11,869 research outputs found

    Toward a Theory of Marginally Efficient Markets

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    Empirical evidence suggests that even the most competitive markets are not strictly efficient. Price histories can be used to predict near future returns with a probability better than random chance. Many markets can be considered as {\it favorable games}, in the sense that there is a small probabilistic edge that smart speculators can exploit. We propose to identify this probability using conditional entropy concept. A perfect random walk has this entropy maximized, and departure from the maximal value represents a price history's predictability. We propose that market participants should be divided into two categories: producers and speculators. The former provides the negative entropy into the price, upon which the latter feed. We show that the residual negative entropy can never be arbitraged away: infinite arbitrage capital is needed to make the price a perfect random walk.Comment: 9 pages, 3 ps figure

    Environmental regulation and the location of polluting industries

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    Does international tax competition in the environmental field lead to undesirably low levels of environmental regulation and to unacceptable disruptions of environmental quality? The paper tries to answer this question in a non-competitive partial-equilibrium framework. There is one firm that wishes to establish a plant in one of n countries. The paper shows that tax competition may lead to emission taxes that are either too low or too high. They may be so high that the investment is not undertaken although this would be optimal if the countries cooperated. On the other end of the spectrum, a scenario in which taxes are driven to zero becomes possible if there are substantial transfrontier pollution effects.

    The Fabrication Commons: Creative Agency Through Intuitive Interfaces

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    With digital fabrication tools and networking technology becoming increasingly attainable and versatile, there is an opportunity for more people to become makers instead of just being passive consumers. How can we take advantage of this to foster larger local and global communities of makers? Most digital fabrication research focuses on a singular novel process or application of a tool, and not the actual relationship between the users and the entire fabrication process. To engage a broader audience with digital fabrication, I propose a user-centric ecosystem that attempts to seamlessly link all of the individual elements of the workflow. My research involves designing a series of prototypes for inexperienced makers that lower the barriers of complex workflows. By doing this, anyone can be empowered to shape their environment and cater to their needs and desires without relying on mass-produced goods. With more engaging, accessible methods of fabrication, people can benefit from the advantages of creating something themselves, and form communities that are more empowered and meaningfully connected

    The Memory of the National and the National as Memory

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    This essay seeks to illuminate a different, more encompassing kind of transition than that from dictatorship to post-dictatorship (and its attendant forms of memory of military brutal force and human rights abuses) often privileged by studies of political violence and social memory. The focus is twofold: first, to describe a transition from the world of the social to that of the post-social, i.e. a transition from a welfare state-centered form of the nation to its neoliberal competitive state counterpart; and secondly, to analyze its attendant memory dynamics. The double articulation of collective memory under neoliberalism, the deep and recurring violence it has involved at both the social and the individual level, and its self-articulation as a social memory apparatus are apparent in two Chilean films exploring the logic (Pablo Larraín’s Tony Manero) and the history (Patricio Guzmán’s Nostalgia de la luz) of the implementation of this neoliberal memory apparatus in Chile. Este trabajo intenta iluminar una transición más amplia que aquella entre dictadura y post-dictadura ( y sus correspondientes formas de memoria sobre la violencia militar o los abusos a los derechos humanos) que suele ser el objeto de estudio de los trabajos sobre violencia política y memoria social. Mi interés es doble: primero, describir una transición del mundo social al post-social (es decir, una transición desde una forma de estado-nación centrada en el estado de bienestar a su contraparte neoliberal y competitiva; y en segundo lugar, analizar sus correspondientes formas de memoria. La doble articulación de la memoria colectiva bajo el neoliberalismo, la profunda y recurrente violencia presente, tanto a nivel social como a nivel individual, y su autoarticulación como un aparato de la memoria social son evidentes en las dos películas chilenas Tony Manero de Pablo Larraín y Nostalgia de la luz de Patricio Guzmán que exploran la lógica y la historia de la implementación de este aparato de la memoria neoliberal en Chile

    The Co-operative Model in Practice : International Perspectives

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    Published with the support of the Scottish Government and the Economic & Social Research CouncilPublisher PD

    A new player for tackling inequalities?

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    The Maker Movement has raised great expectations towards its potential for tackling social inequalities by mediating technology-related skills to everybody. Are maker spaces new players for social inclusion in digital societies? How can this potential impact be framed? While scientific discourse has so far identified broad value and impact dimensions of the Maker Movement, this article adds empirical insight into the potential for tackling social inequalities. The study is based on 39 interviews with makers and managers of maker initiatives and ten self-reporting surveys filled in by maker initiative managers throughout Europe, which have been analyzed qualitatively. We found four main domains in which makers address social inclusion: First, by mediating skills and competences not only in the field of digital technologies but in the broader sense of empowering people to “make” solutions for encountered problems. Second, we found that makers actively strive to provide democratized access to digital fabrication and the knowledge on how to use them. Third and fourth, we found different ambitions articulated by makers to change society and social practices towards a society providing better opportunities for individuals. As an entry point for further research and actions, we derived a maker typology that reflects the diverse and various types of relationships to be found in the maker community. This typology could be used for exploring further collaborations between social actors and the Maker Movement. We conclude with an outlook on potential trajectories of the Maker Movement and specify which could influence the inclusion of marginalized persons

    Hitchcock and the Material Politics of Looking: Laura Mulvey, Rear Window, and Psycho

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    In this essay, I argue that issues of voyeurism and scopophilia raised in Laura Mulvey’s early essay, “Visual Pleasure in Narrative Cinema,” are closely related to the social and economic shifts which occurred during the post-war period. Specifically, I argue that Mulvey’s essay articulates a particular kind of formal technique associated with what she calls “non-narrative scopophilia,” a kind of long-take shot that is utilized to great effect by Alfred Hitchcock in two of his later films, Rear Window (1955) and Psycho (1960). I argue that these shots represent a disruption to the smooth functioning of the classical Hollywood model of narrative and gender ideology in the post-war period tied closely to the changing economic realities of the period. I further argue that such a disruption is closely related to a new model of consumerism that emerges during this period

    A New Player for Tackling Inequalities? Framing the Social Value and Impact of the Maker Movement

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    The Maker Movement has raised great expectations towards its potential for tackling social inequalities by mediating technology-related skills to everybody. Are maker spaces new players for social inclusion in digital societies? How can this potential impact be framed? While scientific discourse has so far identified broad value and impact dimensions of the Maker Movement, this article adds empirical insight into the potential for tackling social inequalities. The study is based on 39 interviews with makers and managers of maker initiatives and ten self-reporting surveys filled in by maker initiative managers throughout Europe, which have been analyzed qualitatively. We found four main domains in which makers address social inclusion: First, by mediating skills and competences not only in the field of digital technologies but in the broader sense of empowering people to “make” solutions for encountered problems. Second, we found that makers actively strive to provide democratized access to digital fabrication and the knowledge on how to use them. Third and fourth, we found different ambitions articulated by makers to change society and social practices towards a society providing better opportunities for individuals. As an entry point for further research and actions, we derived a maker typology that reflects the diverse and various types of relationships to be found in the maker community. This typology could be used for exploring further collaborations between social actors and the Maker Movement. We conclude with an outlook on potential trajectories of the Maker Movement and specify which could influence the inclusion of marginalized persons
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