Conference Photos

This item contains photographs taken at the Seventh Biennial International Conference of Greek Studies

Conference Photos

Conference photos taken at the Fifth Biennial International Conference of Greek Studies, 2003

Photograph of a Abraham Lincoln Impersonator Exiting a Stage

Color snapshot photo of unidentified actor as A. Lincoln. The unidentified actor is shown exiting a stage. The unidentified actor faces the right side of the page. There is a large speaker in the center right of the image. photograph produced by Fox Photos (American, 1909-current)https://scholarsjunction.msstate.edu/fvw-artifacts/4757/thumbnail.jp

Smart Photos

Recent technological leaps have been a great catalyst for changing how people interact with the world around us. Specifically, the field of Augmented Reality has led to many software and hardware advances that have formed a digital intermediary between humans and their environment. As of now, Augmented Reality is available to the select few with the means of obtaining Google Glass, Oculus Rifts, and other relatively expensive platforms. Be that as it may, the tech industry\u27s current goal has been integration of this technology into the public\u27s smartphones and everyday devices. One inhibitor of this goal is the difficulty of finding an Augmented Reality application whose usage could satisfy an everyday need or attraction. Augmented reality presents our world in a unique perspective that can be found nowhere else in the natural world. However, visual impact is weak without substance or meaning. The best technology is invisible, and what makes a good product is its ability to fill a void in a person\u27s life. The most important researchers in this field are those who have been augmenting the tasks that most would consider mundane, such as overlaying nutritional information directly onto a meal [4]. In the same vein, we hope to incorporate Augmented Reality into everyday life by unlocking the full potential of a technology often believed to have already have reached its peak. The humble photograph, a classic invention and unwavering enhancement to the human experience, captures moments in space and time and compresses them into a single permanent state. These two-dimensional assortments of pixels give us a physical representation of the memories we form in specific periods of our lives. We believe this representation can be further enhanced in what we like to call a Smart Photo. The idea behind a Smart Photo is to unlock the full potential in the way that people can interact with photographs. This same notion is explored in the field of Virtual Reality with inventions such as 3D movies, which provide a special appeal that ordinary 2D films cannot. The 3D technology places the viewer inside the film\u27s environment. We intend to marry this seemingly mutually exclusive dichotomy by processing 2D photos alongside their 3D counterparts

Photograph of Sign for Route of Abraham Lincoln 1832 and 1859

Snapshot photo of a marker indicating route of A. Lincoln in Wisconsin in 1832. The sign is brown with white colored lettering. The sign is affixed to a fence. There is also grass and trees in the foreground and background. photograph produced by Fox Photos (American, 1909-current)https://scholarsjunction.msstate.edu/fvw-artifacts/4707/thumbnail.jp

Henri Temianka Photographs, Professional Acquaintances

https://digitalcommons.chapman.edu/temianka_photos/1140/thumbnail.jp

Provenance analysis for instagram photos

As a feasible device fingerprint, sensor pattern noise (SPN) has been proven to be effective in the provenance analysis of digital images. However, with the rise of social media, millions of images are being uploaded to and shared through social media sites every day. An image downloaded from social networks may have gone through a series of unknown image manipulations. Consequently, the trustworthiness of SPN has been challenged in the provenance analysis of the images downloaded from social media platforms. In this paper, we intend to investigate the effects of the pre-defined Instagram images filters on the SPN-based image provenance analysis. We identify two groups of filters that affect the SPN in quite different ways, with Group I consisting of the filters that severely attenuate the SPN and Group II consisting of the filters that well preserve the SPN in the images. We further propose a CNN-based classifier to perform filter-oriented image categorization, aiming to exclude the images manipulated by the filters in Group I and thus improve the reliability of the SPN-based provenance analysis. The results on about 20, 000 images and 18 filters are very promising, with an accuracy higher than 96% in differentiating the filters in Group I and Group II

From mine to apothecary: an archaeo-biomedical approach to the study of the Greco-Roman lithotherapeutics industry

Western biomedicine has only partially developed its own tradition of mineral medicinals (lithotherapeutics), at least compared to botanicals. This is perhaps because these minerals were site-specific, and fundamental information associated with the empirical processes of mineral extraction, beneficiation, storage, trade and preparation was not widely available. In other words, there are many and serious breaks in the multi-link chain from mine to apothecary. This long-term investigation aims to rebuild this chain, on a mineral-bymineral basis, by pulling together the extant documentary record, material culture, mineralogy, geochemistry and microbial ecology, as well as by testing against known pathogens as an indicator of their antimicrobial activity. Critical to understanding the nature and efficacy of lithotherapeutics is the recognition that these materials need to be investigated simultaneously at two levels: the empirical (ancient sources and practices); and the biomedical (application of physical and biological sciences). Both approaches require the same starting point, namely the field (mine or quarry) and in particular the ‘point of contact’ (relationship) between minerals and their microbiome

An examination of a large visual lifelog

With lifelogging gaining in popularity, we examine the differences between visual lifelog photos and explicitly captured digital photos. We do this based on an examination of over a year of continuous visual lifelog capture and a collection of over ten thousand personal digital photos