Musical instrument classification using non-negative matrix factorization algorithms

In this paper, a class of algorithms for automatic classification of individual musical instrument sounds is presented. Several perceptual features used in general sound classification applications were measured for 300 sound recordings consisting of 6 different musical instrument classes (piano, violin, cello, flute, bassoon and soprano saxophone). In addition, MPEG-7 basic spectral and spectral basis descriptors were considered, providing an effective combination for accurately describing the spectral and timbrai audio characteristics. The audio flies were split using 70% of the available data for training and the remaining 30% for testing. A classifier was developed based on non-negative matrix factorization (NMF) techniques, thus introducing a novel application of NMF. The standard NMF method was examined, as well as its modifications: the local, the sparse, and the discriminant NMF. Experimental results are presented to compare MPEG-7 spectral basis representations with MPEG-7 basic spectral features alongside the various NMF algorithms. The results indicate that the use of the spectrum projection coefficients for feature extraction and the standard NMF classifier yields an accuracy exceeding 95%. ©2006 IEEE

Musical instrument classification using non-negative matrix factorization algorithms and subset feature selection

In this paper, a class of algorithms for automatic classification of individual musical instrument sounds is presented. Several perceptual features used in sound classification applications as well as MPEG-7 descriptors were measured for 300 sound recordings consisting of 6 different musical instrument classes. Subsets of the feature set are selected using branchand-bound search, obtaining the most suitable features for classification. A class of classifiers is developed based on the non-negative matrix factorization (NMF). The standard NMF method is examined as well as its modifications: the local, the sparse, and the discriminant NMF. The experimental results compare feature subsets of varying sizes alongside the various NMF algorithms. It has been found that a subset containing the mean and the variance of the first mel-frequency cepstral coefficient and the AudioSpectrumFlatness descriptor along with the means of the AudioSpectrumEnvelope and the AudioSpectrumSpread descriptors when is fed to a standard NMF classifier yields an accuracy exceeding 95%

An experiment in audio classification from compressed data

In this paper we present an algorithm for automatic classification of sound into speech, instrumental sound/ music and silence. The method is based on thresholding of features derived from the modulation envelope of the frequency limited audio signal. Four characteristics are examined for discrimination: the occurrence and duration of energy peaks, rhythmic content and the level of harmonic content. The proposed algorithm allows classification directly on MPEG-1 audio bitstreams. The performance of the classifier was evaluated on TRECVID test data. The test results are above-average among all TREC participants. The approaches adopted by other research groups participating in TREC are also discussed

The aceToolbox: low-level audiovisual feature extraction for retrieval and classification

In this paper we present an overview of a software platform that has been developed within the aceMedia project, termed the aceToolbox, that provides global and local lowlevel feature extraction from audio-visual content. The toolbox is based on the MPEG-7 eXperimental Model (XM), with extensions to provide descriptor extraction from arbitrarily shaped image segments, thereby supporting local descriptors reflecting real image content. We describe the architecture of the toolbox as well as providing an overview of the descriptors supported to date. We also briefly describe the segmentation algorithm provided. We then demonstrate the usefulness of the toolbox in the context of two different content processing scenarios: similarity-based retrieval in large collections and scene-level classification of still images

Methodological considerations concerning manual annotation of musical audio in function of algorithm development

In research on musical audio-mining, annotated music databases are needed which allow the development of computational tools that extract from the musical audiostream the kind of high-level content that users can deal with in Music Information Retrieval (MIR) contexts. The notion of musical content, and therefore the notion of annotation, is ill-defined, however, both in the syntactic and semantic sense. As a consequence, annotation has been approached from a variety of perspectives (but mainly linguistic-symbolic oriented), and a general methodology is lacking. This paper is a step towards the definition of a general framework for manual annotation of musical audio in function of a computational approach to musical audio-mining that is based on algorithms that learn from annotated data. 1

K-Space at TRECVid 2007

In this paper we describe K-Space participation in TRECVid 2007. K-Space participated in two tasks, high-level feature extraction and interactive search. We present our approaches for each of these activities and provide a brief analysis of our results. Our high-level feature submission utilized multi-modal low-level features which included visual, audio and temporal elements. Specific concept detectors (such as Face detectors) developed by K-Space partners were also used. We experimented with different machine learning approaches including logistic regression and support vector machines (SVM). Finally we also experimented with both early and late fusion for feature combination. This year we also participated in interactive search, submitting 6 runs. We developed two interfaces which both utilized the same retrieval functionality. Our objective was to measure the effect of context, which was supported to different degrees in each interface, on user performance. The first of the two systems was a ‘shot’ based interface, where the results from a query were presented as a ranked list of shots. The second interface was ‘broadcast’ based, where results were presented as a ranked list of broadcasts. Both systems made use of the outputs of our high-level feature submission as well as low-level visual features