Self-Evaluation Applied Mathematics 2003-2008 University of Twente

This report contains the self-study for the research assessment of the Department of Applied Mathematics (AM) of the Faculty of Electrical Engineering, Mathematics and Computer Science (EEMCS) at the University of Twente (UT). The report provides the information for the Research Assessment Committee for Applied Mathematics, dealing with mathematical sciences at the three universities of technology in the Netherlands. It describes the state of affairs pertaining to the period 1 January 2003 to 31 December 2008

Social Network Mixing Patterns in Mergers and Acquisitions-A Simulation Experiment

In the contemporary world of global business and continuously growing competition, organizations tend to use mergers and acquisitions to enforce their position on the market. The future organization’s design is a critical success factor in such undertakings. The field of social network analysis can enhance our uderstanding of these processes as it lets us reason about the development of networks, regardless of their origin. The analysis of mixing patterns is particularly useful as it provides an insight into how nodes in a network connect with each other. We hypothesize that organizational networks with compatible mixing patterns will be integrated more successfully. After conducting a simulation experiment, we suggest an integration model based on the analysis of network assortativity. The model can be a guideline for organizational integration, such as occurs in mergers and acquisitions.mergers & acquisition, social network,analysis, mixing patterns, assortativity, organizational design

Volume of the steady-state space of financial flows in a monetary stock-flow-consistent model

We show that a steady-state stock-flow consistent macro-economic model can be represented as a Constraint Satisfaction Problem (CSP).The set of solutions is a polytope, which volume depends on the constraintsapplied and reveals the potential fragility of the economic circuit,with no need to study the dynamics. Several methods to compute the volume are compared, inspired by operations research methods and theanalysis of metabolic networks, both exact and approximate.We also introduce a random transaction matrix, and study the particularcase of linear flows with respect to money stocks

Virtual Population Units: A New Institutional Approach to Fisheries Management

This paper describes an alternative, rights-based approach to the economic problems of fisheries management and governance. The approach is based on the concept of a Virtual Population (VP), which provides an alternative way to define use rights in a fishery management system. Included is a comparison of harvest rates under the VP regime, “sole-owner,†and open-access regimes. In comparison, a VP solution is more efficient than open access and can approach that of a sole owner. More importantly, in our opinion, the approach contains a higher degree of local control over issues such as concentration of ownership and, unlike some community-based systems, provides an explicit, decentralized incentive for conservation. It also contains a built-in incentive mechanism for end-of-year conservation that is absent from individual transferable quotas (ITQs).Virtual populations, virtual population units, ITQs, marginal valuation, Resource /Energy Economics and Policy, Q220, Q590, C720, D830,

Developing digital interventions: a methodological guide.

Digital interventions are becoming an increasingly popular method of delivering healthcare as they enable and promote patient self-management. This paper provides a methodological guide to the processes involved in developing effective digital interventions, detailing how to plan and develop such interventions to avoid common pitfalls. It demonstrates the need for mixed qualitative and quantitative methods in order to develop digital interventions which are effective, feasible, and acceptable to users and stakeholders

Modelling the live-electronics in electroacoustic music using particle systems

Contemporary music is largely influenced by technology. Empowered by the current available tools and resources, composers have the possibility to not only compose with sounds, but also to compose the sounds themselves. Personal computers powered with intuitive and interactive audio applications and development tools allow the creation of a vast range of real-time manipulation of live instrumental input and also real-time generation of sound through synthesis techniques. Consequently, achieving a desired sonority and interaction between the electronic and acoustic sounds in real-time, deeply rely on the choice and technical implementation of the audio processes and logical structures that will perform the electronic part of the composition. Due to the artistic and technical complexity of the development and implementation of such a complex artistic work, a very common strategy historically adopted by composers is to develop the composition in collaboration with a technology expert, which in this context is known as a musical assistant. In this perspective, the work of the musical assistant can be considered as one of translating musical, artistic and aesthetic concepts into mathematical algorithms and audio processes. The work presented in this dissertation addresses the problem of choosing, combining and manipulating the audio processes and logical structures that take place on the liveelectronics (i.e the electronic part of a mixed music composition) of a contemporary electroacoustic music composition, by using particle systems to model and simulate the dynamic behaviors that reflect the conceptual and aesthetic principles envisaged by the composer for a determined musical piece. The presented research work initiates with a thorough identification and analysis of the agents, processes and structures that are present in the live-electronics system of a mixed music composition. From this analysis a logical formalization of a typical live-electronics system is proposed, and then adapted to integrate a particle-based modelling strategy. From the formalization, a theoretical and practical framework for developing and implementing live-electronics systems for mixed music compositions using particle systems is proposed. The framework is experimented and validated in the development of distinct mixed music compositions by distinct composers, in real professional context. From the analysis of the case studies and the logical formalization, and the feedback given by the composers, it is possible to conclude that the proposed particle systems modelling method proves to be effective in the task of assisting the conceptual translation of musical and aesthetic ideas into implementable audio processing software.A música contemporânea é amplamente influenciada pela tecnologia. Os recursos tecnológicos atualmente disponíveis permitem que os compositores criem com sons e ao mesmo tempo criem os sons em si próprios. Os atuais aplicativos e ferramentas de software focados no desenvolvimento, controle e manipulação de processamentos de áudio, permitem a elaboração de diversos tipos de tratamentos e sínteses de som com a capacidade de serem executados e manipulados em tempo real. Consequentemente, a escolha dos algoritmos de processamento de áudio e suas respectivas implementações técnicas em forma de software, são determinantes para que a sonoridade desejada seja atingida, e para que o resultado sonoro satisfaça os objetivos estéticos e conceituais da relação entre as fontes sonoras acústicas e os sons eletrônicos presentes em uma composição eletroacústica de caráter misto. Devido à complexidade artística e técnica do desenvolvimento e implementação do sistema de eletrônica em tempo real de uma composição eletroacústica mista, uma estratégia historicamente adotada por compositores é a de desenvolver a composição em colaboração com um especialista em tecnologia, que neste contexto é usualmente referido como assistente musical. Nesta perspectiva, o trabalho do assistente musical pode ser interpretado como o de traduzir conceitos musicais, artísticos e estéticos em algoritmos matemáticos e processamento de áudio. O trabalho apresentado nesta dissertação aborda a problemática da escolha, combinação e manipulação dos processamentos de áudio e estruturas lógicas presentes no sistema de eletrônica em tempo real de uma composição de música eletroacústica contemporânea, e propõem o uso de sistemas de partículas para modelar e simular os comportamentos dinâmicos e morfológicos que refletem os princípios conceituais e estéticos previstos pelo compositor para uma determinada composição. A parte inicial do trabalho apresentado consiste na identificação e análise detalhada dos agentes, estruturas e processos envolvidos na realização e execução do sistema de eletrônica em tempo real. A partir desta análise é proposta uma formalização lógica e genérica de um sistema de eletrônica em tempo real. Em seguida, esta formalização é modificada e adaptada para integrar uma estratégia de modelagem através de sistemas de partículas. Em sequencia da formalização lógica, um método teórico e prático para o desenvolvimento de sistemas de eletrônica em tempo real para composições de música mista é proposto. O teste e consequente validação do método se dá através de sua utilização na realização da eletrônica em tempo real para obras de diferentes compositores. A análise dos casos de estudo e da formalização lógica, e também o parecer e opinião dos compositores, permitem concluir que o método proposto é de fato eficaz na tarefa de auxiliar o processo de tradução dos conceitos musicais e estéticos propostos pelos compositores em forma de algoritmos e processamentos de som implementados em software

Mixing quantitative and qualitative methods for sustainable transportation in Smart Cities

L'abstract è presente nell'allegato / the abstract is in the attachmen