The Archigram Archive

The Archigram archival project made the works of seminal experimental architectural group Archigram available free online for an academic and general audience. It was a major archival work, and a new kind of digital academic archive, displaying material held in different places around the world and variously owned. It was aimed at a wide online design community, discovering it through Google or social media, as well as a traditional academic audience. It has been widely acclaimed in both fields. The project has three distinct but interlinked aims: firstly to assess, catalogue and present the vast range of Archigram's prolific work, of which only a small portion was previously available; secondly to provide reflective academic material on Archigram and on the wider picture of their work presented; thirdly to develop a new type of non-ownership online archive, suitable for both academic research at the highest level and for casual public browsing. The project hybridised several existing methodologies. It combined practical archival and editorial methods for the recovery, presentation and contextualisation of Archigram's work, with digital web design and with the provision of reflective academic and scholarly material. It was designed by the EXP Research Group in the Department of Architecture in collaboration with Archigram and their heirs and with the Centre for Parallel Computing, School of Electronics and Computer Science, also at the University of Westminster. It was rated 'outstanding' in the AHRC's own final report and was shortlisted for the RIBA research awards in 2010. It received 40,000 users and more than 250,000 page views in its first two weeks live, taking the site into twitter’s Top 1000 sites, and a steady flow of visitors thereafter. Further statistics are included in the accompanying portfolio. This output will also be returned to by Murray Fraser for UCL

The Trail, 1974-10-25

https://soundideas.pugetsound.edu/thetrail_all/2137/thumbnail.jp

Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music

Since at least the early 1950s, scholars and critics from widely varying backgrounds have attempted to come to terms with the musics collectively known as "rock," returning again and again to the issue of meaning. Predictably, their answers to the implied question are as varied as their intellectual standpoints. Some scholars, for example, have viewed rock through the lenses of mass and youth culture, drawing on the work of Theodor Adorno and a large body of sociological writing. Others, coming to rock from cultural studies and literary theory, have conceptualized it as a series of "texts" that comment on and reflect current debates on cultural identity, hegemony, resistance, gender and sexuality (Frith and Goodwin 1990; Hesmondhalgh 1996). Writers for the popular press, meanwhile, have tended to focus on issues of authenticity, originality and rebellion, particularly in canonizing iconic figures like Elvis Presley, Sid Vicious, or Kurt Cobain. In reading all this work, some fans or aficionados of rock (including scholars and critics) are likely to be dissatisfied. To them it might seem that (other) rock commentators are either focusing on too narrow a portion of the musical landscape-discussing it in ways that render it nearly unrecognizable-or missing the point of the music altogether. Whatever the point, to such fans rock is potentially about more than youth culture, the (re)production of ideology, or authenticity and rebellion. The question, of course, is what "more" there might be and, relatedIy, how one gains access to and talks about it

Washington University Record, October 5, 2001

https://digitalcommons.wustl.edu/record/1909/thumbnail.jp

Calendar 1977-1978

Academic calendar

Preserving Open Access Journals: A Literature Review

This literature review addresses certain questions concerning the preservation of free, born-digital scholarly materials. It covers recent thinking on the current state of preservation efforts of born-digital materials; the range of actors involved in significant preservation initiatives of these artefacts; the perceived barriers preventing open access materials from benefiting from existing preservation efforts; initiatives that may enable local, small-scale preservation efforts to be undertaken; the challenges and opportunities posed to preservation by new models of scholarship such as open access datasets, reference sharing and annotation, collaborative authoring and community peer review. The review identifies representative international collaborative preservation initiatives, describes their goals and results, their specific preservation strategie, and their applicability to the preservation of born digital open access materials

Montana Kaimin, November 10, 1989

Student newspaper of the University of Montana, Missoula.https://scholarworks.umt.edu/studentnewspaper/9245/thumbnail.jp