Evaluating raw waveforms with deep learning frameworks for speech emotion recognition

Speech emotion recognition is a challenging task in speech processing field. For this reason, feature extraction process has a crucial importance to demonstrate and process the speech signals. In this work, we represent a model, which feeds raw audio files directly into the deep neural networks without any feature extraction stage for the recognition of emotions utilizing six different data sets, EMO-DB, RAVDESS, TESS, CREMA, SAVEE, and TESS+RAVDESS. To demonstrate the contribution of proposed model, the performance of traditional feature extraction techniques namely, mel-scale spectogram, mel-frequency cepstral coefficients, are blended with machine learning algorithms, ensemble learning methods, deep and hybrid deep learning techniques. Support vector machine, decision tree, naive Bayes, random forests models are evaluated as machine learning algorithms while majority voting and stacking methods are assessed as ensemble learning techniques. Moreover, convolutional neural networks, long short-term memory networks, and hybrid CNN- LSTM model are evaluated as deep learning techniques and compared with machine learning and ensemble learning methods. To demonstrate the effectiveness of proposed model, the comparison with state-of-the-art studies are carried out. Based on the experiment results, CNN model excels existent approaches with 95.86% of accuracy for TESS+RAVDESS data set using raw audio files, thence determining the new state-of-the-art. The proposed model performs 90.34% of accuracy for EMO-DB with CNN model, 90.42% of accuracy for RAVDESS with CNN model, 99.48% of accuracy for TESS with LSTM model, 69.72% of accuracy for CREMA with CNN model, 85.76% of accuracy for SAVEE with CNN model in speaker-independent audio categorization problems.Comment: 14 pages, 6 Figures, 8 Table

Emotion Recognition in the Wild using Deep Neural Networks and Bayesian Classifiers

Group emotion recognition in the wild is a challenging problem, due to the unstructured environments in which everyday life pictures are taken. Some of the obstacles for an effective classification are occlusions, variable lighting conditions, and image quality. In this work we present a solution based on a novel combination of deep neural networks and Bayesian classifiers. The neural network works on a bottom-up approach, analyzing emotions expressed by isolated faces. The Bayesian classifier estimates a global emotion integrating top-down features obtained through a scene descriptor. In order to validate the system we tested the framework on the dataset released for the Emotion Recognition in the Wild Challenge 2017. Our method achieved an accuracy of 64.68% on the test set, significantly outperforming the 53.62% competition baseline.Comment: accepted by the Fifth Emotion Recognition in the Wild (EmotiW) Challenge 201

Spoken affect classification : algorithms and experimental implementation : a thesis presented in partial fulfilment of the requirements for the degree of Master of Science in Computer Science at Massey University, Palmerston North, New Zealand

Machine-based emotional intelligence is a requirement for natural interaction between humans and computer interfaces and a basic level of accurate emotion perception is needed for computer systems to respond adequately to human emotion. Humans convey emotional information both intentionally and unintentionally via speech patterns. These vocal patterns are perceived and understood by listeners during conversation. This research aims to improve the automatic perception of vocal emotion in two ways. First, we compare two emotional speech data sources: natural, spontaneous emotional speech and acted or portrayed emotional speech. This comparison demonstrates the advantages and disadvantages of both acquisition methods and how these methods affect the end application of vocal emotion recognition. Second, we look at two classification methods which have gone unexplored in this field: stacked generalisation and unweighted vote. We show how these techniques can yield an improvement over traditional classification methods

Affective Music Information Retrieval

Much of the appeal of music lies in its power to convey emotions/moods and to evoke them in listeners. In consequence, the past decade witnessed a growing interest in modeling emotions from musical signals in the music information retrieval (MIR) community. In this article, we present a novel generative approach to music emotion modeling, with a specific focus on the valence-arousal (VA) dimension model of emotion. The presented generative model, called \emph{acoustic emotion Gaussians} (AEG), better accounts for the subjectivity of emotion perception by the use of probability distributions. Specifically, it learns from the emotion annotations of multiple subjects a Gaussian mixture model in the VA space with prior constraints on the corresponding acoustic features of the training music pieces. Such a computational framework is technically sound, capable of learning in an online fashion, and thus applicable to a variety of applications, including user-independent (general) and user-dependent (personalized) emotion recognition and emotion-based music retrieval. We report evaluations of the aforementioned applications of AEG on a larger-scale emotion-annotated corpora, AMG1608, to demonstrate the effectiveness of AEG and to showcase how evaluations are conducted for research on emotion-based MIR. Directions of future work are also discussed.Comment: 40 pages, 18 figures, 5 tables, author versio

Stacked Convolutional and Recurrent Neural Networks for Music Emotion Recognition

This paper studies the emotion recognition from musical tracks in the 2-dimensional valence-arousal (V-A) emotional space. We propose a method based on convolutional (CNN) and recurrent neural networks (RNN), having significantly fewer parameters compared with the state-of-the-art method for the same task. We utilize one CNN layer followed by two branches of RNNs trained separately for arousal and valence. The method was evaluated using the 'MediaEval2015 emotion in music' dataset. We achieved an RMSE of 0.202 for arousal and 0.268 for valence, which is the best result reported on this dataset.Comment: Accepted for Sound and Music Computing (SMC 2017