Building a document genre corpus: a profile of the KRYS I corpus

This paper describes the KRYS I corpus, consisting of documents classified into 70 genre classes. It has been constructed as part of an effort to automate document genre classification as distinct from topic detection. Previously there has been very little work on building corpora of texts which have been classified using a nontopical genre palette. The reason for this is partly due to the fact that genre as a concept, is rooted in philosophy, rhetoric and literature, and highly complex and domain dependent in its interpretation ([11]). The usefulness of genre in everyday information search is only now starting to be recognised and there is no genre classification schema that has been consolidated to have applicable value in this direction. By presenting here our experiences in constructing the KRYS I corpus, we hope to shed light on the information gathering and seeking behaviour and the role of genre in these activities, as well as a way forward for creating a better corpus for testing automated genre classification tasks and the application of these tasks to other domains.

Feature Type Analysis in Automated Genre Classification

In this paper, we compare classifiers based on language model, image, and stylistic features for automated genre classification. The majority of previous studies in genre classification have created models based on an amalgamated representation of a document using a multitude of features. In these models, the inseparable roles of different features make it difficult to determine a means of improving the classifier when it exhibits poor performance in detecting selected genres. By independently modeling and comparing classifiers based on features belonging to three types, describing visual, stylistic, and topical properties, we demonstrate that different genres have distinctive feature strengths.

Building a Document Genre Corpus: a Profile of the KRYS I Corpus

This paper describes the KRYS I corpus (http://www.krys-corpus.eu/Info.html), consisting of documents classified into 70 genre classes. It has been constructed as part of an effort to automate document genre classification as distinct from topic detection. Previously there has been very little work on building corpora of texts which have been classified using a non-topical genre palette. The reason for this is partly due to the fact that genre as a concept, is rooted in philosophy, rhetoric and literature, and highly complex and domain dependent in its interpretation ([11]). The usefulness of genre in everyday information search is only now starting to be recognised and there is no genre classification schema that has been consolidated to have applicable value in this direction. By presenting here our experiences in constructing the KRYS I corpus, we hope to shed light on the information gathering and seeking behaviour and the role of genre in these activities, as well as a way forward for creating a better corpus for testing automated genre classification tasks and the application of these tasks to other domains

Optical Music Recognition with Convolutional Sequence-to-Sequence Models

Optical Music Recognition (OMR) is an important technology within Music Information Retrieval. Deep learning models show promising results on OMR tasks, but symbol-level annotated data sets of sufficient size to train such models are not available and difficult to develop. We present a deep learning architecture called a Convolutional Sequence-to-Sequence model to both move towards an end-to-end trainable OMR pipeline, and apply a learning process that trains on full sentences of sheet music instead of individually labeled symbols. The model is trained and evaluated on a human generated data set, with various image augmentations based on real-world scenarios. This data set is the first publicly available set in OMR research with sufficient size to train and evaluate deep learning models. With the introduced augmentations a pitch recognition accuracy of 81% and a duration accuracy of 94% is achieved, resulting in a note level accuracy of 80%. Finally, the model is compared to commercially available methods, showing a large improvements over these applications.Comment: ISMIR 201

Instrumentation

published or submitted for publicatio

Multimodal music information processing and retrieval: survey and future challenges

Towards improving the performance in various music information processing tasks, recent studies exploit different modalities able to capture diverse aspects of music. Such modalities include audio recordings, symbolic music scores, mid-level representations, motion, and gestural data, video recordings, editorial or cultural tags, lyrics and album cover arts. This paper critically reviews the various approaches adopted in Music Information Processing and Retrieval and highlights how multimodal algorithms can help Music Computing applications. First, we categorize the related literature based on the application they address. Subsequently, we analyze existing information fusion approaches, and we conclude with the set of challenges that Music Information Retrieval and Sound and Music Computing research communities should focus in the next years