23 research outputs found

    An investigation of multiple natural origins of religion

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    This study attempts to trace how religion could have originated in prehistory and antiquity, out of natural human and prehuman behaviour, without requiring the reality of the supernatural.Religion is here defined as beliefs, conceptions, practices and roles concerned with the putative supernatural. A variety of manifestations or elements of religious belief and practice can be identified. It is proposed that they have separate origins. Examples of religious elements are: life after death, ghosts, sacrifice, priests, shamans, gods, demons, .... It is argued that to try to reduce religion to one original element is a mistake. There may be no single origin. But the individual elements have origins, and plausible theories can account for each.Using theories and insights of previous workers, elaborated as necessary with information from a range of sciences, arguments are presented to account for five major foundational religious elements, thereby illustrating and partly fulfilling what is potentially a much wider programme. The elements covered are: (1) Animatism: numina, daemons; (2) Animism: ghosts, souls; (3) Another world: life after death; (4) Another world: heaven; (5) Religious specialists: shamans.Chapter 1 introduces the programme. Chapter 2 sets out definitions, philosophical principles and methodologyChapter 3 explores the specifically numinous quality which characterizes the supernatural in subjective experience. Chapter 4 describes brain structures and the neural substrate of experience. Chapter 5 proposes specific neurological hypotheses to account for certain types of numinous or `supernatural' experience.Chapter 6 deals with ape mentality, which may be presumed to characterize that of our remote ancestors, and identifies precursors of religious elements.Chapters 7 - 11 deal with the possibly separate origin of five major religious elements, as listed above.Chapter 12 summarizes the investigation, attempts to place the elements covered in sequence of their development in prehistory and antiquity, and expresses the limitations of the theory constructed

    Plutarch reading Plato: Interpretation and Mythmaking in the Early Empire

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    Plutarch of Chaeronea, an eminent figure among the Platonists of the early Roman Empire, built his philosophy by continuously drawing frameworks and models from Plato’s dialogues, both in his works dedicated solely to exegesis and his own lively philosophical dialogues. He both interprets Plato and adapts various models from the Platonic dialogues. Each philosopher was especially concerned with problems posed by myth, yet each also employed their own elaborate and imagistic narratives. In this study, I argue two main points. First, Plutarch’s treatment of mythic narratives, in their dangers and their potential uses, is carefully modelled after Plato. Both are concerned not only about the educational ramifications of stories for the young, but also the problem of how unreal images can lead the audience to reality. Plutarch nevertheless develops his myths, especially in the dialogues De sera numinis vindicta and De facie in orbe lunae, to fulfill similar functions as Plato’s, whether to emphasize a predominate ethical point in the rest of the dialogue, such as in the myth of Er, or to provide a teleological sketch for how the arrangement of the world might be good, such as in the Timaeus. Imagistic narratives such as these, for Plutarch as for Plato, do not transcend the reach of rational discourse, as much of the scholarship holds, however, but rather form likely accounts. Second, I argue that Plutarch constructs his own Platonic mythmaking as a distinctive kind of discourse that acts in parallel to dialectic interpretation. Whether interpreting traditional religious material, such as from the cults of Delphi and Isis, or explaining the complicated meanings of Plato’s Timaeus through appeal to the other dialogues, these dialectical discourses also yield likely accounts. Given the epistemic difficulties posed by both theology and physics, for different reasons, Plutarch cannot transcend beyond such accounts. The complementary use of these two modes of discourse, dialectical exegesis and imagistic mythmaking, illuminates some central workings of Plutarch’s Platonism

    Plutarch reading Plato: Interpretation and Mythmaking in the Early Empire

    Get PDF
    Plutarch of Chaeronea, an eminent figure among the Platonists of the early Roman Empire, built his philosophy by continuously drawing frameworks and models from Plato’s dialogues, both in his works dedicated solely to exegesis and his own lively philosophical dialogues. He both interprets Plato and adapts various models from the Platonic dialogues. Each philosopher was especially concerned with problems posed by myth, yet each also employed their own elaborate and imagistic narratives. In this study, I argue two main points. First, Plutarch’s treatment of mythic narratives, in their dangers and their potential uses, is carefully modelled after Plato. Both are concerned not only about the educational ramifications of stories for the young, but also the problem of how unreal images can lead the audience to reality. Plutarch nevertheless develops his myths, especially in the dialogues De sera numinis vindicta and De facie in orbe lunae, to fulfill similar functions as Plato’s, whether to emphasize a predominate ethical point in the rest of the dialogue, such as in the myth of Er, or to provide a teleological sketch for how the arrangement of the world might be good, such as in the Timaeus. Imagistic narratives such as these, for Plutarch as for Plato, do not transcend the reach of rational discourse, as much of the scholarship holds, however, but rather form likely accounts. Second, I argue that Plutarch constructs his own Platonic mythmaking as a distinctive kind of discourse that acts in parallel to dialectic interpretation. Whether interpreting traditional religious material, such as from the cults of Delphi and Isis, or explaining the complicated meanings of Plato’s Timaeus through appeal to the other dialogues, these dialectical discourses also yield likely accounts. Given the epistemic difficulties posed by both theology and physics, for different reasons, Plutarch cannot transcend beyond such accounts. The complementary use of these two modes of discourse, dialectical exegesis and imagistic mythmaking, illuminates some central workings of Plutarch’s Platonism
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