8,980 research outputs found

    Chinese Font Style Transfer with Neural Network

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    Font design is an important area in digital art. However, designers have to design character one by one manually. At the same time, Chinese contains more than 20,000 characters. Chinese offical dataset GB 18030-2000 has 27,533 characters. ZhongHuaZiHai, an official Chinese dictionary, contains 85,568 characters. And JinXiWenZiJing, an dataset published by AINet company, includes about 160,000 chinese characters. Thus Chinese font design is a hard task. In the paper, we introduce a method to help designers finish the process faster. With the method, designers only need to design a small set of Chinese characters. Other characters will be generated automatically. Deep neural network develops fast these years and is very powerful. We tried many kinds of deep neural network with different structure and finally use the one we introduce here. The generated characters have similar style as the ones designed by designer as shown in experiment part

    Network of Steel: Neural Font Style Transfer from Heavy Metal to Corporate Logos

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    We introduce a method for transferring style from the logos of heavy metal bands onto corporate logos using a VGG16 network. We establish the contribution of different layers and loss coefficients to the learning of style, minimization of artefacts and maintenance of readability of corporate logos. We find layers and loss coefficients that produce a good tradeoff between heavy metal style and corporate logo readability. This is the first step both towards sparse font style transfer and corporate logo decoration using generative networks. Heavy metal and corporate logos are very different artistically, in the way they emphasize emotions and readability, therefore training a model to fuse the two is an interesting problem

    Multi-Content GAN for Few-Shot Font Style Transfer

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    In this work, we focus on the challenge of taking partial observations of highly-stylized text and generalizing the observations to generate unobserved glyphs in the ornamented typeface. To generate a set of multi-content images following a consistent style from very few examples, we propose an end-to-end stacked conditional GAN model considering content along channels and style along network layers. Our proposed network transfers the style of given glyphs to the contents of unseen ones, capturing highly stylized fonts found in the real-world such as those on movie posters or infographics. We seek to transfer both the typographic stylization (ex. serifs and ears) as well as the textual stylization (ex. color gradients and effects.) We base our experiments on our collected data set including 10,000 fonts with different styles and demonstrate effective generalization from a very small number of observed glyphs

    STEFANN: Scene Text Editor using Font Adaptive Neural Network

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    Textual information in a captured scene plays an important role in scene interpretation and decision making. Though there exist methods that can successfully detect and interpret complex text regions present in a scene, to the best of our knowledge, there is no significant prior work that aims to modify the textual information in an image. The ability to edit text directly on images has several advantages including error correction, text restoration and image reusability. In this paper, we propose a method to modify text in an image at character-level. We approach the problem in two stages. At first, the unobserved character (target) is generated from an observed character (source) being modified. We propose two different neural network architectures - (a) FANnet to achieve structural consistency with source font and (b) Colornet to preserve source color. Next, we replace the source character with the generated character maintaining both geometric and visual consistency with neighboring characters. Our method works as a unified platform for modifying text in images. We present the effectiveness of our method on COCO-Text and ICDAR datasets both qualitatively and quantitatively.Comment: Accepted in The IEEE Conference on Computer Vision and Pattern Recognition (CVPR) 202
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