an ongoing, generative act of cognitive invention, effectively shifting pedagogical focus from text-centered product to student-centered cognitive processes that inform development of synthesized texts (a product). The methods were designed to explore any effects a visual intervention might have on developing student conceptual awareness and reflective practice over time, and whether that transferred into a final researched essay as knowledge transforming. This small-scale exploratory study applies a mixed-methods, design-based methodology to a semester-long intervention in first-year writing classrooms using digital concept maps (DCMAPs) as an ongoing, student-designed space of visualized concept construction. A Control group applied traditional reading-to-write text-based synthesis instruction and practice, while the Intervention group used DCMAPs to enact a prolonged, visualized and reflective practice of active construction of associations, relationships, and structural knowledge building. The DCMAP platform affordances positioned students as knowledge designers enacting creative / constructive processes, an approach based on neuroscience research on patterning and visualization. Intervention data includes reflective journals, narrated mapping process reflections, digital concept map images and construction processes, and a final researched essay that required synthesis of source ideas. Because of the exploratory nature of the study, results are not framed as cause-effect but as correlational possibilities that suggest inventional acts of visually creating connections and labeling them using rhetorically-based associational concepts lead to generative learning behaviors. Results suggest a number of possibilities for future iterations and research, as well as implications for our field’s approach to the teaching of synthesis

Patterns and Variation in English Language Discourse

The publication is reviewed post-conference proceedings from the international 9th Brno Conference on Linguistics Studies in English, held on 16–17 September 2021 and organised by the Faculty of Education, Masaryk University in Brno. The papers revolve around the themes of patterns and variation in specialised discourses (namely the media, academic, business, tourism, educational and learner discourses), effective interaction between the addressor and addressees and the current trends and development in specialised discourses. The principal methodological perspectives are the comparative approach involving discourses in English and another language, critical and corpus analysis, as well as identification of pragmatic strategies and appropriate rhetorical means. The authors of papers are researchers from the Czech Republic, Italy, Luxembourg, Serbia and Georgia

Review of practice-led research in art, design & architecture

This review report sets out the outcomes of a 10 month investigation to describe the landscape of practice-led research in Art, Design and Architecture (ADA) in the UK and beyond. We were asked for a qualitative review but of course it has been important to gather some numbers to check and illustrate our observations. We have consulted widely, both face to face and in the virtual world, with experts and novices in the UK and around the world. We have tried to strike a balance between the natural desire of our colleagues to debate the more contentious aspects of this territory (they were never going to forgo that opportunity) and the equally strong wish of the AHRC that we should provide a clear description of what is happening. We have collected some diverse examples of research and subjected them to various examinations. We have also examined a selection of research projects funded by AHRC and other projects by creative practitioners, funded by a non-research organisation. From all this we have been able to describe the landscape in a straightforward sense: We have measures of the proportions of ADA academics involved in practice-led research. We have clarified differences in the ways that the different ADA disciplines engage with practice-led research and identified some problems that indicate possible future support strategies. We have discussed some problems with general definitions of research and identified issues that should be addressed to ensure that the AHRC definition can be applied to the full range of practice-led research. We have picked out some specific case examples that illustrate the range of contexts, methods and contributions made by practice-led researchers, and more are described in detail in Appendix F. We have also sought to assess how this research relates to the wider international picture in which the UK appears to have a strong position in both volume and development of research. We have also set out some issues that affect this community of researchers: What strengths and weaknesses have we observed and where is there a need to support development? Do the AHRC definition of research and guidance on practice-led research provide an effective framework? We have illustrated the state of development of research in ADA, and some reasons why it is less robust than might be expected from such long established disciplines. We recommend that the career path of researchers in ADA needs some attention and make some suggestions about how that could be achieved. We have also indicated some areas of inquiry that might be supported to advance the theory and methods of practice-led research. In particular we have come to the conclusion that conventional ideas of contribution to knowledge or understanding may not be serving us well. This is significant to fine artists but we believe that it relevant across ADA and a shared effort to develop appropriate new models would be a constructive development. The full set of recommendations can be found in chapter 5