Photometric stereo for strong specular highlights

Photometric stereo (PS) is a fundamental technique in computer vision known to produce 3-D shape with high accuracy. The setting of PS is defined by using several input images of a static scene taken from one and the same camera position but under varying illumination. The vast majority of studies in this 3-D reconstruction method assume orthographic projection for the camera model. In addition, they mainly consider the Lambertian reflectance model as the way that light scatters at surfaces. So, providing reliable PS results from real world objects still remains a challenging task. We address 3-D reconstruction by PS using a more realistic set of assumptions combining for the first time the complete Blinn-Phong reflectance model and perspective projection. To this end, we will compare two different methods of incorporating the perspective projection into our model. Experiments are performed on both synthetic and real world images. Note that our real-world experiments do not benefit from laboratory conditions. The results show the high potential of our method even for complex real world applications such as medical endoscopy images which may include high amounts of specular highlights

Unsupervised Deep Single-Image Intrinsic Decomposition using Illumination-Varying Image Sequences

Machine learning based Single Image Intrinsic Decomposition (SIID) methods decompose a captured scene into its albedo and shading images by using the knowledge of a large set of known and realistic ground truth decompositions. Collecting and annotating such a dataset is an approach that cannot scale to sufficient variety and realism. We free ourselves from this limitation by training on unannotated images. Our method leverages the observation that two images of the same scene but with different lighting provide useful information on their intrinsic properties: by definition, albedo is invariant to lighting conditions, and cross-combining the estimated albedo of a first image with the estimated shading of a second one should lead back to the second one's input image. We transcribe this relationship into a siamese training scheme for a deep convolutional neural network that decomposes a single image into albedo and shading. The siamese setting allows us to introduce a new loss function including such cross-combinations, and to train solely on (time-lapse) images, discarding the need for any ground truth annotations. As a result, our method has the good properties of i) taking advantage of the time-varying information of image sequences in the (pre-computed) training step, ii) not requiring ground truth data to train on, and iii) being able to decompose single images of unseen scenes at runtime. To demonstrate and evaluate our work, we additionally propose a new rendered dataset containing illumination-varying scenes and a set of quantitative metrics to evaluate SIID algorithms. Despite its unsupervised nature, our results compete with state of the art methods, including supervised and non data-driven methods.Comment: To appear in Pacific Graphics 201

Properties and Applications of Shape Recipes

In low-level vision, the representation of scene properties such as shape, albedo, etc., are very high dimensional as they have to describe complicated structures. The approach proposed here is to let the image itself bear as much of the representational burden as possible. In many situations, scene and image are closely related and it is possible to find a functional relationship between them. The scene information can be represented in reference to the image where the functional specifies how to translate the image into the associated scene. We illustrate the use of this representation for encoding shape information. We show how this representation has appealing properties such as locality and slow variation across space and scale. These properties provide a way of improving shape estimates coming from other sources of information like stereo

PhotoApp: Photorealistic Appearance Editing of Head Portraits

Photorealistic editing of portraits is a challenging task as humans are very sensitive to inconsistencies in faces. We present an approach for high-quality intuitive editing of the camera viewpoint and scene illumination in a portrait image. This requires our method to capture and control the full reflectance field of the person in the image. Most editing approaches rely on supervised learning using training data captured with setups such as light and camera stages. Such datasets are expensive to acquire, not readily available and do not capture all the rich variations of in-the-wild portrait images. In addition, most supervised approaches only focus on relighting, and do not allow camera viewpoint editing. Thus, they only capture and control a subset of the reflectance field. Recently, portrait editing has been demonstrated by operating in the generative model space of StyleGAN. While such approaches do not require direct supervision, there is a significant loss of quality when compared to the supervised approaches. In this paper, we present a method which learns from limited supervised training data. The training images only include people in a fixed neutral expression with eyes closed, without much hair or background variations. Each person is captured under 150 one-light-at-a-time conditions and under 8 camera poses. Instead of training directly in the image space, we design a supervised problem which learns transformations in the latent space of StyleGAN. This combines the best of supervised learning and generative adversarial modeling. We show that the StyleGAN prior allows for generalisation to different expressions, hairstyles and backgrounds. This produces high-quality photorealistic results for in-the-wild images and significantly outperforms existing methods. Our approach can edit the illumination and pose simultaneously, and runs at interactive rates.Comment: http://gvv.mpi-inf.mpg.de/projects/PhotoApp

A Proposal Concerning the Analysis of Shadows in Images by an Active Observer (Dissertation Proposal)

Shadows occur frequently in indoor scenes and outdoors on sunny days. Despite the information inherent in shadows about a scene\u27s geometry and lighting conditions, relatively little work in image understanding has addressed the important problem of recognizing shadows. This is an even more serious failing when one considers the problems shadows pose for many visual techniques such as object recognition and shape from shading. Shadows are difficult to identify because they cannot be infallibly recognized until a scene\u27s geometry and lighting are known. However, there are a number of cues which together strongly suggest the identification of a shadow. We present a list of these cues and methods which can be used by an active observer to detect shadows. By an active observer, we mean an observer that is not only mobile, but can extend a probe into its environment. The proposed approach should allow the extraction of shadows in real time. Furthermore, the identification of a shadow should improve with observing time. In order to be able to identify shadows without or prior to obtaining information about the arrangement of objects or information about the spectral properties of materials in the scene, we provide the observer with a probe with which to cast its own shadows. Any visible shadows cast by the probe can be easily identified because they will be new to the scene. These actively obtained shadows allow the observer to experimentally determine the number and location of light sources in the scene, to locate the cast shadows, and to gain information about the likely spectral changes due to shadows. We present a novel method for locating a light source and the surface on which a shadow is cast. It takes into account errors in imaging and image processing and, furthermore, it takes special advantage of the benefits of an active observer. The information gained from the probe is of particular importance in effectively using the various shadow cues. In the course of identifying shadows, we also present a new modification on an image segmentation algorithm. Our modification provides a general description of color images in terms of regions that is particularly amenable to the analysis of shadows