Learning discrete word embeddings to achieve better interpretability and processing efficiency

L’omniprésente utilisation des plongements de mot dans le traitement des langues naturellesest la preuve de leur utilité et de leur capacité d’adaptation a une multitude de tâches. Ce-pendant, leur nature continue est une importante limite en terme de calculs, de stockage enmémoire et d’interprétation. Dans ce travail de recherche, nous proposons une méthode pourapprendre directement des plongements de mot discrets. Notre modèle est une adaptationd’une nouvelle méthode de recherche pour base de données avec des techniques dernier crien traitement des langues naturelles comme les Transformers et les LSTM. En plus d’obtenirdes plongements nécessitant une fraction des ressources informatiques nécéssaire à leur sto-ckage et leur traitement, nos expérimentations suggèrent fortement que nos représentationsapprennent des unités de bases pour le sens dans l’espace latent qui sont analogues à desmorphèmes. Nous appelons ces unités dessememes, qui, de l’anglaissemantic morphemes,veut dire morphèmes sémantiques. Nous montrons que notre modèle a un grand potentielde généralisation et qu’il produit des représentations latentes montrant de fortes relationssémantiques et conceptuelles entre les mots apparentés.The ubiquitous use of word embeddings in Natural Language Processing is proof of theirusefulness and adaptivity to a multitude of tasks. However, their continuous nature is pro-hibitive in terms of computation, storage and interpretation. In this work, we propose amethod of learning discrete word embeddings directly. The model is an adaptation of anovel database searching method using state of the art natural language processing tech-niques like Transformers and LSTM. On top of obtaining embeddings requiring a fractionof the resources to store and process, our experiments strongly suggest that our representa-tions learn basic units of meaning in latent space akin to lexical morphemes. We call theseunitssememes, i.e., semantic morphemes. We demonstrate that our model has a greatgeneralization potential and outputs representation showing strong semantic and conceptualrelations between related words

Task Allocation in Foraging Robot Swarms:The Role of Information Sharing

Autonomous task allocation is a desirable feature of robot swarms that collect and deliver items in scenarios where congestion, caused by accumulated items or robots, can temporarily interfere with swarm behaviour. In such settings, self-regulation of workforce can prevent unnecessary energy consumption. We explore two types of self-regulation: non-social, where robots become idle upon experiencing congestion, and social, where robots broadcast information about congestion to their team mates in order to socially inhibit foraging. We show that while both types of self-regulation can lead to improved energy efficiency and increase the amount of resource collected, the speed with which information about congestion flows through a swarm affects the scalability of these algorithms

The Music Sound

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music