Texture Structure Analysis

abstract: Texture analysis plays an important role in applications like automated pattern inspection, image and video compression, content-based image retrieval, remote-sensing, medical imaging and document processing, to name a few. Texture Structure Analysis is the process of studying the structure present in the textures. This structure can be expressed in terms of perceived regularity. Our human visual system (HVS) uses the perceived regularity as one of the important pre-attentive cues in low-level image understanding. Similar to the HVS, image processing and computer vision systems can make fast and efficient decisions if they can quantify this regularity automatically. In this work, the problem of quantifying the degree of perceived regularity when looking at an arbitrary texture is introduced and addressed. One key contribution of this work is in proposing an objective no-reference perceptual texture regularity metric based on visual saliency. Other key contributions include an adaptive texture synthesis method based on texture regularity, and a low-complexity reduced-reference visual quality metric for assessing the quality of synthesized textures. In order to use the best performing visual attention model on textures, the performance of the most popular visual attention models to predict the visual saliency on textures is evaluated. Since there is no publicly available database with ground-truth saliency maps on images with exclusive texture content, a new eye-tracking database is systematically built. Using the Visual Saliency Map (VSM) generated by the best visual attention model, the proposed texture regularity metric is computed. The proposed metric is based on the observation that VSM characteristics differ between textures of differing regularity. The proposed texture regularity metric is based on two texture regularity scores, namely a textural similarity score and a spatial distribution score. In order to evaluate the performance of the proposed regularity metric, a texture regularity database called RegTEX, is built as a part of this work. It is shown through subjective testing that the proposed metric has a strong correlation with the Mean Opinion Score (MOS) for the perceived regularity of textures. The proposed method is also shown to be robust to geometric and photometric transformations and outperforms some of the popular texture regularity metrics in predicting the perceived regularity. The impact of the proposed metric to improve the performance of many image-processing applications is also presented. The influence of the perceived texture regularity on the perceptual quality of synthesized textures is demonstrated through building a synthesized textures database named SynTEX. It is shown through subjective testing that textures with different degrees of perceived regularities exhibit different degrees of vulnerability to artifacts resulting from different texture synthesis approaches. This work also proposes an algorithm for adaptively selecting the appropriate texture synthesis method based on the perceived regularity of the original texture. A reduced-reference texture quality metric for texture synthesis is also proposed as part of this work. The metric is based on the change in perceived regularity and the change in perceived granularity between the original and the synthesized textures. The perceived granularity is quantified through a new granularity metric that is proposed in this work. It is shown through subjective testing that the proposed quality metric, using just 2 parameters, has a strong correlation with the MOS for the fidelity of synthesized textures and outperforms the state-of-the-art full-reference quality metrics on 3 different texture databases. Finally, the ability of the proposed regularity metric in predicting the perceived degradation of textures due to compression and blur artifacts is also established.Dissertation/ThesisPh.D. Electrical Engineering 201

Deep Neural Networks for No-Reference and Full-Reference Image Quality Assessment

We present a deep neural network-based approach to image quality assessment (IQA). The network is trained end-to-end and comprises ten convolutional layers and five pooling layers for feature extraction, and two fully connected layers for regression, which makes it significantly deeper than related IQA models. Unique features of the proposed architecture are that: 1) with slight adaptations it can be used in a no-reference (NR) as well as in a full-reference (FR) IQA setting and 2) it allows for joint learning of local quality and local weights, i.e., relative importance of local quality to the global quality estimate, in an unified framework. Our approach is purely data-driven and does not rely on hand-crafted features or other types of prior domain knowledge about the human visual system or image statistics. We evaluate the proposed approach on the LIVE, CISQ, and TID2013 databases as well as the LIVE In the wild image quality challenge database and show superior performance to state-of-the-art NR and FR IQA methods. Finally, cross-database evaluation shows a high ability to generalize between different databases, indicating a high robustness of the learned features

Subjective and objective quality assessment of ancient degraded documents

Archiving, restoration and analysis of damaged manuscripts have been largely increased in recent decades. Usually, these documents are physically degraded because of aging and improper handing. They also cannot be processed manually because a massive volume of these documents exist in libraries and archives around the world. Therefore, automatic methodologies are needed to preserve and to process their content. These documents are usually processed through their images. Degraded document image processing is a difficult task mainly because of the existing physical degradations. While it can be very difficult to accurately locate and remove such distortions, analyzing the severity and type(s) of these distortions is feasible. This analysis provides useful information on the type and severity of degradations with a number of applications. The main contributions of this thesis are to propose models for objectively assessing the physical condition of document images and to classify their degradations. In this thesis, three datasets of degraded document images along with the subjective ratings for each image are developed. In addition, three no-reference document image quality assessment (NR-DIQA) metrics are proposed for historical and medieval document images. It should be mentioned that degraded medieval document images are a subset of the historical document images and may contain both graphical and textual content. Finally, we propose a degradation classification model in order to identify common distortion types in old document images. Essentially, existing no reference image quality assessment (NR-IQA) metrics are not designed to assess physical document distortions. In the first contribution, we propose the first dataset of degraded document images along with the human opinion scores for each document image. This dataset is introduced to evaluate the quality of historical document images. We also propose an objective NR-DIQA metric based on the statistics of the mean subtracted contrast normalized (MSCN) coefficients computed from segmented layers of each document image. The segmentation into four layers of foreground and background is done based on an analysis of the log-Gabor filters. This segmentation is based on the assumption that the sensitivity of the human visual system (HVS) is different at the locations of text and non-text. Experimental results show that the proposed metric has comparable or better performance than the state-of-the-art metrics, while it has a moderate complexity. Degradation identification and quality assessment can complement each other to provide information on both type and severity of degradations in document images. Therefore, we introduced, in the second contribution, a multi-distortion historical document image database that can be used for the research on quality assessment of degraded documents as well as degradation classification. The developed dataset contains historical document images which are classified into four categories based on their distortion types, namely, paper translucency, stain, readers’ annotations, and worn holes. An efficient NR-DIQA metric is then proposed based on three sets of spatial and frequency image features extracted from two layers of text and non-text. In addition, these features are used to estimate the probability of the four aforementioned physical distortions for the first time in the literature. Both proposed quality assessment and degradation classification models deliver a very promising performance. Finally, we develop in the third contribution a dataset and a quality assessment metric for degraded medieval document (DMD) images. This type of degraded images contains both textual and pictorial information. The introduced DMD dataset is the first dataset in its category that also provides human ratings. Also, we propose a new no-reference metric in order to evaluate the quality of DMD images in the developed dataset. The proposed metric is based on the extraction of several statistical features from three layers of text, non-text, and graphics. The segmentation is based on color saliency with assumption that pictorial parts are colorful. It also follows HVS that gives different weights to each layer. The experimental results validate the effectiveness of the proposed NR-DIQA strategy for DMD images

Towards a Semantic Perceptual Image Metric

We present a full reference, perceptual image metric based on VGG-16, an artificial neural network trained on object classification. We fit the metric to a new database based on 140k unique images annotated with ground truth by human raters who received minimal instruction. The resulting metric shows competitive performance on TID 2013, a database widely used to assess image quality assessments methods. More interestingly, it shows strong responses to objects potentially carrying semantic relevance such as faces and text, which we demonstrate using a visualization technique and ablation experiments. In effect, the metric appears to model a higher influence of semantic context on judgments, which we observe particularly in untrained raters. As the vast majority of users of image processing systems are unfamiliar with Image Quality Assessment (IQA) tasks, these findings may have significant impact on real-world applications of perceptual metrics