Rotation and Scale Invariant Texture Classification

Texture classification is very important in image analysis. Content based image retrieval, inspection of surfaces, object recognition by texture, document segmentation are few examples where texture classification plays a major role. Classification of texture images, especially those with different orientation and scale changes, is a challenging and important problem in image analysis and classification. This thesis proposes an effective scheme for rotation and scale invariant texture classification. The rotation and scale invariant feature extraction for a given image involves applying a log-polar transform to eliminate the rotation and scale effects, but at same time produce a row shifted log-polar image, which is then passed to an adaptive row shift invariant wavelet packet transform to eliminate the row shift effects. So, the output wavelet coefficients are rotation and scale invariant. The adaptive row shift invariant wavelet packet transform is quite efficient with only O (n*log n) complexity. The experimental results, based on different testing data sets for images from Brodatz album with different orientations and scales, show that the implemented classification scheme outperforms other texture classification methods, its overall accuracy rate for joint rotation and scale invariance being 87.09 percent

Spread spectrum-based video watermarking algorithms for copyright protection

Merged with duplicate record 10026.1/2263 on 14.03.2017 by CS (TIS)Digital technologies know an unprecedented expansion in the last years. The consumer can now benefit from hardware and software which was considered state-of-the-art several years ago. The advantages offered by the digital technologies are major but the same digital technology opens the door for unlimited piracy. Copying an analogue VCR tape was certainly possible and relatively easy, in spite of various forms of protection, but due to the analogue environment, the subsequent copies had an inherent loss in quality. This was a natural way of limiting the multiple copying of a video material. With digital technology, this barrier disappears, being possible to make as many copies as desired, without any loss in quality whatsoever. Digital watermarking is one of the best available tools for fighting this threat. The aim of the present work was to develop a digital watermarking system compliant with the recommendations drawn by the EBU, for video broadcast monitoring. Since the watermark can be inserted in either spatial domain or transform domain, this aspect was investigated and led to the conclusion that wavelet transform is one of the best solutions available. Since watermarking is not an easy task, especially considering the robustness under various attacks several techniques were employed in order to increase the capacity/robustness of the system: spread-spectrum and modulation techniques to cast the watermark, powerful error correction to protect the mark, human visual models to insert a robust mark and to ensure its invisibility. The combination of these methods led to a major improvement, but yet the system wasn't robust to several important geometrical attacks. In order to achieve this last milestone, the system uses two distinct watermarks: a spatial domain reference watermark and the main watermark embedded in the wavelet domain. By using this reference watermark and techniques specific to image registration, the system is able to determine the parameters of the attack and revert it. Once the attack was reverted, the main watermark is recovered. The final result is a high capacity, blind DWr-based video watermarking system, robust to a wide range of attacks.BBC Research & Developmen

A Deep Representation for Invariance And Music Classification

Representations in the auditory cortex might be based on mechanisms similar to the visual ventral stream; modules for building invariance to transformations and multiple layers for compositionality and selectivity. In this paper we propose the use of such computational modules for extracting invariant and discriminative audio representations. Building on a theory of invariance in hierarchical architectures, we propose a novel, mid-level representation for acoustical signals, using the empirical distributions of projections on a set of templates and their transformations. Under the assumption that, by construction, this dictionary of templates is composed from similar classes, and samples the orbit of variance-inducing signal transformations (such as shift and scale), the resulting signature is theoretically guaranteed to be unique, invariant to transformations and stable to deformations. Modules of projection and pooling can then constitute layers of deep networks, for learning composite representations. We present the main theoretical and computational aspects of a framework for unsupervised learning of invariant audio representations, empirically evaluated on music genre classification.Comment: 5 pages, CBMM Memo No. 002, (to appear) IEEE 2014 International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2014