Fast watermarking of MPEG-1/2 streams using compressed-domain perceptual embedding and a generalized correlator detector

A novel technique is proposed for watermarking of MPEG-1 and MPEG-2 compressed video streams. The proposed scheme is applied directly in the domain of MPEG-1 system streams and MPEG-2 program streams (multiplexed streams). Perceptual models are used during the embedding process in order to avoid degradation of the video quality. The watermark is detected without the use of the original video sequence. A modified correlation-based detector is introduced that applies nonlinear preprocessing before correlation. Experimental evaluation demonstrates that the proposed scheme is able to withstand several common attacks. The resulting watermarking system is very fast and therefore suitable for copyright protection of compressed video

Hardware Implementations of Video Watermarking

Various digital watermarking (WM) techniques for still imaging have been studied in the last several years. Recently, many new WM schemes have been proposed for other types of digital multimedia data, such as text, audio and video. This paper presents a brief overview of existing digital video WM. We classify WM techniques and discuss the properties of video WM. Since each WM application has its own specific requirements, WM design must take the intended application into consideration. Video WM applications are also discussed in the paper. The features of video WM implementations in software and hardware and their differences are presented through the description of four examples of existing work

Copyright Protection for Surveillance System Multimedia Stream with Cellular Automata Watermarking

Intelligent Surveillance Systems are attracting extraordinary attention from research and industry. Security and privacy protection are critical issues for public acceptance of security camera networks. Existing approaches, however, only address isolated aspects without considering the integration with established security technologies and the underlying platform. Easy availability of internet, together with relatively inexpensive digital recording and storage peripherals has created an era where duplication, unauthorized use and misdistribution of digital content has become easier. The ease of availability made digital video popular over analog media like film or tape. At the same time it demands a sharp attention regarding the ownership issue. The ownership and integrity can easily be violated using different audio and video editing softwares. To prevent unauthorized use, misappropriation, misrepresentation; authentication of multimedia contents achieved a broad attention in recent days and to achieve secure copyright protection we embedded some information in audio and videos and that audio or video is called copyright protected. Digital watermarking is a technology to embed additional information into the host signal to ensure security and protection of multimedia data. The embedded information can’t be detected by human but some attacks and operations can tamper that information to breach protection. So in order to find a secure technique of copyright protection, we have analyzed different techniques. After having a good understanding of these techniques we have proposed a novel algorithm that generates results with high effectiveness, additionally we can use self-extracted watermark technique to increase the security and automate the process of watermarking. Forensic digital watermarking is a promising tool in the fight against piracy of copyrighted motion imagery content, but to be effective it must be (1) imperceptibly embedded in high-definition motion picture source, (2) reliably retrieved, even from degraded copies as might result from camcorder capture and subsequent very-low-bitrate compression and distribution on the Internet, and (3) secure against unauthorized removal. Audio and video watermarking enables the copyright protection with owner or customer authentication and the detection of media manipulations. The available watermarking technology concentrates on single media like audio or video. But the typical multimedia stream consists of both video and audio data. Our goal is to provide a solution with robust and fragile aspects to guarantee authentication and integrity by using watermarks in combination with content information. We show two solutions for the protection of audio and video data with a combined robust and fragile watermarking approach. The first solution is to insert a time code into the data: We embed a signal as a watermark to detect gaps or changes in the flow of time. The second solution is more complex: We use watermarks to embed information in each media about the content of the other media. In our paper we present the problem of copyright protection and integrity checks for combined video and audio data. Both the solutions depend upon cellular automata, cellular automata are a powerful computation model that provides a simple way to simulate and solve many difficult problems in different fields. The most widely known example of Cellular Automata is the Game-of-Life. Cellular automaton growth is controlled by predefined rule or programs .The rule describes how the cell will interact with its neighborhood. Once the automaton is started it will work on its own according to the rule specified.

Video object watermarking robust to manipulations

This paper presents a watermarking scheme that embeds a signature in video objects for the MPEG-4 video standard. The different constraints associated with this standard are quite different from classical video watermarking schemes. The mark detection had to be achieved after different video object manipulations such as rotation or scaling operations. Principal component analysis and warping methods are used to enable the synchronization of the mark after geometric manipulations. The embedding of the mark is done adding an oriented random sequence and the detection of the mark is processed using a correlation criterion. The different results point out the fact that the presented scheme can detect the mark after bit-rate modification, object shape sub-sampling and geometric manipulations (scaling and rotations).Cet article présente un schéma de tatouage permettant de marquer des objets vidéo tels qu'ils sont décrits dans le cadre de la norme MPEG-4. Les contraintes liées à cette norme sont différentes de celles connues en tatouage de séquences classiques. Dans un tel contexte, la détection de la signature doit en effet être possible après diverses manipulations de l'objet vidéo telles que des rotations ou changements d'échelle. La méthode proposée utilise la forme de l'objet vidéo pour permettre la synchronisation de la signature. Cette étape est effectuée en utilisant des techniques d'analyse en composantes principales et de « morphing » de séquences de forme prédéfinie. L'insertion de la signature s'effectue ensuite par addition d'une séquence aléatoire orientée, et la détection s'opère par corrélation. Les tests appliqués sur des objets vidéo indiquent que le schéma présenté permet la détection de la signature après des opérations telles que la réduction du débit, le sous-échantillonnage du masque associé à l'objet, ou encore des manipulations géométriques (rotations, changements d'échelle)

From OPIMA to MPEG IPMP-X: A standard's history across R&D projects

This paper describes the work performed by a number of companies and universities who have been working as a consortium under the umbrella of the European Union Framework Programme 5 (FP5), Information Society Technologies (IST) research program, in order to provide a set of Digital Rights Management (DRM) technologies and architectures, aiming at helping to reduce the copyright circumvention risks, that have been threatening the music and film industries in their transition from the “analogue” to “digital” age. The paper starts by addressing some of the earlier standardization efforts in the DRM arena, namely, Open Platform Initiative for Multimedia Access (OPIMA). One of the described FP5 IST projects, Open Components for Controlled Access to Multimedia Material (OCCAMM), has developed the OPIMA vision. The paper addresses also the Motion Pictures Expert Group—MPEG DRM work, starting from the MPEG Intellectual Propriety Management and Protection—IPMP “Hooks”, towards the MPEG IPMP Extensions, which has originated the first DRM-related standard (MPEG-4 Part 13, called IPMP Extensions or IPMP-X) ever released by ISO up to the present days.2 The paper clarifies how the FP5 IST project MPEG Open Security for Embedded Systems (MOSES), has extended the OPIMA interfaces and architecture to achieve compliance with the MPEG IPMP-X standard, and how it has contributed to the achievement of “consensus” and to the specification, implementation (Reference Software) and validation (Conformance Testing) of the MPEG IPMP-X standard.info:eu-repo/semantics/acceptedVersio

Robust Video Watermarking Scheme Based on Intra-Coding Process in MPEG-2 Style

The proposed scheme implemented a semi blind digital watermarking method for video exploiting MPEG-2 standard. The watermark is inserted into selected high frequency coefficients of plain types of discrete cosine transform blocks instead of edge and texture blocks during intra coding process. The selection is essential because the error in such type of blocks is less sensitive to human eyes as compared to other categories of blocks. Therefore, the perceptibility of watermarked video does not degraded sharply. Visual quality is also maintained as motion vectors used for generating the motion compensated images are untouched during the entire watermarking process. Experimental results revealed that the scheme is not only robust to re-compression attack, spatial synchronization attacks like cropping, rotation but also strong to temporal synchronization attacks like frame inserting, deleting, swapping and averaging. The superiority of the anticipated method is obtaining the best sturdiness results contrast to the recently delivered schemes

AN INVESTIGATION OF DIFFERENT VIDEO WATERMARKING TECHNIQUES

Watermarking is an advanced technology that identifies to solve the problem of illegal manipulation and distribution of digital data. It is the art of hiding the copyright information into host such that the embedded data is imperceptible. The covers in the forms of digital multimedia object, namely image, audio and video. The extensive literature collected related to the performance improvement of video watermarking techniques is critically reviewed and presented in this paper. Also, comprehensive review of the literature on the evolution of various video watermarking techniques to achieve robustness and to maintain the quality of watermarked video sequences