Pure-O OCD Is No Laughing Matter

After completing the research phase, I adopted a comprehensive approach that included a literature review, visual analysis, and content analysis. I formulated a visual solution the audience and creators for the film and television industry, drawing on insights from the research findings. Utilizing the same digital platforms that can sometimes perpetuate misinformation, social media and entertainment programming can be harnessed to convey accurate information. The strategic application of these platforms holds the potential to correct misconceptions surrounding the disorder, broadcasting an accurate message. Leveraging the profound reach of the media, this endeavor strives to maximize its wide-ranging impact to foster a heightened comprehension of the difficulties and indignities experienced by individuals contending with the condition. This approach veers away from the often disparaging portrayal OCD receives, aiming to cultivate a more empathetic perspective

Condoms no Laughing Matter

This multimedia project mimics a beer commercial, a lad’s night in, an environment that can be used to target the relevant audience. The goal was to deploy familiar atmosphere and recognisable characters whilst delivering a serious message with humour in a very short space of time

An Analysis of Angus Wilson's "No Laughing Matter"

This thesis examines Angus Wilson's novels with particular attention to No Laughing Matter, 1967. The introductory overview of Wilson's first five novels and the examination of No Laughing Matter show that all Wilson's novels are concerned with his protagonists' capacity for self-deception and the ways deception limits freedom of choice. In No Laughing Matter six protagonists try to balance self-deception and freedom both in their lives and in the art forms which interest them. The thesis traces the lives of these six as they fail both as artists and as people. Chapter III of the thesis studies the relationship of fantasy to character in the novel. In No Laughing Matter particularly, the characters reflect the loss of liberty when individuals do not exercise their freedom to choose

Vol. 35, No. 22, April 1, 1987

•Law School Confronts Racism •Drug Tests Questioned •Ringes Romps In RG\u27s NCAA •No Laughing Matter •Racist Speech Has No Value •Professors\u27 Letter Blasted •Good Chow at Trattoria Bella •Law In The Ra

Vol. 35, No. 22, April 1, 1987

•Law School Confronts Racism •Drug Tests Questioned •Ringes Romps In RG\u27s NCAA •No Laughing Matter •Racist Speech Has No Value •Professors\u27 Letter Blasted •Good Chow at Trattoria Bella •Law In The Ra