738 research outputs found

    IVGPR: A New Program for Advanced End-To-End GPR Processing

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    Ground penetrating radar (GPR) processing workflows commonly rely on techniques developed particularly for seismic reflection imaging. Although this practice has produced an abundance of reliable results, it is limited to basic applications. As the popularity of GPR continues to surge, a greater number of complex studies demand the use of routines that take into account the unique properties of GPR signals. Such is the case of surveys that examine the material properties of subsurface scatterers. The nature of these complicated tasks have created a demand for GPR-specific processing packages flexible enough to tackle new applications. Unlike seismic processing programs, however, GPR counterparts often afford only a limited amount of functionalities. This work produced a new GPR-specific processing package, dubbed IVGPR, that offers over 60 fully customizable procedures. This program was built using the modern Fortran programming language in combination with serial and parallel optimization practices that allow it to achieve high levels of performance. Within its many functions, IVGPR provides the rare opportunity to apply a three-dimensional single-component vector migration routine. This could be of great value for advanced workflows designed to develop and test new true-amplitude and inversion algorithms. Numerous examples given through this work demonstrate the effectiveness of key routines in IVGPR. Additionally, three case studies show end-to-end applications of this program to field records that produced satisfactory result well-suited interpretatio

    The detection of unknown waveforms in ESM receivers: FFT-based real-time solutions

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    Radars and airborne electronic support measures (ESMs) systems are locked in a tactical battle to detect each other whilst remaining undetected. Traditionally, the ESM system has a range advantage. Low probability of intercept (LPI) waveform designers are, however, more heavily exploiting the matched filter radar advantage and hence degrading the range advantage. There have been literature and internal, SELEX Galileo proposals to regain some ESM processing gain of low probability of intercept (LPI) waveforms. This study, however, has sought digital signal processing (DSP) solutions which are: (1) computationally simple; (2) backward-compatible with existing SELEX Galileo digital receivers (DRxs) and (3) have low resource requirements. The two contributions are complementary and result in a detector which is suitable for detection of most radar waveforms. The first contribution is the application of spatially variant apodization (SVA) in a detection role. Compared to conventional window functions, SVA was found to be beneficial for the detection of sinusoidal radar waveforms as it surpassed the fixed window function detectors in all scenarios tested. The second contribution shows by simulation that simple spectral smoothing techniques improved DRx LPI detection capability to a level similar to more complicated non-parametric spectral estimators and far in excess of the conventional (modified) periodogram. The DSP algorithms were implemented using model-based design (MBD). The implication is that a detector with improved conventional and LPI waveform detection capability can be created from the intellectual property (IP). Estimates of the improvement in SELEX Galileo DRx system detection range are provided in the conclusion

    A Parametric Sound Object Model for Sound Texture Synthesis

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    This thesis deals with the analysis and synthesis of sound textures based on parametric sound objects. An overview is provided about the acoustic and perceptual principles of textural acoustic scenes, and technical challenges for analysis and synthesis are considered. Four essential processing steps for sound texture analysis are identifi ed, and existing sound texture systems are reviewed, using the four-step model as a guideline. A theoretical framework for analysis and synthesis is proposed. A parametric sound object synthesis (PSOS) model is introduced, which is able to describe individual recorded sounds through a fi xed set of parameters. The model, which applies to harmonic and noisy sounds, is an extension of spectral modeling and uses spline curves to approximate spectral envelopes, as well as the evolution of parameters over time. In contrast to standard spectral modeling techniques, this representation uses the concept of objects instead of concatenated frames, and it provides a direct mapping between sounds of diff erent length. Methods for automatic and manual conversion are shown. An evaluation is presented in which the ability of the model to encode a wide range of di fferent sounds has been examined. Although there are aspects of sounds that the model cannot accurately capture, such as polyphony and certain types of fast modulation, the results indicate that high quality synthesis can be achieved for many different acoustic phenomena, including instruments and animal vocalizations. In contrast to many other forms of sound encoding, the parametric model facilitates various techniques of machine learning and intelligent processing, including sound clustering and principal component analysis. Strengths and weaknesses of the proposed method are reviewed, and possibilities for future development are discussed

    Perceptual techniques in audio quality assessment

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    Towards Real-Time Non-Stationary Sinusoidal Modelling of Kick and Bass Sounds for Audio Analysis and Modification

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    Sinusoidal Modelling is a powerful and flexible parametric method for analysing and processing audio signals. These signals have an underlying structure that modern spectral models aim to exploit by separating the signal into sinusoidal, transient, and noise components. Each of these can then be modelled in a manner most appropriate to that component's inherent structure. The accuracy of the estimated parameters is directly related to the quality of the model's representation of the signal, and the assumptions made about its underlying structure. For sinusoidal models, these assumptions generally affect the non-stationary estimates related to amplitude and frequency modulations, and the type of amplitude change curve. This is especially true when using a single analysis frame in a non-overlapping framework, where biased estimates can result in discontinuities at frame boundaries. It is therefore desirable for such a model to distinguish between the shape of different amplitude changes and adapt the estimation of this accordingly. Intra-frame amplitude change can be interpreted as a change in the windowing function applied to a stationary sinusoid, which can be estimated from the derivative of the phase with respect to frequency at magnitude peaks in the DFT spectrum. A method for measuring monotonic linear amplitude change from single-frame estimates using the first-order derivative of the phase with respect to frequency (approximated by the first-order difference) is presented, along with a method of distinguishing between linear and exponential amplitude change. An adaption of the popular matching pursuit algorithm for refining model parameters in a segmented framework has been investigated using a dictionary comprised of sinusoids with parameters varying slightly from model estimates, based on Modelled Pursuit (MoP). Modelling of the residual signal using a segmented undecimated Wavelet Transform (segUWT) is presented. A generalisation for both the forward and inverse transforms, for delay compensations and overlap extensions for different lengths of Wavelets and the number of decomposition levels in an Overlap Save (OLS) implementation for dealing with convolution block-based artefacts is presented. This shift invariant implementation of the DWT is a popular tool for de-noising and shows promising results for the separation of transients from noise

    Computer Models for Musical Instrument Identification

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    PhDA particular aspect in the perception of sound is concerned with what is commonly termed as texture or timbre. From a perceptual perspective, timbre is what allows us to distinguish sounds that have similar pitch and loudness. Indeed most people are able to discern a piano tone from a violin tone or able to distinguish different voices or singers. This thesis deals with timbre modelling. Specifically, the formant theory of timbre is the main theme throughout. This theory states that acoustic musical instrument sounds can be characterised by their formant structures. Following this principle, the central point of our approach is to propose a computer implementation for building musical instrument identification and classification systems. Although the main thrust of this thesis is to propose a coherent and unified approach to the musical instrument identification problem, it is oriented towards the development of algorithms that can be used in Music Information Retrieval (MIR) frameworks. Drawing on research in speech processing, a complete supervised system taking into account both physical and perceptual aspects of timbre is described. The approach is composed of three distinct processing layers. Parametric models that allow us to represent signals through mid-level physical and perceptual representations are considered. Next, the use of the Line Spectrum Frequencies as spectral envelope and formant descriptors is emphasised. Finally, the use of generative and discriminative techniques for building instrument and database models is investigated. Our system is evaluated under realistic recording conditions using databases of isolated notes and melodic phrases
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