Préface / Foreword

No abstrac

A Micro-Museum Quarter in Sombor, Serbia, as a Sustainable Model for Managing Cultural Heritage in Small Shrinking Cities in Europe

A museum quarter is praised as a suitable model for the regeneration of global cities. However, it has rarely been implemented in smaller, shrinking cities with a rich heritage, which has become a ‘new normality’ across Europe. These cities usually face institutional, organisational, and economic limitations in their development. Forming a museum quarter at a micro-scale in such city can be a rational model to address these constraints. This paper presents an emerging micro-museum quarter in the historic city of Sombor in Serbia, where the bottom-up level initiated it to deal with the fast shrinkage of the city. /// Le quartier-musée est présenté comme un modèle efficace pour la régénération des grandes métropoles. Néanmoins, il n’a jamais été appliqué aux plus petites villes ou aux villes en décroissance dont les sites patrimoniaux sont pourtant d’une grande richesse. Ces villes deviennent une « nouvelle normalité » dans le paysage européen et font face à des restrictions institutionnelles, organisationnelles et économiques. Construire des quartiers-musées à une micro-échelle dans de telles villes pourrait être une solution pour surmonter ces restrictions. Cet article présente un micro quartier-musée émergeant dans la ville historique de Sombor en Serbie où l’initiative a pris racine au niveau local afin de lutter contre la rapide décroissance de la ville.Дати симпозијум је званично одржан под покровитељством Европске Уније и Француског министарства културе током 6-месечног председавања Француск

Lexique bibliothéconomique en langues étrangères

Comment dit-on : bulletinage, carte d’adhérent,catalogage,dépouillement de périodiques, fonds local, heure de pointe, littérature grise, oeuvre complète, pilon, reliure souple, usuel... , en anglais, espagnol, catalan, tchèque ? Ce lexique bibliothéconomique multilingue propose plus de 1 500 entrées spécifiques au vocabulaire des bibliothèques, en 5 langues différentes

Manifest paper exhibitions : curating as a radical re-materialisation of forms

Voids, Choreographing Exhibitions, the exhibition of a film, The Anti-Museum, and Gustav Metzger, Writings 1953 – 2016. It is through the prism of emptiness, choreography, cinema, dialectic antagonism and an artist’s corpus of writings that these experimental publications propose a redefinition of the semantics involved. They foster new theoretical and practical perspectives through the exploration of extreme philosophies and cultural practices. These publications deconstruct the normative acceptations of what exhibitions, and catalogues, can be. Advancing extreme forms for exhibitions, these manifest anthologies are calls for action. In addressing their inherent materialities, I challenge the tacitly accepted theories of what to curate is. A curator is in turn and simultaneously a playwright, a choreographer, a filmmaker, a writer, a historian, (…). A curator voices a voice, as s-he builds a repertoire. Considering exhibitions as materials, Voids and The Anti-Museum stem from a history of radical exhibitions. Both offer a re-appraisal of modern and contemporary art history seen through the prism of radical culture. Seizing the materiality of exhibitions, Choreographing Exhibitions recast exhibition-making in museum contexts, whilst the exhibition of a film challenges the museology of cinema and exhibitions made films. Gustav Metzger, Writings 1953 – 2016 offers a lasting testimony to a revolutionary artist, a radical theorist, and critic of our times. Metzger consciously produced sparingly. The accumulated wealth of his writing is akin to proposing a retrospective of his work in its original materiality, an art of propositions. The red thread that binds these publications together is a study in radicality. Uncompromising attitudes as forms, radical exhibitions as books and a complete re-materialisation of forms: all affirm a voice as a polyphony of voices. As Manifest Paper Exhibitions, these publications comprise a complex autonomous entity of manifest positions where the exhibition is the catalogue, and the catalogue is the exhibition

Préface, Foreword, Prefacio, Vorwort

Préface, Foreword, Prefacio, Vorwort. In: Cahiers de Fontenay, n°13-15, 1979. Fragments. pp. 5-7

Préface / Foreword

Trégouët René. Préface / Foreword. In: Géocarrefour, vol. 75, n°1, 2000. Espaces ruraux et technologie de l'information. p. 3

Préface / Foreword

Trégouët René. Préface / Foreword. In: Géocarrefour, vol. 75, n°1, 2000. Espaces ruraux et technologie de l'information. p. 3