Visually lossless coding in HEVC : a high bit depth and 4:4:4 capable JND-based perceptual quantisation technique for HEVC

Due to the increasing prevalence of high bit depth and YCbCr 4:4:4 video data, it is desirable to develop a JND-based visually lossless coding technique which can account for high bit depth 4:4:4 data in addition to standard 8-bit precision chroma subsampled data. In this paper, we propose a Coding Block (CB)-level JND-based luma and chroma perceptual quantisation technique for HEVC named Pixel-PAQ. Pixel-PAQ exploits both luminance masking and chrominance masking to achieve JND-based visually lossless coding; the proposed method is compatible with high bit depth YCbCr 4:4:4 video data of any resolution. When applied to YCbCr 4:4:4 high bit depth video data, Pixel-PAQ can achieve vast bitrate reductions – of up to 75% (68.6% over four QP data points) – compared with a state-of-the-art luma-based JND method for HEVC named IDSQ. Moreover, the participants in the subjective evaluations confirm that visually lossless coding is successfully achieved by Pixel-PAQ (at a PSNR value of 28.04 dB in one test)

Objective and subjective assessment of perceptual factors in HDR content processing

The development of the display and camera technology makes high dynamic range (HDR) image become more and more popular. High dynamic range image give us pleasant image which has more details that makes high dynamic range image has good quality. This paper shows us the some important techniques in HDR images. And it also presents the work the author did. The paper is formed of three parts. The first part is an introduction of HDR image. From this part we can know why HDR image has good quality

Convolutional sparse coding for high dynamic range imaging

Current HDR acquisition techniques are based on either (i) fusing multibracketed, low dynamic range (LDR) images, (ii) modifying existing hardware and capturing different exposures simultaneously with multiple sensors, or (iii) reconstructing a single image with spatially-varying pixel exposures. In this paper, we propose a novel algorithm to recover high-quality HDRI images from a single, coded exposure. The proposed reconstruction method builds on recently-introduced ideas of convolutional sparse coding (CSC); this paper demonstrates how to make CSC practical for HDR imaging. We demonstrate that the proposed algorithm achieves higher-quality reconstructions than alternative methods, we evaluate optical coding schemes, analyze algorithmic parameters, and build a prototype coded HDR camera that demonstrates the utility of convolutional sparse HDRI coding with a custom hardware platform

On robust optical flow estimation on image sequences with differently exposed frames using primal-dual optimization

Optical flow methods are used to estimate pixelwise motion information based on consecutive frames in image sequences. The image sequences traditionally contain frames that are similarly exposed. However, many real-world scenes contain high dynamic range content that cannot be captured well with a single exposure setting. Such scenes result in certain image regions being over- or underexposed, which can negatively impact the quality of motion estimates in those regions. Motivated by this, we propose to capture high dynamic range scenes using different exposure settings every other frame. A framework for OF estimation on such image sequences is presented, that can straightforwardly integrate techniques from the state-of-the-art in conventional OF methods. Different aspects of robustness of OF methods are discussed, including estimation of large displacements and robustness to natural illumination changes that occur between the frames, and we demonstrate experimentally how to handle such challenging flow estimation scenarios. The flow estimation is formulated as an optimization problem whose solution is obtained using an efficient primal–dual method

JPEG XT: A Compression Standard for HDR and WCG Images [Standards in a Nutshell]

High bit depth data acquisition and manipulation have been largely studied at the academic level over the last 15 years and are rapidly attracting interest at the industrial level. An example of the increasing interest for high-dynamic range (HDR) imaging is the use of 32-bit floating point data for video and image acquisition and manipulation that allows a variety of visual effects that closely mimic the real-world visual experience of the end user [1] (see Figure 1). At the industrial level, we are witnessing increasing traction toward supporting HDR and wide color gamut (WCG). WCG leverages HDR for each color channel to display a wider range of colors. Consumer cameras are currently available with a 14- or 16-bit analog-to-digital converter. Rendering devices are also appearing with the capability to display HDR images and video with a peak brightness of up to 4,000 nits and to support WCG (ITU-R Rec. BT.2020 [2]) rather than the historical ITU-R Rec. BT.709 [3]. This trend calls for a widely accepted standard for higher bit depth support that can be seamlessly integrated into existing products and applications. While standard formats such as the Joint Photographic Experts Group (JPEG) 2000 [5] and JPEG XR [6] offer support for high bit depth image representations, their adoption requires a nonnegligible investment that may not always be affordable in existing imaging ecosystems, and induces a difficult transition, as they are not backward-compatible with the popular JPEG image format

Optical flow estimation on image sequences with differently exposed frames

Optical flow (OF) methods are used to estimate dense motion information between consecutive frames in image sequences. In addition to the specific OF estimation method itself, the quality of the input image sequence is of crucial importance to the quality of the resulting flow estimates. For instance, lack of texture in image frames caused by saturation of the camera sensor during exposure can significantly deteriorate the performance. An approach to avoid this negative effect is to use different camera settings when capturing the individual frames. We provide a framework for OF estimation on such sequences that contain differently exposed frames. Information from multiple frames are combined into a total cost functional such that the lack of an active data term for saturated image areas is avoided. Experimental results demonstrate that using alternate camera settings to capture the full dynamic range of an underlying scene can clearly improve the quality of flow estimates. When saturation of image data is significant, the proposed methods show superior performance in terms of lower endpoint errors of the flow vectors compared to a set of baseline methods. Furthermore, we provide some qualitative examples of how and when our method should be used