The Bible and the Liturgical Movement: Scripture as a Voice in the Church, Not a Book Faxed to It

(Excerpt) I want to begin by telling you my own personal connection with the liturgical movement. It happened way back when I was twenty-one years old and entered seminary in 1946. Those were the bad old days when you went through high school, college, seminary, ordination, and under after that. Actually, we are recognizing they were in some ways the good old days, too, because we got a lot of service out of some of those types who started early and who maybe even learned something along the way

Junctions podcast

This report outlines the development process for Junctions, an original, mini-drama podcast that explores racial bias in the context of everyday interaction. The report consists of three sections – The Podcast, Pilot Episode, and Future Episodes – each of which speaks to a different aspect of the program’s framework. It also includes nearly all of the planning documents I created during pre-production, production, and post-production.Radio-Television-Fil

The hole in the wall: self organising systems in education

Transcript of a keynote speech by Sugata Mitra at “Into something rich and strange” – making sense of the sea-change, the 2010 Association for Learning Technology Conference in Nottingham, England. In the chair, Richard Noss, Co-director of the London Knowledge Lab. This text transcript is at http://repository.alt.ac.uk/855/ [82 kB PDF]. A one hour video of the talk is on the ALT-C 2010 web site at http://www.alt.ac.uk/altc2010/ and on the ALT YouTube channel at http://youtube.com/ClipsFromALT/. Alongside this there will be an experimental version of the video that includes the #altc2010 twitter stream at the time of Sugata’s talk. Made publicly available by ALT in November 2010 under a Creative Commons Attribution-Non-Commercial 2.0 UK: England & Wale

Artists Don\u27t Get No Respect: Panel on Attribution and Integrity

When I was considering the question of the moral right to attribution and how unauthorized fan creativity relates to that concept, it struck me that there are two interesting issues from a theoretical perspective. The first is: who gets the credit? When I was in law school and discovered fan fiction, the reason why I got into intellectual property was because most of these stories had a disclaimer-no copyright infringement intended, these characters aren\u27t mine, I\u27m not making any money, please don\u27t sue. And as a student, my question was – does that work? Is that good enough? I was interested in these disclaimers because copyright law does not have an explicit place in the fair use test for evaluating disclaimers as a factor favoring a defense in the way that trademark law does. I, nonetheless, concluded that, in general, fan fiction was going to be fair use. It has yet to be litigated to any particular conclusion. Although cease and desist letters do so still go out, and fans still either comply or they say no, generally there is no result. That is, I think a lot of the copyright owners are unwilling to deal with the publicity and the possibility of finding this as fair use in a litigated case

A brief study of some aspects of early father-child relationship

Thesis (M.S.)--Boston Universit

Avoidance as a strategy of (not) coping: qualitative interviews with carers of Huntington's Disease patients

Peer reviewedPublisher PD