82,357 research outputs found
LiveCap: Real-time Human Performance Capture from Monocular Video
We present the first real-time human performance capture approach that
reconstructs dense, space-time coherent deforming geometry of entire humans in
general everyday clothing from just a single RGB video. We propose a novel
two-stage analysis-by-synthesis optimization whose formulation and
implementation are designed for high performance. In the first stage, a skinned
template model is jointly fitted to background subtracted input video, 2D and
3D skeleton joint positions found using a deep neural network, and a set of
sparse facial landmark detections. In the second stage, dense non-rigid 3D
deformations of skin and even loose apparel are captured based on a novel
real-time capable algorithm for non-rigid tracking using dense photometric and
silhouette constraints. Our novel energy formulation leverages automatically
identified material regions on the template to model the differing non-rigid
deformation behavior of skin and apparel. The two resulting non-linear
optimization problems per-frame are solved with specially-tailored
data-parallel Gauss-Newton solvers. In order to achieve real-time performance
of over 25Hz, we design a pipelined parallel architecture using the CPU and two
commodity GPUs. Our method is the first real-time monocular approach for
full-body performance capture. Our method yields comparable accuracy with
off-line performance capture techniques, while being orders of magnitude
faster
Vision-based 3D Pose Retrieval and Reconstruction
The people analysis and the understandings of their motions are the key components in many applications like sports sciences, biomechanics, medical rehabilitation, animated movie productions and the game industry. In this context, retrieval and reconstruction of the articulated 3D human poses are considered as the significant sub-elements. In this dissertation, we address the problem of retrieval and reconstruction of the 3D poses from a monocular video or even from a single RGB image. We propose a few data-driven pipelines to retrieve and reconstruct the 3D poses by exploiting the motion capture data as a prior. The main focus of our proposed approaches is to bridge the gap between the separate media of the 3D marker-based recording and the capturing of motions or photographs using a simple RGB camera. In principal, we leverage both media together efficiently for 3D pose estimation. We have shown that our proposed methodologies need not any synchronized 3D-2D pose-image pairs to retrieve and reconstruct the final 3D poses, and are flexible enough to capture motion in any studio-like indoor environment or outdoor natural environment. In first part of the dissertation, we propose model based approaches for full body human motion reconstruction from the video input by employing just 2D joint positions of the four end effectors and the head. We resolve the 3D-2D pose-image cross model correspondence by developing an intermediate container the knowledge base through the motion capture data which contains information about how people move. It includes the 3D normalized pose space and the corresponding synchronized 2D normalized pose space created by utilizing a number of virtual cameras. We first detect and track the features of these five joints from the input motion sequences using SURF, MSER and colorMSER feature detectors, which vote for the possible 2D locations for these joints in the video. The extraction of suitable feature sets from both, the input control signals and the motion capture data, enables us to retrieve the closest instances from the motion capture dataset through employing the fast searching and retrieval techniques. We develop a graphical structure online lazy neighbourhood graph in order to make the similarity search more accurate and robust by deploying the temporal coherence of the input control signals. The retrieved prior poses are exploited further in order to stabilize the feature detection and tracking process. Finally, the 3D motion sequences are reconstructed by a non-linear optimizer that takes into account multiple energy terms. We evaluate our approaches with a series of experiment scenarios designed in terms of performing actors, camera viewpoints and the noisy inputs. Only a little preprocessing is needed by our methods and the reconstruction processes run close to real time. The second part of the dissertation is dedicated to 3D human pose estimation from a monocular single image. First, we propose an efficient 3D pose retrieval strategy which leads towards a novel data driven approach to reconstruct a 3D human pose from a monocular still image. We design and devise multiple feature sets for global similarity search. At runtime, we search for the similar poses from a motion capture dataset in a definite feature space made up of specific joints. We introduce two-fold method for camera estimation, where we exploit the view directions at which we perform sampling of the MoCap dataset as well as the MoCap priors to minimize the projection error. We also benefit from the MoCap priors and the joints' weights in order to learn a low-dimensional local 3D pose model which is constrained further by multiple energies to infer the final 3D human pose. We thoroughly evaluate our approach on synthetically generated examples, the real internet images and the hand-drawn sketches. We achieve state-of-the-arts results when the test and MoCap data are from the same dataset and obtain competitive results when the motion capture data is taken from a different dataset. Second, we propose a dual source approach for 3D pose estimation from a single RGB image. One major challenge for 3D pose estimation from a single RGB image is the acquisition of sufficient training data. In particular, collecting large amounts of training data that contain unconstrained images and are annotated with accurate 3D poses is infeasible. We therefore propose to use two independent training sources. The first source consists of images with annotated 2D poses and the second source consists of accurate 3D motion capture data. To integrate both sources, we propose a dual-source approach that combines 2D pose estimation with efficient and robust 3D pose retrieval. In our experiments, we show that our approach achieves state-of-the-art results and is even competitive when the skeleton structures of the two sources differ substantially. In the last part of the dissertation, we focus on how the different techniques, developed for the human motion capturing, retrieval and reconstruction can be adapted to handle the quadruped motion capture data and which new applications may appear. We discuss some particularities which must be considered during capturing the large animal motions. For retrieval, we derive the suitable feature sets in order to perform fast searches into the MoCap dataset for similar motion segments. At the end, we present a data-driven approach to reconstruct the quadruped motions from the video input data
MonoPerfCap: Human Performance Capture from Monocular Video
We present the first marker-less approach for temporally coherent 3D
performance capture of a human with general clothing from monocular video. Our
approach reconstructs articulated human skeleton motion as well as medium-scale
non-rigid surface deformations in general scenes. Human performance capture is
a challenging problem due to the large range of articulation, potentially fast
motion, and considerable non-rigid deformations, even from multi-view data.
Reconstruction from monocular video alone is drastically more challenging,
since strong occlusions and the inherent depth ambiguity lead to a highly
ill-posed reconstruction problem. We tackle these challenges by a novel
approach that employs sparse 2D and 3D human pose detections from a
convolutional neural network using a batch-based pose estimation strategy.
Joint recovery of per-batch motion allows to resolve the ambiguities of the
monocular reconstruction problem based on a low dimensional trajectory
subspace. In addition, we propose refinement of the surface geometry based on
fully automatically extracted silhouettes to enable medium-scale non-rigid
alignment. We demonstrate state-of-the-art performance capture results that
enable exciting applications such as video editing and free viewpoint video,
previously infeasible from monocular video. Our qualitative and quantitative
evaluation demonstrates that our approach significantly outperforms previous
monocular methods in terms of accuracy, robustness and scene complexity that
can be handled.Comment: Accepted to ACM TOG 2018, to be presented on SIGGRAPH 201
VNect: Real-time 3D Human Pose Estimation with a Single RGB Camera
We present the first real-time method to capture the full global 3D skeletal
pose of a human in a stable, temporally consistent manner using a single RGB
camera. Our method combines a new convolutional neural network (CNN) based pose
regressor with kinematic skeleton fitting. Our novel fully-convolutional pose
formulation regresses 2D and 3D joint positions jointly in real time and does
not require tightly cropped input frames. A real-time kinematic skeleton
fitting method uses the CNN output to yield temporally stable 3D global pose
reconstructions on the basis of a coherent kinematic skeleton. This makes our
approach the first monocular RGB method usable in real-time applications such
as 3D character control---thus far, the only monocular methods for such
applications employed specialized RGB-D cameras. Our method's accuracy is
quantitatively on par with the best offline 3D monocular RGB pose estimation
methods. Our results are qualitatively comparable to, and sometimes better
than, results from monocular RGB-D approaches, such as the Kinect. However, we
show that our approach is more broadly applicable than RGB-D solutions, i.e. it
works for outdoor scenes, community videos, and low quality commodity RGB
cameras.Comment: Accepted to SIGGRAPH 201
XNect: Real-time Multi-Person 3D Motion Capture with a Single RGB Camera
We present a real-time approach for multi-person 3D motion capture at over 30
fps using a single RGB camera. It operates successfully in generic scenes which
may contain occlusions by objects and by other people. Our method operates in
subsequent stages. The first stage is a convolutional neural network (CNN) that
estimates 2D and 3D pose features along with identity assignments for all
visible joints of all individuals.We contribute a new architecture for this
CNN, called SelecSLS Net, that uses novel selective long and short range skip
connections to improve the information flow allowing for a drastically faster
network without compromising accuracy. In the second stage, a fully connected
neural network turns the possibly partial (on account of occlusion) 2Dpose and
3Dpose features for each subject into a complete 3Dpose estimate per
individual. The third stage applies space-time skeletal model fitting to the
predicted 2D and 3D pose per subject to further reconcile the 2D and 3D pose,
and enforce temporal coherence. Our method returns the full skeletal pose in
joint angles for each subject. This is a further key distinction from previous
work that do not produce joint angle results of a coherent skeleton in real
time for multi-person scenes. The proposed system runs on consumer hardware at
a previously unseen speed of more than 30 fps given 512x320 images as input
while achieving state-of-the-art accuracy, which we will demonstrate on a range
of challenging real-world scenes.Comment: To appear in ACM Transactions on Graphics (SIGGRAPH) 202
Real-Time Hand Tracking Using a Sum of Anisotropic Gaussians Model
Real-time marker-less hand tracking is of increasing importance in
human-computer interaction. Robust and accurate tracking of arbitrary hand
motion is a challenging problem due to the many degrees of freedom, frequent
self-occlusions, fast motions, and uniform skin color. In this paper, we
propose a new approach that tracks the full skeleton motion of the hand from
multiple RGB cameras in real-time. The main contributions include a new
generative tracking method which employs an implicit hand shape representation
based on Sum of Anisotropic Gaussians (SAG), and a pose fitting energy that is
smooth and analytically differentiable making fast gradient based pose
optimization possible. This shape representation, together with a full
perspective projection model, enables more accurate hand modeling than a
related baseline method from literature. Our method achieves better accuracy
than previous methods and runs at 25 fps. We show these improvements both
qualitatively and quantitatively on publicly available datasets.Comment: 8 pages, Accepted version of paper published at 3DV 201
XNect: Real-time Multi-person 3D Human Pose Estimation with a Single RGB Camera
We present a real-time approach for multi-person 3D motion capture at over 30 fps using a single RGB camera. It operates in generic scenes and is robust to difficult occlusions both by other people and objects. Our method operates in subsequent stages. The first stage is a convolutional neural network (CNN) that estimates 2D and 3D pose features along with identity assignments for all visible joints of all individuals. We contribute a new architecture for this CNN, called SelecSLS Net, that uses novel selective long and short range skip connections to improve the information flow allowing for a drastically faster network without compromising accuracy. In the second stage, a fully-connected neural network turns the possibly partial (on account of occlusion) 2D pose and 3D pose features for each subject into a complete 3D pose estimate per individual. The third stage applies space-time skeletal model fitting to the predicted 2D and 3D pose per subject to further reconcile the 2D and 3D pose, and enforce temporal coherence. Our method returns the full skeletal pose in joint angles for each subject. This is a further key distinction from previous work that neither extracted global body positions nor joint angle results of a coherent skeleton in real time for multi-person scenes. The proposed system runs on consumer hardware at a previously unseen speed of more than 30 fps given 512x320 images as input while achieving state-of-the-art accuracy, which we will demonstrate on a range of challenging real-world scenes
- …