Improved Audio Scene Classification based on Label-Tree Embeddings and Convolutional Neural Networks

We present in this article an efficient approach for audio scene classification. We aim at learning representations for scene examples by exploring the structure of their class labels. A category taxonomy is automatically learned by collectively optimizing a tree-structured clustering of the given labels into multiple meta-classes. A scene recording is then transformed into a label tree embedding image. Elements of the image represent the likelihoods that the scene instance belongs to the meta-classes. We investigate classification with label tree embedding features learned from different low-level features as well as their fusion. We show that combination of multiple features is essential to obtain good performance. While averaging label-tree embedding images over time yields good performance, we argue that average pooling possesses an intrinsic shortcoming. We alternatively propose an improved classification scheme to bypass this limitation. We aim at automatically learning common templates that are useful for the classification task from these images using simple but tailored convolutional neural networks. The trained networks are then employed as a feature extractor that matches the learned templates across a label tree embedding image and produce the maximum matching scores as features for classification. Since audio scenes exhibit rich content, template learning and matching on low-level features would be inefficient. With label tree embedding features, we have quantized and reduced the low-level features into the likelihoods of the meta-classes on which the template learning and matching are efficient. We study both training convolutional neural networks on stacked label tree embedding images and multi-stream networks. Experimental results on the DCASE2016 and LITIS Rouen datasets demonstrate the efficiency of the proposed methods

Objects that Sound

In this paper our objectives are, first, networks that can embed audio and visual inputs into a common space that is suitable for cross-modal retrieval; and second, a network that can localize the object that sounds in an image, given the audio signal. We achieve both these objectives by training from unlabelled video using only audio-visual correspondence (AVC) as the objective function. This is a form of cross-modal self-supervision from video. To this end, we design new network architectures that can be trained for cross-modal retrieval and localizing the sound source in an image, by using the AVC task. We make the following contributions: (i) show that audio and visual embeddings can be learnt that enable both within-mode (e.g. audio-to-audio) and between-mode retrieval; (ii) explore various architectures for the AVC task, including those for the visual stream that ingest a single image, or multiple images, or a single image and multi-frame optical flow; (iii) show that the semantic object that sounds within an image can be localized (using only the sound, no motion or flow information); and (iv) give a cautionary tale on how to avoid undesirable shortcuts in the data preparation.Comment: Appears in: European Conference on Computer Vision (ECCV) 201

SubSpectralNet - Using Sub-Spectrogram based Convolutional Neural Networks for Acoustic Scene Classification

Acoustic Scene Classification (ASC) is one of the core research problems in the field of Computational Sound Scene Analysis. In this work, we present SubSpectralNet, a novel model which captures discriminative features by incorporating frequency band-level differences to model soundscapes. Using mel-spectrograms, we propose the idea of using band-wise crops of the input time-frequency representations and train a convolutional neural network (CNN) on the same. We also propose a modification in the training method for more efficient learning of the CNN models. We first give a motivation for using sub-spectrograms by giving intuitive and statistical analyses and finally we develop a sub-spectrogram based CNN architecture for ASC. The system is evaluated on the public ASC development dataset provided for the "Detection and Classification of Acoustic Scenes and Events" (DCASE) 2018 Challenge. Our best model achieves an improvement of +14% in terms of classification accuracy with respect to the DCASE 2018 baseline system. Code and figures are available at https://github.com/ssrp/SubSpectralNetComment: Accepted to IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP) 201