1,573 research outputs found

    Freeform User Interfaces for Graphical Computing

    Get PDF
    栱摊ç•Șć·: ç”Č15222 ; ć­ŠäœæŽˆäžŽćčŽæœˆæ—„: 2000-03-29 ; ć­Šäœăźçšźćˆ„: èȘČçš‹ćšćŁ« ; ć­ŠäœăźçšźéĄž: ćšćŁ«(ć·„ć­Š) ; ć­Šäœèš˜ç•Șć·: ćšć·„çŹŹ4717ć· ; ç ”ç©¶ç§‘ăƒ»ć°‚æ”»: ć·„ć­Šçł»ç ”ç©¶ç§‘æƒ…ć ±ć·„ć­Šć°‚

    Freeform User Interfaces for Graphical Computing

    Full text link
    It is difficult to communicate graphical ideas or images to computers using current WIMP-style GUI. Freeform User Interfaces is an interface design framework that leverages the power of freeform strokes to achieve fluent interaction between users and computers in performing graphical tasks. Users express their graphical ideas as freeform strokes using pen-based systems, and the computer takes appropriate actions based on the perceptual features of the strokes. The results are displayed in an informal manner to facilitate exploratory thinking. This paper explores the concept of Freeform UI and shows its possibilities with four example systems: beautification and prediction for 2D geometric drawing, a stroke-based 3D navigation, an electronic office whiteboard, and a sketch-based 3D freeform modeling. While Freeform UI is not suitable for precise, production-oriented applications because of its ambiguity and imprecision, it does provide a natural, highly interactive computing environment for pre-productive, exploratory activities in various graphical applications

    Layout of Multiple Views for Volume Visualization: A User Study

    Get PDF
    Abstract. Volume visualizations can have drastically different appearances when viewed using a variety of transfer functions. A problem then occurs in trying to organize many different views on one screen. We conducted a user study of four layout techniques for these multiple views. We timed participants as they separated different aspects of volume data for both time-invariant and time-variant data using one of four different layout schemes. The layout technique had no impact on performance when used with time-invariant data. With time-variant data, however, the multiple view layouts all resulted in better times than did a single view interface. Surprisingly, different layout techniques for multiple views resulted in no noticeable difference in user performance. In this paper, we describe our study and present the results, which could be used in the design of future volume visualization software to improve the productivity of the scientists who use it

    Sketching-out virtual humans: A smart interface for human modelling and animation

    Get PDF
    In this paper, we present a fast and intuitive interface for sketching out 3D virtual humans and animation. The user draws stick figure key frames first and chooses one for “fleshing-out” with freehand body contours. The system automatically constructs a plausible 3D skin surface from the rendered figure, and maps it onto the posed stick figures to produce the 3D character animation. A “creative model-based method” is developed, which performs a human perception process to generate 3D human bodies of various body sizes, shapes and fat distributions. In this approach, an anatomical 3D generic model has been created with three distinct layers: skeleton, fat tissue, and skin. It can be transformed sequentially through rigid morphing, fatness morphing, and surface fitting to match the original 2D sketch. An auto-beautification function is also offered to regularise the 3D asymmetrical bodies from users’ imperfect figure sketches. Our current system delivers character animation in various forms, including articulated figure animation, 3D mesh model animation, 2D contour figure animation, and even 2D NPR animation with personalised drawing styles. The system has been formally tested by various users on Tablet PC. After minimal training, even a beginner can create vivid virtual humans and animate them within minutes

    Paper-based Mixed Reality Sketch Augmentation as a Conceptual Design Support Tool

    Get PDF
    This undergraduate student paper explores usage of mixed reality techniques as support tools for conceptual design. A proof-of-concept was developed to illustrate this principle. Using this as an example, a small group of designers was interviewed to determine their views on the use of this technology. These interviews are the main contribution of this paper. Several interesting applications were determined, suggesting possible usage in a wide range of domains. Paper-based sketching, mixed reality and sketch augmentation techniques complement each other, and the combination results in a highly intuitive interface

    Information scraps: how and why information eludes our personal information management tools

    No full text
    In this paper we describe information scraps -- a class of personal information whose content is scribbled on Post-it notes, scrawled on corners of random sheets of paper, buried inside the bodies of e-mail messages sent to ourselves, or typed haphazardly into text files. Information scraps hold our great ideas, sketches, notes, reminders, driving directions, and even our poetry. We define information scraps to be the body of personal information that is held outside of its natural or We have much still to learn about these loose forms of information capture. Why are they so often held outside of our traditional PIM locations and instead on Post-its or in text files? Why must we sometimes go around our traditional PIM applications to hold on to our scraps, such as by e-mailing ourselves? What are information scraps' role in the larger space of personal information management, and what do they uniquely offer that we find so appealing? If these unorganized bits truly indicate the failure of our PIM tools, how might we begin to build better tools? We have pursued these questions by undertaking a study of 27 knowledge workers. In our findings we describe information scraps from several angles: their content, their location, and the factors that lead to their use, which we identify as ease of capture, flexibility of content and organization, and avilability at the time of need. We also consider the personal emotive responses around scrap management. We present a set of design considerations that we have derived from the analysis of our study results. We present our work on an application platform, jourknow, to test some of these design and usability findings

    A Review of Milestones in the History of GUI Prototyping Tools

    Get PDF
    International audiencePrototyping is one of the core activities of User-Centered Design (UCD) processes and an integral component of Human-Computer Interaction (HCI) research. Nonetheless, for many years, prototyping was synonym of paper-based mock-ups and only more recently we can say that dedicated tools for supporting prototyping activities really reach the market. In this paper we propose to analyze the evolution of prototyping tools proposed by the academic community to support research activities and prototyping tools that are aimed and improve the development process of commercial user interfaces. Thus, this paper presents a review of past and current graphical user interface prototyping tools, in order to set up the state of the art in this field, observing fundamental milestones of features over time. For that, we have screened publications presented since 1988 in some of the main HCI conferences and 113 commercial tools available on the web. The results enable a brief comparison of characteristics present in both academic and commercial tools, how they have evolved and what are the gaps that can provide insights for future research and development
    • 

    corecore